The Smashing Pumpkins 1996-10-05: Difference between revisions

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{| border="2" cellpadding="4" cellspacing="0" style="margin: 0 0 1em 1em; border: 1px #aaa solid; border-collapse: collapse; font-size: 95%;" align="right" width=280px
{{infobox live show
! bgcolor="#ffe156" colspan="2" | The Smashing Pumpkins
| artist = The Smashing Pumpkins
|-
| date = October 5, 1996
! align="left" | Date
| venue = [[w:Rosemont Horizon|Rosemont Horizon]]
| 1996-10-05
| location = Rosemont, IL, US
|-
| venue_type = Arena
! align="left" | Venue
| lat = 42.00527778
| Rosemont Horizon
| lng = -87.88777778
|-
| capacity = 18500
! align="left" | Location
| lineup = Billy Corgan, James Iha, D'arcy Wretzky, Matt Walker, Dennis Flemion, Jimmy Flemion
| Rosemont, IL, US
| bands = Grant Lee Buffalo, The Smashing Pumpkins
|-
| tour = Infinite Sadness
! align="left" | Venue Type
}}
| Arena
 
|-
! align="left" | Capacity
| 18,500
|-
! align="left" | Lineup
| Corgan, Iha, Wretzky, Walker, Flemion
|-
! align="left" | Order of Bands
| Grant Lee Buffalo, The Smashing Pumpkins
|-
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #1
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| CSB > TCD-D7(48k)
|-
! align="left" | Length
| 139m
|-
! align="left" | Complete?
| Yes
|-
! align="left" | Lowest Circulating Generation
| DAT-M > FLAC
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/tsp1996-10-05.shn 16-bit download]
|-
! align="left" | Notes
| DDC-? > FLAC transfer also circulates, without flaws present on DAT-M > FLAC transfer. Taper notes the date, band and venue after the show.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1a
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| VID
|-
! align="left" | Equipment
| Unknown
|-
! align="left" | Length
| 12m
|-
! align="left" | Complete?
| No
|-
! align="left" | Lowest Circulating Generation
| VHS-? > DVD
|-
! align="left" | Notes
| 1979 only.  Circulates on Vieuphoria 2 fan compilation.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| VID
|-
! align="left" | Equipment
| Unknown
|-
! align="left" | Length
| ~136m
|-
! align="left" | Complete?
| No
|-
! align="left" | Notes
| VHS(X) MKV transfer circulated January 2019.
|-
! align="left" | Video Link
| [https://www.youtube.com/watch?v=wDYyGECNfz0 Youtube]
|-
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| SS Mic > TCD-D7
|-
! align="left" | Length
| ~140m
|-
! align="left" | Complete?
| Unknown
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| ANA
|-
! align="left" | Equipment
| Marcsounds > WM-D3
|-
! align="left" | Length
| ~140m
|-
! align="left" | Complete?
| Unknown
|-
! bgcolor="#fff9de" colspan="2" align="left" | SBD #1
|-
! align="left" | Source
| SBD
|-
! align="left" | Format
| ADAT
|-
! align="left" | Equipment
| Unknown
|-
! align="left" | Length
| ~140m
|-
! align="left" | Complete?
| Yes
|-
! align="left" | Notes
| Vault copy.
|-
|}
== Setlist ==
== Setlist ==
----
# {{live song|Mellon Collie and the Infinite Sadness (song)|title=Mellon Collie and the Infinite Sadness|prerecorded=1}}
Set:
# {{live song|Where Boys Fear to Tread}}
* Mellon Collie and the Infinite Sadness (over PA)
# {{live song|Zero}}
* Where Boys Fear to Tread
# {{live song|Cherub Rock}}
* Zero
# {{live song|To Forgive}}
* Cherub Rock
# {{live song|Tonight, Tonight}}
* To Forgive
# {{live song|Today}}
* Tonight, Tonight
# {{live song|Thru the Eyes of Ruby}}
* Today
# {{live song|Porcelina of the Vast Oceans}}
* Thru the Eyes of Ruby
## {{live song|Beautiful|tease=1}}
* Porcelina of the Vast Oceans
## {{live song|Rocket|tease=1}}
** Beautiful (unfinished)
# {{live song|We Only Come Out at Night|tease=1|note=one verse|acoustic=1}}
** Rocket (tease)
# {{live song|Disarm|acoustic=1}}
* We Only Come Out at Night (one verse)
# {{live song|Bullet with Butterfly Wings}}
* Disarm
# {{live song|Fuck You}}
* Bullet with Butterfly Wings
# {{live song|Muzzle}}
* Fuck You
 
* Muzzle
=== Encore one ===
Encore One:
# <li value=15>{{live song|1979}}</li>
* 1979
# {{live song|X.Y.U.}}
* X.Y.U.
 
Encore Two:
=== Encore two ===
* Mayonaise
# <li value=17>{{live song|Mayonaise}}</li>
Encore Three:
 
* Silverfuck [32:32]
=== Encore three ===
** The Aeroplane Flies High (tease)
# <li value=18>{{live song|Silverfuck|length=32:32}}</li>
** Dose [Filter] (tease)
## {{live song|The Aeroplane Flies High (Turns Left, Looks Right)|tease=1}}
## {{live song|Dose|tease=1|cover=[[w:Filter (band)|Filter]]}}


=== Notes ===
== Notes ==
* We Only Come Out at Night and Disarm performed acoustic
 
* 1979 with the Frogs
* "1979" with [[Jimmy Flemion]]


