Spring 1992 – Soundworks: Difference between revisions
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* {{recording|Frail and Bedazzled|note=instrumental}} | * {{recording|Frail and Bedazzled|note=instrumental}} | ||
* {{recording|Hello Kitty Kat}} | * {{recording|Hello Kitty Kat}} | ||
* {{recording|Moleasskiss}} | |||
* {{recording|Plume}} | * {{recording|Plume}} | ||
* {{recording|Starla}} | * {{recording|Starla}} | ||
* {{recording|U.S.A.|note=instrumental}} | * {{recording|U.S.A.|note=instrumental}} | ||
* {{recording|U.S.S.R.|note=instrumental}} | * {{recording|U.S.S.R.|note=instrumental}} | ||
{{Siamese Dream sessions}} | {{Siamese Dream sessions}} | ||
Revision as of 19:31, 20 June 2020
| Spring 1992 – Soundworks | |
|---|---|
| Studio session of The Smashing Pumpkins | |
| Artist | The Smashing Pumpkins |
| Album | Pisces Iscariot |
| From | March 1992 |
| To | June 1992 |
| Location | Soundworks |
| Producer(s) | Billy Corgan, Kerry Brown |
The Spring 1992 Soundworks sessions saw recordings of new material at Kerry Brown's Soundworks studio. Originally meant as demo recordings, The Smashing Pumpkins' label required B-sides for import singles, so some of these recordings were whipped into a finished state and released.
Tracks recorded
- "Bullet Train to Osaka"
- "Frail and Bedazzled" (instrumental)
- "Hello Kitty Kat"
- "Moleasskiss"
- "Plume"
- "Starla"
- "U.S.A." (instrumental)
- "U.S.S.R." (instrumental)