Spring 1992 – Soundworks: Difference between revisions
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The '''Spring 1992 Soundworks''' sessions saw recordings of new material at [[Kerry Brown]]'s Soundworks studio. Originally meant as demo recordings, [[The Smashing Pumpkins]]' label required B-sides for import singles, so some of these recordings were whipped into a finished state and released. | The '''Spring 1992 Soundworks''' sessions saw recordings of new material at [[Kerry Brown]]'s Soundworks studio. Originally meant as demo recordings, [[The Smashing Pumpkins]]' label required B-sides for import singles, so some of these recordings such as "[[Starla]]" were whipped into a finished state and released. | ||
At least for "Starla" specifically, The Smashing Pumpkins were only able to record at night, possibly due to conflicts with other artists booked at Soundworks. This session, which likely also included "[[Plume]]", started at roughly 10 PM and didn't finish until about 7 AM the following morning.<ref name="podcast16">{{Cite podcast|url=https://www.iheart.com/podcast/1119-thirty-three-with-william-101982283/episode/fireflies-with-sierra-swan-112213168/|title=Fireflies (with Sierra Swan)|work=[[Thirty-Three (podcast)|Thirty-Three]]|first=Billy|last=Corgan|access-date=May 9, 2023}}</ref> | |||
== Tracks recorded == | == Tracks recorded == | ||
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* {{recording|U.S.S.R.|note=instrumental}} | * {{recording|U.S.S.R.|note=instrumental}} | ||
{{Siamese Dream sessions}} | == References == | ||
{{Reflist}}{{Siamese Dream sessions}} | |||
Latest revision as of 23:58, 17 May 2023
| Spring 1992 – Soundworks | |
|---|---|
| Studio session of The Smashing Pumpkins | |
| Artist | The Smashing Pumpkins |
| Album | Pisces Iscariot |
| From | March 1992 |
| To | June 1992 |
| Location | Soundworks |
| Producer(s) | Billy Corgan, Kerry Brown |
The Spring 1992 Soundworks sessions saw recordings of new material at Kerry Brown's Soundworks studio. Originally meant as demo recordings, The Smashing Pumpkins' label required B-sides for import singles, so some of these recordings such as "Starla" were whipped into a finished state and released.
At least for "Starla" specifically, The Smashing Pumpkins were only able to record at night, possibly due to conflicts with other artists booked at Soundworks. This session, which likely also included "Plume", started at roughly 10 PM and didn't finish until about 7 AM the following morning.[1]
Tracks recorded[edit | edit source]
- "Bullet Train to Osaka"
- "Frail and Bedazzled" (instrumental)
- "Hello Kitty Kat"
- "Moleasskiss"
- "Plume"
- "Starla"
- "U.S.A." (instrumental)
- "U.S.S.R." (instrumental)
References[edit | edit source]
- ↑ Corgan, Billy. "Fireflies (with Sierra Swan)". Thirty-Three (Podcast). Retrieved May 9, 2023.