== Banter ==
== Banter ==
{{banter|1=
Mellon Collie and the Infinite Sadness Intro
'''Where Boys Fear to Tread'''
'''Zero'''
'''Cherub Rock'''
'''To Forgive'''
“Thank you for participating” tape
> '''Tonight, Tonight'''
BC: Thanks a lot.
Iha: Oh--oh my god, Chi-town city.  You got mad flava.
BC: Thanks a lot for coming.  Thanks a lot for waiting for us to come.
Iha: For us to come out.
BC: So how is everybody?
Iha: Everyone seems to be in a rather good mood...which is good ‘cause we’re...we’re beaten and we’re tired.
BC: Yes, you know we’re not getting any younger, so we need all the support we can get, so thanks a lot for coming.
'''Today'''
> Planet of the Apes clip
> '''Thru the Eyes of Ruby'''
BC: ''(high pitched)'' Thank you.
'''Porcelina of the Vast Oceans / Beautiful / Rocket'''
BC: Thank you very much.  ...  Mmmm.
'''We Only Come Out at Night''' (partial, acoustic)
> '''Disarm''' (acoustic)
Circus tape
> '''Bullet with Butterfly Wings'''
'''Fuck You'''
(BC at pause after “coil my tongue round a bumblebee mouth”: ''(guitar noise)'' Yeah!  ''(guitar noise)'' Uh huh!  ''(guitar noise)'' We got the blues.  ''(guitar noise)''  So what do you want?  ''(guitar noise)''  What do you need?  ‘Cause we give it all back to you...)
BC: Thanks a lot, thank you, thank you.  We appreciate your love and support very much.  Means a lot to us.  You know, I still meet people who don’t know we’re from Chicago, but...we are from Chicago, yes.  I mean, when I say that, I mean people who are from Chicago that don’t know we’re from Chicago.  They’re like the same people that didn’t see the [[w:O._J._Simpson_murder_case|O.J. trial]], you know?  Well, thanks a lot, you’re the best, we love you very much.
'''Muzzle'''
BC: Thank you, thank you.
[encore break]
Iha: Hey, thanks a lot.  How is everybody, okay?  Heh heh.  Please don’t do that now, later.  Um, ladies and gentlemen, a special guest all the way from Milwaukee, let’s have a fine round of applause, of The Frogs, Jimmy Frog!
Jimmy Frog: Heeeyyy.
Iha: Jimmy fuckin’ Frog.  Alright.  On the keyboards, his brother, Dennis.  Yes, Dennis Frog.  And savin’ our ass, savin’ our ass, Matt “Cosmo” Walker!  Thank you, Matt.  A few words, Jimmy?
Jimmy Frog: On the rhythm guitar tonight, M.L. Cool J.  Models Love Cool James Iha.
Iha: Thank you, Jimmy.  Let’s just stick to the guitar though and the wings.  Heh heh.
Jimmy Frog: One of the lead singers on the new [[Catherine]] disc, on the bass guitar, D’arcy!
Iha: She’s made up her mind now and now she’s playing bass.  She’s made up her mind, yes that’s right.
Jimmy Frog: And center stage, wearing the Zero T-shirt, B-I-L-L-Y.
Iha: Rock and roll.  Well, thank you very much for that introduction, Jimmy.  It’s now that time of the show where you, Jimmy Frog, pick two members of the audience.
BC: Wait, wait, hold on.  Hold on a second.  Hold on a second.  Hold on a second!  Hold on a second.
Iha: Wait a minute, wait a minute, we’re keeping the ball rolling.
BC: You know, we did have a new tradition going.  We were in the habit of inviting people up on the stage to dance.  ''(crowd cheers)''  Wait, wait, wait.  Last night the dancers were so horrible that I think we’re gonna stop the tradition, so we are not gonna do the dancing anymore.
Iha: Well, I’m sorry.
D’arcy: I thought they were good.
Iha: This is, uh--there was a lack of, uh, boogie factor on stage last night.
BC: I don’t know, I don’t know.
D’arcy: No no, I disagree.  I disagree.
BC: What do you think?  Bring the dancing back?
Iha: I gotta hear ya.  I gotta know it.  Do we want dancing?
BC: Okay, who wants to dance?  Who vants to dance?  Who shall dance?
Iha: You must be slightly psychopathic to do this.  Jimmy, go pick somebody.  Jimmy Frog will pick somebody.  There you go.
BC: Jimmy shall pick.
Iha: [unintelligible].
BC: Who shall it be?
Iha: Who shall it be?  Jimmy Frog is picking.
BC: Who vants to dance?
Iha: There he goes, down to the barricade to pick some friendly member of the audience out.  One--one guy, one girl.
BC: Who shall dance?
Iha: Who knows where he’ll stop?
BC: You?  No, you can’t dance.
Iha: Who shall be the dancer, Jimmy?  Let’s, uh, get this thing goin’ on.
BC: Ah, Jimmy’ll pick him.
Iha: Who will pick the man of the evening?  I know what you’re thinking, this has stopped the momentum of the show, but we just thought we’d have, uh, some fun.
BC: This girl really wants to dance, she even made a sign.  Should we pick her?
D’arcy: She’s been dancing for the whole show.
BC: Okay, you can come dance, this girl right here.  Come along.  Come join the funky infinite sadness train.
D’arcy: Don’t hurt anybody!  Careful, don’t step on anybody’s head.  Heh heh.
BC: Please take it easy.  Jimmy, have you chosen some dancers?  You can bring five, come on, just five though!  Five only.  Five, five, five, five, five.
D’arcy: Usually we only pick two dancers...but from Chicago we have five.  Five a night.
BC: Whoa.  James is pickin’ the girls from the front row, heh heh heh.
Iha: Okay.  Jimmy, now you brought the men and women up here.
BC: Okay dancers, it’s time to get to know your public.
D’arcy: As you can see, Jimmy cannot count.
BC: Oh my god.  Hahahahaha, oh jesus.
Iha: Okay.
D’arcy: He’s like five squared.
BC: Oh my god.  Alright, uh, please tell everyone who you are and where you’re from.
Girl: Louise.
BC: And you’re from where?
Girl: Chloe?
BC: No, from where, where are you from?
Girl: Chicago.
BC: She’s from Chicago, where are you from?
Girl #2: Chloe from Chicago, woo!
BC: Woo.
Guy: Jason from Chicago.
Girl #3: Island from Chicago.
Girl #4: Tammy from Chicago.
Girl #5: Jennifer from Chicago.
Girl #6: Candice from the [[w:South_Side,_Chicago|South Side]] of fuckin’ Chicago!
Girl #7: Crystal from Chicago!
Girl #8: It’s nice to meet you, that’s all I gotta say.
BC: Yeah, but what’s your--what’s your name?
Girl #8: Heather.
BC: Okay.
Girl #9: Kristen from East Lansing, Michigan!  ''(crowd boos)''
D’arcy: Hey!  Hey hey, I live in Michigan.  Don’t be mean to Michigan.
Girl #10: Gina from Chicago!
Girl #11: Laura from Chicago!
D’arcy: I’m gonna stop the show if you’re gonna boo Michigan.
Girl #12: Nicole from Chicago, I just got married!  Woo!  ''(crowd tentatively boos)''
BC: Heh heh!
D’arcy: Oh.
BC: Who are you people and what are you doing on stage?  Heh heh heh.
Iha; Alright.
BC: It appears that Jimmy’s picked all girls and one dude.  What do you think of these dancers?  Alright, alright, you got a lot to prove.
D’arcy: You’re just jealous.
BC: Let me tell you--let me tell you something.  Ah, dancers, I am used to a hostile public.  Good luck to you, heh.  Okay, once again, the rules for dancing are: Don’t touch us and don’t touch our shit.  ...  Alright, is everybody ready to dance along?  Come on!  You don’t sound very enthusiastic.
Iha: You can stop the jumping.
'''1979''' (with Jimmy Flemion)
Iha: Well, we just have to, uh, may retire this dancing routine.  It started out as fun and now it’s obviously gone insane.
D’arcy: Thank you dancers, thank you very much, you’re outta control, thank you.  Big hand for--big hand for the dancers.  Come on.
Iha: Let’s have a fine round of applause though for our dancers.  They tried their hardest out here working the stage.  I see you.  Hi.  Okay.
BC: Now get off the fuckin’ stage.  ...  That could possibly be the last time we have the Smashing Pumpkins, heh heh heh, dancers.
Iha: Well, it was slightly interpretative, uh, I haven’t seen the likes of, uh, that sort of thing in....  I’ve seen something like that on cable though, I think.
BC: We realize, uh, the show is slightly unprofessional but what the hell, we’re home, it don’t really matter, right?  ...  All of those who’ve seen us over the years, you know how professional we are anyway.  Mmm.
Iha: Okay, let’s just--
BC: How is everybody?
Iha: I think, uh--
BC: We’re a little worried that the dancing thing has caused some bitterness.
Iha: I think we lost a little momentum there, it’s now time to rock.
BC: Well, it’s time to clean that wound with a jagged piece of glass known as the cybermetal.  Brace yourself.  Grab someone you love, it’s gonna get ugly.
'''X.Y.U.'''
[encore break]
Iha: Thanks.
'''Mayonaise'''
BC: Thank you, god bless you, good night.
[encore break]
'''Silverfuck / The Aeroplane Flies High / Dose'''
<blockquote>
<blockquote>
Mellon Collie and the Infinite Sadness Intro<br>
and i hear your winter
'''Where Boys Fear to Tread'''<br>
and i hear your rain
'''Zero'''<br>
and i failed your summer ways
'''Cherub Rock'''<br>
and i feel no pain
'''To Forgive'''<br>
i feel no pain
“Thank you for participating” tape<br>
 
