Starla: Difference between revisions
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"'''Starla'''" is a song from [[The Smashing Pumpkins]]' 1994 [[:Category:Compilation albums|compilation album]], ''[[Pisces Iscariot]]'', originally released on the "[[I Am One]]" single in 1992. | "'''Starla'''" is a song from [[The Smashing Pumpkins]]' 1994 [[:Category:Compilation albums|compilation album]], ''[[Pisces Iscariot]]'', and originally released on the "[[I Am One]]" single in 1992. At just over 11 minutes, it is the longest song on ''Pisces'' and one of the longest in the band's studio catalogue. In a 1998 interview, [[Billy Corgan]] said it was the most emotionally important song on the album, too.<ref>{{Cite web|url=http://www.spfc.org/online/qualityposts.html?content_id=542|website=[[SPFC]]|publisher=Listessa|title=Listessa interviews Billy Corgan|date=May 9, 1998|access-date=May 17, 2023}}</ref> | ||
== Background == | |||
Corgan got the inspiration for the song title when a fan at one of the Pumpkins' concerts told them her name was Starla, a name that Corgan admired. Subsequently to writing the song, Corgan discovered that her name was actually Darla.<ref>Corgan, Billy. ''Pisces Iscariot'' Liner Notes. 1994.</ref> | |||
{{Cquote|i met this girl in dallas when we were on tour with the chili peppa's and that was where i got the idea for the name for the song because when she said her name i thought wow, what a great title for a song. 2 1/4 years later i run into this same girl at a party and i say did you hear that song we recorded using your name, starla? and she said, no my name is darla but hey starla, darla whatever it doesn't matter, so there you go. never trust a girl who ends up with well i can't say.|author=[[Billy Corgan]]|source=[[Pisces Iscariot]] liner notes}} | {{Cquote|i met this girl in dallas when we were on tour with the chili peppa's and that was where i got the idea for the name for the song because when she said her name i thought wow, what a great title for a song. 2 1/4 years later i run into this same girl at a party and i say did you hear that song we recorded using your name, starla? and she said, no my name is darla but hey starla, darla whatever it doesn't matter, so there you go. never trust a girl who ends up with well i can't say.|author=[[Billy Corgan]]|source=[[Pisces Iscariot]] liner notes}} | ||
While there was likely someone named Starla prior to The Smashing Pumpkins song, there are many children today who were born with namesake owing to the song.<ref name="podcast16">{{Cite podcast|url=https://www.iheart.com/podcast/1119-thirty-three-with-william-101982283/episode/fireflies-with-sierra-swan-112213168/|title=Fireflies (with Sierra Swan)|work=[[Thirty-Three (podcast)|Thirty-Three]]|first=Billy|last=Corgan|access-date=May 9, 2023}}</ref> | |||
== Recording == | == Recording == | ||
The full recording as heard on ''Pisces'' occurred in a single all-night session to meet a hard deadline.<ref>Billy Corgan, ''Pisces Iscariot'' remaster liner notes, July 2012</ref> An epic, mesmerizing track built up around extended solos, "Starla" was produced by [[Kerry Brown]] and recorded through a Soundcraft TS12 board onto a TASCAM MS16 one-inch tape machine. Brown used a Yamaha SPX90 for the reverb effect on Corgan's voice, and an Eventide H3000 Ultra-Harmonizer is responsible for the backwards effect that runs through the first third of the song. "I remember that overdub guitar solo," says Brown. "Just him, the headphones, and the cabinet. You don’t hear that much anymore. You can’t simulate what you can do with a cabinet in front of you. I mean, Billy was bending notes on a mic stand!"<ref>Richard Thomas, "Signal To Noise: The Sonic Diary Of The Smashing Pumpkins", Electronic Musician, October 1st, 2008</ref> | The full recording as heard on ''Pisces'' occurred in a single all-night session to meet a hard deadline.<ref>Billy Corgan, ''Pisces Iscariot'' remaster liner notes, July 2012</ref> At the beginning of the session, [[Billy Corgan]] only had the intro guitar riff written. The rest including the lyrics were written on-the-fly.<ref name="podcast16" /> | ||
In a column he wrote for ''[[W:Guitar World|Guitar World]]'', Corgan explained how the song got its arrangement and the interesting effect used at the beginning of the song: | |||
{{Cquote|For the song "Starla," from Pisces Iscariot, I had a riff which didn't really do much for me. Then, I ran it through a fuzz (which gave it a drone-y sound and added some different harmonics), and panned it back and forth in time with the song. Soon, I started to hear an orchestration for the song. The effects inspired the arrangement, even though I didn't end up using the original effects on the final version of the tune.}} | |||
