The Smashing Pumpkins 1996-05-03
| May 3, 1996 – Madrid, ES | |
|---|---|
| Live performance by The Smashing Pumpkins | |
| Infinite Sadness tour | |
| Date | May 3, 1996 |
| Venue | La Nave |
| Location | Madrid, ES |
| Personnel | Billy Corgan, James Iha, D'arcy Wretzky, Jimmy Chamberlin, Jonathan Melvoin |
| Order of bands | The Smashing Pumpkins |
The May 3, 1996 performance was an all-acoustic show.
Setlist
- "1979" (acoustic)
- "Tonight, Tonight" (acoustic)
- "Cupid de Locke" (abandoned) (acoustic)
- "Cupid de Locke" (acoustic)
- "Bullet with Butterfly Wings" (acoustic)
- "Thru the Eyes of Ruby" (acoustic)
- "Thirty-Three" (acoustic)
- "Muzzle" (acoustic)
- "Mayonaise" (acoustic)
Notes
- Only acoustic performance of "Thru the Eyes of Ruby"
Banter
note: annoying DJ obscures large amount of stage banter with talking, interview snippets and playing clips of studio versions of songs
1979
Tonight, Tonight
BC: Thanks a lot. Thank you for coming.
D’arcy: Come again tomorrow night and you'll see us say the--play the same songs, only louder.
Cupid de Locke (abandoned - doesn’t get past Iha intro)
BC: Wait, hold on. Wait, hold on.
Cupid de Locke
Bullet with Butterfly Wings
BC: Um, we’d like to try a new song, try it acoustic.
Thru the Eyes of Ruby (abandoned - Billy’s guitar isn’t quite in tune)
Thru the Eyes of Ruby
D’arcy: You guys look sort of sad. ... Okay. I wanna say hello to [unintelligible].
BC: ...si, I guess in all the bullrings. Tough crowd.
Iha: It isn't that different, no. There’s not that much difference, they all respond [unintelligible].
BC: Ahhhh.
D’arcy: So it better be good.
BC: Were you waiting for this? (audience says “yes”) Alright, sorry. Heh heh, we’re on rock and roll time.
Iha: I met this guy named [unintelligible].
BC: Not much happens to us, to be honest.
D’arcy: You’re gonna have to wait longer.
BC: A lot of the same thing over and over again.
Thirty-three
BC: This one goes out to radio land, wherever you are. I like what you’re wearing.
Iha: [unintelligible]
Muzzle
BC: ...Chicago, that oughta tell you something. So that’s one. Number two, um, you have to remember that when you read interviews in an art....
Mayonaise