> '''Tonight, Tonight'''<br>
and i hear you fade away
BC: Thanks a lot.<br>
and i hear you crawl
Iha: Oh - oh my god, Chi-town city.  You got mad flava.<br>
and i gave my life away
BC: Thanks a lot for coming.  Thanks a lot for waiting for us to come.<br>
and i feel no
Iha: For us to come out.<br>
and i feel no
BC: So how is everybody?<br>
and i feel no
Iha: Everyone seems to be in a rather good mood...which is good ‘cause we’re...we’re beaten and we’re tired.<br>
pain
BC: Yes, you know we’re not getting any younger so we need all the support we can get so thanks a lot for coming.<br>
 
'''Today'''<br>
i feel no pain
> Planet of the Apes clip<br>
Yeah i feel no pain
> '''Thru the Eyes of Ruby'''<br>
and i feel no pain
BC: ''(high pitched)'' Thank you.<br>
and i feel no pain
'''Porcelina of the Vast Oceans'''<br>
and i feel no pain
> '''Beautiful''' (partial)<br>
 
> '''Rocket''' (tease)<br>
and i feel no pain
BC: Thank you very much.  ...  Mmmm.<br>
and i feel no pain
'''We Only Come Out at Night''' (partial, acoustic)<br>
and i feel no pain
> '''Disarm''' (acoustic)<br>
 
Circus tape<br>
and i feel no pain
> '''Bullet with Butterfly Wings'''<br>
 
'''Fuck You'''<br>
she was my lover
(BC after “coil my tongue round a bumblebee mouth”: ''(guitar noise)'' Yeah!  ''(guitar noise)'' Uh huh!  ''(guitar noise)'' We got the blues.  ''(guitar noise)''  So what do you want? ''(guitar noise)''  What do you need?  ‘Cause we give it all back to you...)<br>
she was my angel
BC: Thanks a lot, thank you, thank you.  We appreciate your love and support very much.  Means a lot to us.  You know, I still meet people who don’t know we’re from Chicago but...we are from Chicago, yes.  I mean, when I say that, I mean people who are from Chicago that don’t know we’re from Chicago.  They’re like the same people that didn’t see the O.J. trial, you know? Well, thanks a lot, you’re the best, we love you very much.<br>
what i recover
'''Muzzle'''<br>
whatever was left
BC: Thank you, thank you.<br>
i put into a box
[encore break]<br>
i put into a box underneath my bed
Iha: Hey, thanks a lot.  How is everybody, okay?  Heh heh.  Please don’t do that now, later.  Um, ladies and gentlemen, a special guest all the way from Milwaukee, let’s have a fine round of applause, of The Frogs, Jimmy Frog!<br>
the very same bed where she had rested her head
Jimmy Frog: Heeeyyy.<br>
i put her in a box underneath my bed
Iha: Jimmy fuckin’ Frog.  Alright.  On the keyboards, his brother, Dennis.  Yes, Dennis Frog.  And savin’ our ass, savin’ our ass, Matt “Cosmo” Walker!  Thank you, Matt.  A few words, Jimmy?<br>
i put her in a box and she had so much to say
Jimmy Frog: On the rhythm guitar tonight, M.L. Cool J.  Models Love Cool James Iha.<br>
 