An epic, mesmerizing track built up around extended solos, "Starla" was produced by [[Kerry Brown]] and recorded through a Soundcraft TS12 board onto a TASCAM MS16 one-inch tape machine. Brown used a Yamaha SPX90 for the reverb effect on Corgan's voice, and an Eventide H3000 Ultra-Harmonizer is responsible for the backwards effect that runs through the first third of the song. "I remember that overdub guitar solo," says Brown. "Just him, the headphones, and the cabinet. You don’t hear that much anymore. You can’t simulate what you can do with a cabinet in front of you. I mean, Billy was bending notes on a mic stand!"<ref>Richard Thomas, "Signal To Noise: The Sonic Diary Of The Smashing Pumpkins", Electronic Musician, October 1st, 2008</ref> [[W:AllMusic|''AllMusic'']] wrote that "Starla" "proves that Corgan was one of the finest (and most underrated) rock guitarists of the '90s".<ref>{{Cite web|url=https://www.allmusic.com/album/pisces-iscariot-mw0000626353|website=[[w:AllMusic|AllMusic]]|title=Pisces Iscariot Review by Greg Prato|first=Greg|last=Prato|access-date=May 17, 2023}}</ref> | |||
At around the 5:26 mark in the song, you can hear an ambulance siren<ref name="podcast16" /> that was from when Corgan was recording the acoustic section with a window open. | |||
== Videos == | == Videos == | ||
Latest revision as of 23:57, 17 May 2023
| "Starla" | |
|---|---|
| Song by The Smashing Pumpkins | |
| Released | 1992 |
| Studio sessions | Spring 1992 – Soundworks |
| Length | 11:01 |
| Songwriter(s) | Billy Corgan |
| Producer(s) | Kerry Brown |
"Starla" is a song from The Smashing Pumpkins' 1994 compilation album, Pisces Iscariot, and originally released on the "I Am One" single in 1992. At just over 11 minutes, it is the longest song on Pisces and one of the longest in the band's studio catalogue. In a 1998 interview, Billy Corgan said it was the most emotionally important song on the album, too.[1]
Background[edit | edit source]
Corgan got the inspiration for the song title when a fan at one of the Pumpkins' concerts told them her name was Starla, a name that Corgan admired. Subsequently to writing the song, Corgan discovered that her name was actually Darla.[2]
| “ | i met this girl in dallas when we were on tour with the chili peppa's and that was where i got the idea for the name for the song because when she said her name i thought wow, what a great title for a song. 2 1/4 years later i run into this same girl at a party and i say did you hear that song we recorded using your name, starla? and she said, no my name is darla but hey starla, darla whatever it doesn't matter, so there you go. never trust a girl who ends up with well i can't say. | ” |
| — Billy Corgan, Pisces Iscariot liner notes | ||
While there was likely someone named Starla prior to The Smashing Pumpkins song, there are many children today who were born with namesake owing to the song.[3]
Recording[edit | edit source]
The full recording as heard on Pisces occurred in a single all-night session to meet a hard deadline.[4] At the beginning of the session, Billy Corgan only had the intro guitar riff written. The rest including the lyrics were written on-the-fly.[3]
In a column he wrote for Guitar World, Corgan explained how the song got its arrangement and the interesting effect used at the beginning of the song:
| “ | For the song "Starla," from Pisces Iscariot, I had a riff which didn't really do much for me. Then, I ran it through a fuzz (which gave it a drone-y sound and added some different harmonics), and panned it back and forth in time with the song. Soon, I started to hear an orchestration for the song. The effects inspired the arrangement, even though I didn't end up using the original effects on the final version of the tune. | ” |
An epic, mesmerizing track built up around extended solos, "Starla" was produced by Kerry Brown and recorded through a Soundcraft TS12 board onto a TASCAM MS16 one-inch tape machine. Brown used a Yamaha SPX90 for the reverb effect on Corgan's voice, and an Eventide H3000 Ultra-Harmonizer is responsible for the backwards effect that runs through the first third of the song. "I remember that overdub guitar solo," says Brown. "Just him, the headphones, and the cabinet. You don’t hear that much anymore. You can’t simulate what you can do with a cabinet in front of you. I mean, Billy was bending notes on a mic stand!"[5] AllMusic wrote that "Starla" "proves that Corgan was one of the finest (and most underrated) rock guitarists of the '90s".[6]
At around the 5:26 mark in the song, you can hear an ambulance siren[3] that was from when Corgan was recording the acoustic section with a window open.
Videos[edit | edit source]
Lyrics[edit | edit source]
i'm in here
please take me home
starla dear, i'm all alone
when you can't decide what's on your mind, it's clear
i'm near
starla dear
to disappear takes some more time
starla dear, you're on my mind
soon, soon i'll be leaving
soon, soon i'll be leaving
i hear all you're saying
i hear all you're failing
i'm in here
please take me home
starla dear, i'm all alone
when you can't decide what's on your mind, it's clear
i'm here
starla dear
serve yourself
no one else can do for you like you
no one else fails like me
in my eyes i burn alive
fly like a bird
no more words just you and i
high in the sky
Availability
| Title | Notes | Type |
|---|---|---|
| I Am One | Gish CD version and UK 7" and 12" vinyl releases | Single |
| Gish | 2011 Reissue bonus CD – Trippin' Through the Stars | Studio |
| Siamese Dream | 2011 reissue bonus DVD – Live at the Metro (Live on August 14, 1993) | Studio |
| Pisces Iscariot | Main release | Compilation |
| The Smashing Pumpkins (Machina promo) | Promotional | |
| Ghost Children: A Tribute To The Smashing Pumpkins | Tribute | |
| Rarities and B-Sides | Compilation | |
| If All Goes Wrong | The Fillmore Residency | Video |
| Smashing Pumpkins 4/12/94 | Live |
Tour stats
- Total plays: 185 plays (180 full, 5 tease, 6 soundcheck), 1 acoustic, 7 piano, 2 artists
- First performance: The Smashing Pumpkins 1992-07-23 at Metro, Chicago, IL, US (soundcheck)
- First full performance: The Smashing Pumpkins 1992-07-23 at Metro, Chicago, IL, US
- Last performance: The Smashing Pumpkins 2023-05-26 at BottleRock Napa Valley, Napa, CA, US
- Longest performance: The Smashing Pumpkins 1992-07-23 at Metro, Chicago, IL, US [10:48]
- Shortest performance: The Smashing Pumpkins 1993-07-04 at Raymond Revue Bar, London, UK [6:10]
References[edit | edit source]
- ↑ "Listessa interviews Billy Corgan". SPFC. Listessa. May 9, 1998. Retrieved May 17, 2023.
- ↑ Corgan, Billy. Pisces Iscariot Liner Notes. 1994.
- ↑ 3.0 3.1 3.2 Corgan, Billy. "Fireflies (with Sierra Swan)". Thirty-Three (Podcast). Retrieved May 9, 2023.
- ↑ Billy Corgan, Pisces Iscariot remaster liner notes, July 2012
- ↑ Richard Thomas, "Signal To Noise: The Sonic Diary Of The Smashing Pumpkins", Electronic Musician, October 1st, 2008
- ↑ Prato, Greg. "Pisces Iscariot Review by Greg Prato". AllMusic. Retrieved May 17, 2023.