Iha: Thank you, Jimmy.  Let’s just stick to the guitar though and the wings.  Heh heh.<br>
hell hath no fury like a woman's scorn
Jimmy Frog: One of the lead singers on the new Catherine disc, on the bass guitar, D’arcy!<br>
 
Iha: She’s made up her mind now and now she’s playing bass.  She’s made up her mind, yes that’s right.<br>
and i said baby why?
Jimmy Frog: And center stage, wearing the Zero T-shirt, B-I-L-L-Y.<br>
baby why must you make me cry
Iha: Rock and roll.  Well, thank you very much for that introduction, Jimmy.  It’s now that time of the show where you, Jimmy Frog, pick two members of the audience.<br>
why must the sad girls make me cry
BC: Wait, wait, hold on.  Hold on a second.  Hold on a second.  Hold on a second!  Hold on a second.<br>
why must the girls make me cry
Iha: Wait a minute, wait a minute, we’re keeping the ball rolling.<br>
 
BC: You know, we did have a new tradition going.  We were in the habit of inviting people up on the stage to dance.  ''(crowd cheers)''  Wait, wait, wait.  Last night the dancers were so horrible that I think we’re gonna stop the tradition so we are not gonna do the dancing anymore.<br>
it was no fun anymore
Iha: Well, I’m sorry.<br>
so i headed for the door
D’arcy: I thought they were good.<br>
but there was no door
Iha: This is, uh - there was a lack of, uh, boogie factor on stage last night.<br>
fooled again
BC: I don’t know, I don’t know.<br>
tricks are for kids
D’arcy: No no, I disagree.  I disagree.<br>
 
BC: What do you think?  Bring the dancing back?<br>
baby my baby
Iha: I gotta hear ya.  I gotta know it.  Do we want dancing?<br>
where are you now?
BC: Okay, who wants to dance?  Who vants to dance?  Who shall dance?<br>
baby my baby
Iha: You must be slightly psychopathic to do this.  Jimmy, go pick somebody.  Jimmy Frog will pick somebody.<br>
 
''(simultaneously)'' Iha: There you go. / BC: Jimmy shall pick.<br>
lost in the clouds
''(simultaneously again)'' Iha: [unintelligible]. / BC: Who shall it be?<br>
 
Iha: Who shall it be?  Jimmy Frog is picking.<br>
i send her a secret message through the ethers
BC: Who vants to dance?<br>
that our time come again
Iha: There he goes down to the barricade to pick some friendly member of the audience out.  One - one guy, one girl.<br>
because we've always been together
BC: Who shall dance?<br>
and this we could not pretend
Iha: Who knows where he’ll stop?<br>
yeah
BC: You?  No, you can’t dance.<br>
 
Iha: Who shall be the dancer, Jimmy?  Let’s, uh, get this thing goin’ on.<br>
fucking whore
BC: Ah, Jimmy’ll pick him.<br>
fucking whore
Iha: Who will pick the man of the evening?  I know what you’re thinking, this has stopped the momentum of the show but we just thought we’d have, uh, some fun.<br>
fucking whore
BC: This girl really wants to dance, she even made a sign.  Should we pick her?<br>
fucking whore
D’arcy: She’s been dancing for the whole show.<br>
fucking whore
BC: Okay, you can come dance, this girl right here.  Come along.  Come join the funky infinite sadness train.<br>
fucking whore
D’arcy: Don’t hurt anybody!  Careful, don’t step on anybody’s head.  Heh heh.<br>
she was a fucking whore
BC: Please take it easy.  Jimmy, have you chosen some dancers?  You can bring five, come on, just five though!  Five only.  Five, five, five, five, five.<br>
yeah
D’arcy: Usually we only pick two dancers...but from Chicago we have five.  Five a night.<br>
 
BC: Whoa.  James is pickin’ the girls from the front row, heh heh heh.<br>
go
Iha: Okay.  Jimmy, now you brought the men and women up here.<br>
 
BC: Okay dancers, it’s time to get to know your public.<br>
yeah
''(simultaneously)'' D’arcy: As you can see, Jimmy cannot count. / BC: Oh my god.  Hahahahaha, oh jesus.<br>
 
Iha: Okay.<br>
cause we're on a mission to mars
D’arcy: He’s like five squared.<br>
a mission to mars
BC: Oh my god.  Alright, uh, please tell everyone who you are and where you’re from.<br>
no matter how far the rocket goes
Girl: Louise.<br>
it will go far
BC: And you’re from where?<br>
on our mission to mars
Girl: Chloe?<br>
ahh
BC: No, from where, where are you from?<br>
 
Girl: Chicago.<br>
love is a sentimental heart
BC: She’s from Chicago, where are you from?<br>
and life is a sentimental way
Girl #2: Chloe from Chicago, woo!<br>
so spy this fragile heart so cursed
BC: Woo.<br>
as i walks carcass across this earth
Guy: Jason from Chicago.<br>
yeah
Girl #3: Island from Chicago.<br>
 
Girl #4: Tammy from Chicago.<br>
let my man here james here take you to the stratosphere
Girl #5: Jennifer from Chicago.<br>
show 'em
Girl #6: Candice from the south side of fuckin’ Chicago!<br>
 
Girl #7: Crystal from Chicago!<br>
james, he knows how to get there
Girl #8: It’s nice to meet you, that’s all I gotta say.<br>
 
BC: Yeah but what’s your - what’s your name?<br>
if you could put on the lights there for a second there, sammy, man
Girl #8: Heather.<br>
 
BC: Okay.<br>
thank you for all stayin'
Girl #9: Kristen from East Lansing, Michigan!  ''(crowd boos)''<br>
see the end of the show
D’arcy: Hey!  Hey hey, I live in Michigan.  Don’t be mean to Michigan.<br>
our favorite part
Girl #10: Gina from Chicago!<br>
not cause it's of the end of the show
Girl #11: Laura from Chicago!<br>
because just of this wicked jam
D’arcy: I’m gonna stop the show if you’re gonna boo Michigan.<br>
 
Girl #12: Nicole from Chicago, I just got married!  Woo!  ''(crowd tentatively boos)''<br>
usually when we get to this part of the show
BC: Heh heh!<br>
there's a lot of empty seats
D’arcy: Oh.<br>
cause people
BC: Who are you people and what are you doing on stage?  Heh heh heh.<br>
they've seen their mtv hits
Iha; Alright.<br>
they're ready to split
BC: It appears that Jimmy’s picked all girls and one dude.  What do you think of these dancers?  Alright, alright, you got a lot to prove.<br>
so thanks for stayin'
D’arcy: You’re just jealous.<br>
 
BC: Let me tell you - let me tell you something.  Ah, dancers, I am used to a hostile public.  Good luck to you, heh.  Okay, once again, the rules for dancing are: Don’t touch us and don’t touch our shit. ...  Alright, is everybody ready to dance along?  Come on!  You don’t sound very enthusiastic.<br>
so all aboard
Iha: You can stop the jumping.<br>
the infinite sadness train
'''1979''' (with Jimmy Flemion)<br>
it's leavin' right now
Iha: Well, we just have to, uh, may retire this dancing routine.  It started out as fun and now it’s obviously gone insane.<br>
all aboard johnny
D’arcy: Thank you dancers, thank you very much, you’re outta control, thank you.  Big hand for - big hand for the dancers.  Come on.<br>
and jackie
Iha: Let’s have a fine round of applause though for our dancers.  They tried their hardest out here working the stage.  I see you.  Hi.  Okay.<br>
and sammy
BC: Now get off the fuckin’ stage.  ...  That could possibly be the last time we have the Smashing Pumpkins, heh heh heh, dancers.<br>
and freddy
Iha: Well, it was slightly interpretative, uh, I haven’t seen the likes of, uh, that sort of thing in....  I’ve seen something like that on cable though, I think.<br>
and tommy
BC: We realize, uh, the show is slightly unprofessional but what the hell, we’re home, it don’t really matter, right?  ...  All of those who’ve seen us over the years, you know how professional we are anyway.  Mmm.<br>
 
Iha: Okay, let’s just...  ''(Billy talks over him)''<br>
can you people hear up there?
BC: How is everybody?<br>
can you hear
Iha: I think, uh...  ''(Billy talks over him again)''<br>
can you dig it?
BC: We’re a little worried that the dancing thing has caused some bitterness.<br>
 
Iha: I think we lost a little momentum there, it’s now time to rock.<br>
we're sending you an intergalactic communication
BC: Well, it’s time to clean that wound with a jagged piece of glass known as the cybermetal.  Brace yourself.  Grab someone you love, it’s gonna get ugly.<br>
from this side to that side
'''X.Y.U.'''<br>
 
[encore break]<br>
so guess what
Iha: Thanks.<br>
let me tell you the secret
'''Mayonaise'''<br>
shhh
BC: Thank you, god bless you, good night.<br>
i'll promise to tell you a secret if you don't tell nobody
[encore break]<br>
the secret
'''Silverfuck'''<br>
shhh
<blockquote>
you promise not to tell anybody
and I hear your winter<br>
alright
and I hear your rain<br>
 
and I failed your summer ways<br>
alright, got to bring the band down here
and I feel no pain<br>
shhh
I feel no pain<br>
 
<br>
here's the secret
and I hear you fade away<br>
the secret is there is no secret
and I hear you crawl<br>
you know why?
and I gave my life away<br>
cause there ain't nothing to know
and I feel no<br>
except yourself, your family, your earth, your feet, your stomach and your heart
and I feel no<br>
all the rest of it
and I feel no<br>
clothes
pain<br>
hair
<br>
it's all kind of meaningless in the end
I feel no pain<br>
trust me
Yeah I feel no pain<br>
that's the secret
and I feel no pain<br>
but don't tell no body
and I feel no pain<br>
geno
and I feel no pain<br>
i'll come kick your ass
<br>
 
and I feel no pain<br>
so every night we play in front of a bunch of people
and I feel no pain<br>
you know
and I feel no pain<br>
after a while it becomes a sea of faces
<br>
it's just a sea of faces
and I feel no pain<br>
it's hard to pick individual people out
<br>
because you're all so fucking beautiful
She was my lover<br>
you know
She was my angel<br>
can't focus on anybody
What I recover<br>
 
Whatever was left<br>
but here
I put into a box<br>
here in this place
I put into a box Underneath my bead<br>
I know your
The very same bed where she had rested her head<br>
I know your faces
I her in a box underneath my bed<br>
I know you
I her in a box and she had so much to say<br>
I know where you come from
<br>
I know where you're going
hell hath no fury like a woman's scorn<br>
 
<br>
the best people that I've ever met always come from Chicago
and I said baby why?<br>
you know why
Baby why must you make me cry<br>
do you know why
Why must the sad girls make me cry<br>
because we live
Why must the girls make me cry<br>
we all of us
<br>
live in motherfuckin' reality
it was no fun anymore<br>
that's why
So I headed for the door<br>
 
but there was no door<br>
and that's what I like
fooled again<br>
 
tricks are for kids<br>
so we send you this message of love
<br>
of compassion
Baby my baby<br>
and of trust
Where are you now?<br>
trust in me
Baby my baby<br>
i trust in you
<br>
 
lost in the clouds<br>
thank you
<br>
 
I send her a secret message through the ethers<br>
we hope you've had a good journey with us
that our time come again<br>
 
because we've always been together<br>
may the sycophants
and this we could not pretend<br>
and the suckers
yeah<br>
and the teachers
<br>
and whoever else gets you down
fucking whore<br>
not get you down
fucking whore<br>
 
fucking whore<br>
we are
fucking whore<br>
have been
fucking whore<br>
and will always be
fucking whore<br>
the smashing pumpkins
She was a fucking whore<br>
 
yeah<br>
this one is for our boys in [[w:Filter (band)|filter]]
<br>
Go<br>
<br>
Yeah<br>
</blockquote>
(jam)<br>
<blockquote>
cause we're on a mission to mars<br>
a mission to mars<br>
no matter how far the rocket goes<br>
it will go far<br>
on our mission to mars<br>
ahh<br>
<br>
love is a sentimental heart<br>
and life is a sentimental way<br>
so spy this fragile heart so cursed<br>
as I walks carcass across this earth<br>
yeah<br>
<br>
let my man here james here take you to the stratosphere<br>
show 'em<br>
<br>
James, he knows how to get there<br>
<br>
if you could put on the lights there for a second there sammy man<br>
<br>
thanks you for all stayin'<br>
see the end of the show<br>
our favorite part<br>
not cause it's of the end of the show<br>
because just of this wicked jam<br>
<br>
usually when we get to this part of the show<br>
there's a lot of empty seats<br>
cause people<br>
they've seen their MTV hits <br>
they're ready to split<br>
so thanks for stayin'<br>
<br>
so all aboard<br>
the infinite sadness train<br>
it's leavin' right now<br>
all aboard johnny<br>
and jackie<br>
and sammy<br>
and freedy<br>
and tommy<br>
<br>
can you people hear up there?<br>
can you hear<br>
can you dig it?<br>
<br>
we're sending you an intergalactic communication<br>
from this side to that side<br>
<br>
so guess what<br>
let me tell you the secret<br>
shhh<br>
I'll promise to tell you a secret if you don't tell nobody<br>
the secret<br>
shhh<br>
you promise not to tell anybody<br>
alright<br>
<br>
alright, got to bring the band down here<br>
shhh<br>
<br>
here's the secret<br>
the secret is there is no secret<br>
you know why?<br>
cause there ain't nothing to know<br>
except yourself, your family, your earth, your feet, your stomach, and your heart<br>
all the rest of it<br>
clothes<br>
hair<br>
it's all kind of meaningless in the end<br>
trust me<br>
that's the secret<br>
but don't tell no body<br>
Geno<br>
I'll come kick your ass<br>
<br>
so every night we play in front of a bunch of people<br>
you know<br>
after a while it becomes a sea of faces<br>
it's just a sea of faces<br>
it's hard to pick individual people out<br>
because you're all so fucking beautiful<br>
you know<br>
can't focus on anybody<br>
<br>
but here<br>
here in this place<br>
I know your<br>
I know your faces<br>
I know you<br>
I know where you come from<br>
I know where you're going<br>
<br>
the best people that I've ever met always come from Chicago<br>
you know why<br>
do you know why<br>
because we live<br>
we all of us<br>
live in motherfuckin' reality<br>
that's why<br>
<br>
and that's what I like<br>
<br>
so we send you this message of love<br>
of compassion<br>
and of trust<br>
trust in me<br>
I trust in you<br>
<br>
thank you<br>
<br>
we hope you've had a good journey with us<br>
<br>
may the sycophants<br>
and the suckers<br>
and the teachers<br>
and whoever else gets you down<br>
not get you down<br>
<br>
we are<br>
have been<br>
and will always be<br>
the smashing pumpkins<br>
<br>
this one is for our boys in filter<br>
</blockquote>
Iha: See ya.  Goodnight.  Goodnight, thanks everybody.<br>
BC: God bless you, thank you.  Thanks for putting up with our bullshit again.  ...  Hey, put the lights on!<br>
</blockquote>
</blockquote>
Iha: See ya.  Goodnight.  Goodnight, thanks everybody.
BC: God bless you, thank you.  Thanks for putting up with our bullshit again.  ...  Hey, put the lights on!
}}


== Photos and Memorabilia ==
== Photos and memorabilia ==
[[Image:1996-10-05.JPG|125px|left]]
{{live show gallery|
File:1996-10-05.JPG
}}

Latest revision as of 15:50, 13 August 2021

October 5, 1996 – Rosemont, IL, US
Live performance by The Smashing Pumpkins
Infinite Sadness tour
DateOctober 5, 1996
VenueRosemont Horizon
Coordinates42°0′19″N 87°53′16″W
LocationRosemont, IL, US
Venue typeArena
Capacity18,500
PersonnelBilly Corgan, James Iha, D'arcy Wretzky, Matt Walker, Dennis Flemion, Jimmy Flemion
Order of bandsGrant Lee Buffalo, The Smashing Pumpkins

Setlist[edit | edit source]

  1. "Mellon Collie and the Infinite Sadness" (prerecorded) 
  2. "Where Boys Fear to Tread
  3. "Zero
  4. "Cherub Rock
  5. "To Forgive
  6. "Tonight, Tonight
  7. "Today
  8. "Thru the Eyes of Ruby
  9. "Porcelina of the Vast Oceans
    1. "Beautiful(tease) 
    2. "Rocket(tease) 
  10. "We Only Come Out at Night(tease) (acoustic) (one verse) 
  11. "Disarm(acoustic) 
  12. "Bullet with Butterfly Wings
  13. "Fuck You
  14. "Muzzle

Encore one[edit | edit source]

  1. "1979
  2. "X.Y.U.

Encore two[edit | edit source]

  1. "Mayonaise

Encore three[edit | edit source]

  1. "Silverfuck" [32:32] 
    1. "The Aeroplane Flies High (Turns Left, Looks Right)(tease) 
    2. "Dose" [Filter(tease) 

Notes[edit | edit source]

Banter[edit | edit source]

Mellon Collie and the Infinite Sadness Intro
Where Boys Fear to Tread
Zero
Cherub Rock
To Forgive
“Thank you for participating” tape
> Tonight, Tonight
BC: Thanks a lot.
Iha: Oh--oh my god, Chi-town city. You got mad flava.
BC: Thanks a lot for coming. Thanks a lot for waiting for us to come.
Iha: For us to come out.
BC: So how is everybody?
Iha: Everyone seems to be in a rather good mood...which is good ‘cause we’re...we’re beaten and we’re tired.
BC: Yes, you know we’re not getting any younger, so we need all the support we can get, so thanks a lot for coming.
Today
> Planet of the Apes clip
> Thru the Eyes of Ruby
BC: (high pitched) Thank you.
Porcelina of the Vast Oceans / Beautiful / Rocket
BC: Thank you very much. ... Mmmm.
We Only Come Out at Night (partial, acoustic)
> Disarm (acoustic)
Circus tape
> Bullet with Butterfly Wings
Fuck You
(BC at pause after “coil my tongue round a bumblebee mouth”: (guitar noise) Yeah! (guitar noise) Uh huh! (guitar noise) We got the blues. (guitar noise) So what do you want? (guitar noise) What do you need? ‘Cause we give it all back to you...)
BC: Thanks a lot, thank you, thank you. We appreciate your love and support very much. Means a lot to us. You know, I still meet people who don’t know we’re from Chicago, but...we are from Chicago, yes. I mean, when I say that, I mean people who are from Chicago that don’t know we’re from Chicago. They’re like the same people that didn’t see the O.J. trial, you know? Well, thanks a lot, you’re the best, we love you very much.
Muzzle
BC: Thank you, thank you.
[encore break]
Iha: Hey, thanks a lot. How is everybody, okay? Heh heh. Please don’t do that now, later. Um, ladies and gentlemen, a special guest all the way from Milwaukee, let’s have a fine round of applause, of The Frogs, Jimmy Frog!
Jimmy Frog: Heeeyyy.
Iha: Jimmy fuckin’ Frog. Alright. On the keyboards, his brother, Dennis. Yes, Dennis Frog. And savin’ our ass, savin’ our ass, Matt “Cosmo” Walker! Thank you, Matt. A few words, Jimmy?
Jimmy Frog: On the rhythm guitar tonight, M.L. Cool J. Models Love Cool James Iha.
Iha: Thank you, Jimmy. Let’s just stick to the guitar though and the wings. Heh heh.
Jimmy Frog: One of the lead singers on the new Catherine disc, on the bass guitar, D’arcy!
Iha: She’s made up her mind now and now she’s playing bass. She’s made up her mind, yes that’s right.
Jimmy Frog: And center stage, wearing the Zero T-shirt, B-I-L-L-Y.
Iha: Rock and roll. Well, thank you very much for that introduction, Jimmy. It’s now that time of the show where you, Jimmy Frog, pick two members of the audience.
BC: Wait, wait, hold on. Hold on a second. Hold on a second. Hold on a second! Hold on a second.
Iha: Wait a minute, wait a minute, we’re keeping the ball rolling.
BC: You know, we did have a new tradition going. We were in the habit of inviting people up on the stage to dance. (crowd cheers) Wait, wait, wait. Last night the dancers were so horrible that I think we’re gonna stop the tradition, so we are not gonna do the dancing anymore.
Iha: Well, I’m sorry.
D’arcy: I thought they were good.
Iha: This is, uh--there was a lack of, uh, boogie factor on stage last night.
BC: I don’t know, I don’t know.
D’arcy: No no, I disagree. I disagree.
BC: What do you think? Bring the dancing back?
Iha: I gotta hear ya. I gotta know it. Do we want dancing?
BC: Okay, who wants to dance? Who vants to dance? Who shall dance?
Iha: You must be slightly psychopathic to do this. Jimmy, go pick somebody. Jimmy Frog will pick somebody. There you go.
BC: Jimmy shall pick.
Iha: [unintelligible].
BC: Who shall it be?
Iha: Who shall it be? Jimmy Frog is picking.
BC: Who vants to dance?
Iha: There he goes, down to the barricade to pick some friendly member of the audience out. One--one guy, one girl.
BC: Who shall dance?
Iha: Who knows where he’ll stop?
BC: You? No, you can’t dance.
Iha: Who shall be the dancer, Jimmy? Let’s, uh, get this thing goin’ on.
BC: Ah, Jimmy’ll pick him.
Iha: Who will pick the man of the evening? I know what you’re thinking, this has stopped the momentum of the show, but we just thought we’d have, uh, some fun.
BC: This girl really wants to dance, she even made a sign. Should we pick her?
D’arcy: She’s been dancing for the whole show.
BC: Okay, you can come dance, this girl right here. Come along. Come join the funky infinite sadness train.
D’arcy: Don’t hurt anybody! Careful, don’t step on anybody’s head. Heh heh.
BC: Please take it easy. Jimmy, have you chosen some dancers? You can bring five, come on, just five though! Five only. Five, five, five, five, five.
D’arcy: Usually we only pick two dancers...but from Chicago we have five. Five a night.
BC: Whoa. James is pickin’ the girls from the front row, heh heh heh.
Iha: Okay. Jimmy, now you brought the men and women up here.
BC: Okay dancers, it’s time to get to know your public.
D’arcy: As you can see, Jimmy cannot count.
BC: Oh my god. Hahahahaha, oh jesus.
Iha: Okay.
D’arcy: He’s like five squared.
BC: Oh my god. Alright, uh, please tell everyone who you are and where you’re from.
Girl: Louise.
BC: And you’re from where?
Girl: Chloe?
BC: No, from where, where are you from?
Girl: Chicago.
BC: She’s from Chicago, where are you from?
Girl #2: Chloe from Chicago, woo!
BC: Woo.
Guy: Jason from Chicago.
Girl #3: Island from Chicago.
Girl #4: Tammy from Chicago.
Girl #5: Jennifer from Chicago.
Girl #6: Candice from the South Side of fuckin’ Chicago!
Girl #7: Crystal from Chicago!
Girl #8: It’s nice to meet you, that’s all I gotta say.
BC: Yeah, but what’s your--what’s your name?
Girl #8: Heather.
BC: Okay.
Girl #9: Kristen from East Lansing, Michigan! (crowd boos)
D’arcy: Hey! Hey hey, I live in Michigan. Don’t be mean to Michigan.
Girl #10: Gina from Chicago!
Girl #11: Laura from Chicago!
D’arcy: I’m gonna stop the show if you’re gonna boo Michigan.
Girl #12: Nicole from Chicago, I just got married! Woo! (crowd tentatively boos)
BC: Heh heh!
D’arcy: Oh.
BC: Who are you people and what are you doing on stage? Heh heh heh.
Iha; Alright.
BC: It appears that Jimmy’s picked all girls and one dude. What do you think of these dancers? Alright, alright, you got a lot to prove.
D’arcy: You’re just jealous.
BC: Let me tell you--let me tell you something. Ah, dancers, I am used to a hostile public. Good luck to you, heh. Okay, once again, the rules for dancing are: Don’t touch us and don’t touch our shit. ... Alright, is everybody ready to dance along? Come on! You don’t sound very enthusiastic.
Iha: You can stop the jumping.
1979 (with Jimmy Flemion)
Iha: Well, we just have to, uh, may retire this dancing routine. It started out as fun and now it’s obviously gone insane.
D’arcy: Thank you dancers, thank you very much, you’re outta control, thank you. Big hand for--big hand for the dancers. Come on.
Iha: Let’s have a fine round of applause though for our dancers. They tried their hardest out here working the stage. I see you. Hi. Okay.
BC: Now get off the fuckin’ stage. ... That could possibly be the last time we have the Smashing Pumpkins, heh heh heh, dancers.
Iha: Well, it was slightly interpretative, uh, I haven’t seen the likes of, uh, that sort of thing in.... I’ve seen something like that on cable though, I think.
BC: We realize, uh, the show is slightly unprofessional but what the hell, we’re home, it don’t really matter, right? ... All of those who’ve seen us over the years, you know how professional we are anyway. Mmm.
Iha: Okay, let’s just--
BC: How is everybody?
Iha: I think, uh--
BC: We’re a little worried that the dancing thing has caused some bitterness.
Iha: I think we lost a little momentum there, it’s now time to rock.
BC: Well, it’s time to clean that wound with a jagged piece of glass known as the cybermetal. Brace yourself. Grab someone you love, it’s gonna get ugly.
X.Y.U.
[encore break]
Iha: Thanks.
Mayonaise
BC: Thank you, god bless you, good night.
[encore break]
Silverfuck / The Aeroplane Flies High / Dose


and i hear your winter
and i hear your rain
and i failed your summer ways
and i feel no pain
i feel no pain

and i hear you fade away
and i hear you crawl
and i gave my life away
and i feel no
and i feel no
and i feel no
pain

i feel no pain
Yeah i feel no pain
and i feel no pain
and i feel no pain
and i feel no pain

and i feel no pain
and i feel no pain
and i feel no pain

and i feel no pain

she was my lover
she was my angel
what i recover
whatever was left
i put into a box
i put into a box underneath my bed
the very same bed where she had rested her head
i put her in a box underneath my bed
i put her in a box and she had so much to say

hell hath no fury like a woman's scorn

and i said baby why?
baby why must you make me cry
why must the sad girls make me cry
why must the girls make me cry

it was no fun anymore
so i headed for the door
but there was no door
fooled again
tricks are for kids

baby my baby
where are you now?
baby my baby

lost in the clouds

i send her a secret message through the ethers
that our time come again
because we've always been together
and this we could not pretend
yeah

fucking whore
fucking whore
fucking whore
fucking whore
fucking whore
fucking whore
she was a fucking whore
yeah

go

yeah

cause we're on a mission to mars
a mission to mars
no matter how far the rocket goes
it will go far
on our mission to mars
ahh

love is a sentimental heart
and life is a sentimental way
so spy this fragile heart so cursed
as i walks carcass across this earth
yeah

let my man here james here take you to the stratosphere
show 'em

james, he knows how to get there

if you could put on the lights there for a second there, sammy, man

thank you for all stayin'
see the end of the show
our favorite part
not cause it's of the end of the show
because just of this wicked jam

usually when we get to this part of the show
there's a lot of empty seats
cause people
they've seen their mtv hits
they're ready to split
so thanks for stayin'

so all aboard
the infinite sadness train
it's leavin' right now
all aboard johnny
and jackie
and sammy
and freddy
and tommy

can you people hear up there?
can you hear
can you dig it?

we're sending you an intergalactic communication
from this side to that side

so guess what
let me tell you the secret
shhh
i'll promise to tell you a secret if you don't tell nobody
the secret
shhh
you promise not to tell anybody
alright

alright, got to bring the band down here
shhh

here's the secret
the secret is there is no secret
you know why?
cause there ain't nothing to know
except yourself, your family, your earth, your feet, your stomach and your heart
all the rest of it
clothes
hair
it's all kind of meaningless in the end
trust me
that's the secret
but don't tell no body
geno
i'll come kick your ass

so every night we play in front of a bunch of people
you know
after a while it becomes a sea of faces
it's just a sea of faces
it's hard to pick individual people out
because you're all so fucking beautiful
you know
can't focus on anybody

but here
here in this place
I know your
I know your faces
I know you
I know where you come from
I know where you're going

the best people that I've ever met always come from Chicago
you know why
do you know why
because we live
we all of us
live in motherfuckin' reality
that's why

and that's what I like

so we send you this message of love
of compassion
and of trust
trust in me
i trust in you

thank you

we hope you've had a good journey with us

may the sycophants
and the suckers
and the teachers
and whoever else gets you down
not get you down

we are
have been
and will always be
the smashing pumpkins

this one is for our boys in filter


Iha: See ya. Goodnight. Goodnight, thanks everybody.
BC: God bless you, thank you. Thanks for putting up with our bullshit again. ... Hey, put the lights on!

Photos and memorabilia[edit | edit source]