The Smashing Pumpkins 2000-12-02: Difference between revisions
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{| | {{infobox live show | ||
| artist = The Smashing Pumpkins | |||
| | | date = December 2, 2000 | ||
| venue = [[Metro]] | |||
| location = Chicago, IL, US | |||
| | | venue_type = Club | ||
| lat = 41.9498268 | |||
| lng = -87.6611146 | |||
| | | capacity = 1100 | ||
| lineup = Corgan, Iha, Chamberlin, Auf der Maur, Garson, Holmes | |||
| bands = The Smashing Pumpkins | |||
| | | tour = | ||
}} | |||
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|- | |||
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== Setlist == | == Setlist == | ||
Set | === Set one === | ||
# {{live song|Mellon Collie and the Infinite Sadness (song)|title=Mellon Collie and the Infinite Sadness|note=over PA}} | |||
# {{live song|Rocket|note=false start}} | |||
# {{live song|Rocket}} | |||
# {{live song|I Am One|note=with rant}} | |||
# {{live song|Rhinoceros|note=false start}} | |||
# {{live song|Rhinoceros}} | |||
# {{live song|Shame}} | |||
# {{live song|Porcelina of the Vast Oceans}} | |||
# {{live song|The Everlasting Gaze}} | |||
# {{live song|Bullet with Butterfly Wings}} | |||
# {{live song|Spiteface|tease=1}} | |||
# {{live song|Thru the Eyes of Ruby}} | |||
# {{live song|Blissed and Gone}} | |||
# {{live song|(Where Do I Begin?) Love Story|tease=1|cover=[[w:|w:]]|note=Love Theme}} | |||
# {{live song|To Sheila}} | |||
# {{live song|Mayonaise}} | |||
# {{live song|I of the Mourning}} | |||
Set | |||
=== Set two === | |||
# {{live song|Muzzle}} | |||
# {{live song|Stand Inside Your Love|abandoned=1}} | |||
# {{live song|Stand Inside Your Love}} | |||
# {{live song|Perfect}} | |||
# {{live song|This Time}} | |||
# {{live song|Go}} | |||
# {{live song|The Last Song}} | |||
# {{live song|Last Instrumental}} | |||
# {{live song|Age of Innocence}} | |||
Set | # {{live song|Thirty-Three}} | ||
=== Set three === | |||
# {{live song|Tonight, Tonight}} | |||
# {{live song|Siva|length=4:22}} | |||
# {{live song|Fuck You}} | |||
# {{live song|Drown|length=4:57}} | |||
# {{live song|Starla|length=7:06}} | |||
# {{live song|If There Is a God}} | |||
# {{live song|Cash Car Star}} | |||
# {{live song|Rock On|cover=[[w:David Essex|David Essex]]}} | |||
Encore | ## {{live song|Heavy Metal Machine}} | ||
# {{live song|Today}} | |||
Encore | === Encore one === | ||
# {{live song|For Martha}} | |||
Encore | # {{live song|Born Under a Bad Sign|cover=[[w:|Jones/Bell]]}} | ||
=== Encore two === | |||
Encore | # {{live song|Cherub Rock}} | ||
=== Encore three === | |||
# {{live song|Disarm}} | |||
# {{live song|1979}} | |||
=== Encore four === | |||
# {{live song|Silverfuck}} | |||
## {{live song|Geek U.S.A.|tease=1}} | |||
## {{live song|The Star-Spangled Banner|tease=1|cover=[[w:Francis Scott Key|Francis Scott Key]]}} | |||
## {{live song|She Loves You|tease=1|cover=[[w:The Beatles|The Beatles]]}} | |||
## {{live song|Help!|tease=1|cover=[[w:The Beatles|The Beatles]]}} | |||
=== Notes === | === Notes === | ||
* The band requested that audience members not record this show due to plans for an official release | * The band requested that audience members not record this show due to plans for an official release | ||
* Muzzle and 1979 with Matt Walker on drums | * "Muzzle" and "1979" with Matt Walker on drums | ||
* Blissed and | * "Blissed and "Go"ne" and "To Sheila" with [[The Frogs]] | ||
* To Sheila with Linda Strawberry on vocals | * "To Sheila" with Linda Strawberry on vocals | ||
* For Martha and Born Under a Bad Sign with William Corgan Sr. on guitar | * "For Martha" and "Born Under a Bad Sign" with William Corgan Sr. on guitar | ||
* Cherub Rock with Rick Nielsen on guitar | * "Cherub Rock" with Rick Nielsen on guitar | ||
* Muzzle through Thirty- | * "Muzzle" through "Thirty-Three", "Disarm", and "1979" performed acoustic | ||
* First performances of Rocket and Silverfuck since 1997-02-05 (234 shows) | * First performances of "Rocket" and "Silverfuck" since [[The Smashing Pumpkins 1997-02-05|1997-02-05]] (234 shows) | ||
* Only performances of Go, The Last Song, Last Instrumental, and Born Under a Bad Sign | * Only performances of "Go", "The Last Song", "Last Instrumental", and "Born Under a Bad Sign" | ||
* Final performances of Blissed and | * Final performances of "Blissed and "Go"ne", "This Time", If There is a "Go"d, and "Rock On" | ||
* Ava Adore was on the setlist after Cherub Rock, but was skipped | * Ava Adore was on the setlist after "Cherub Rock", but was skipped | ||
== Banter == | == Banter == | ||
{{banter|1= | |||
'''Mellon Collie and the Infinite Sadness''' | |||
Corgan: Thank you. | (over PA) | ||
'''Rocket''' | |||
Corgan: We'd like to thank everybody for comin' tonight, thank you. This next song, uh, we'd like to play for you, is a...is a, was a, was a song that was written I think around 1989, and um- | (abandoned due to '''Tonight, Tonight''' | ||
audience member: Spiteface! | coming on over PA) | ||
Corgan: no no, it wasn't Spiteface, no, this is uh, this is uh, what am I trying to say, this is one of the songs I think where we first realised uh, the sort of sound that we, had so uh, this is why I wanted to play it for you tonight. | Corgan: Thank you. | ||
'''I Am One''' | |||
Corgan: Even on our last show we can't get it right...are you...hey wait, something keeps being jacked up, and as long as we're stopped we might as well, something keeps being jacked up, alright, we're gonna play a different song now, I think it's this mic. | Corgan: We'd like to thank everybody for comin' tonight, thank you. This next song, uh, we'd like to play for you, is a...is a, was a, was a song that was written I think around 1989, and um- | ||
audience member: Spiteface! | |||
Corgan: no no, it wasn't Spiteface, no, this is uh, this is uh, what am I trying to say, this is one of the songs I think where we first realised uh, the sort of sound that we, had so uh, this is why I wanted to play it for you tonight. | |||
''''''Rhinoceros''' | |||
''' | |||
(false start) | |||
Corgan: Thank you very much, thank you...so we've got a little um, present for everyone when they leave tonight...it's a signed Christmas card James! No acutally, we made CD's for everybody of our first show here at Metro. | Corgan: Even on our last show we can't get it right...are you...hey wait, something keeps being jacked up, and as long as we're stopped we might as well, something keeps being jacked up, alright, we're gonna play a different song now, I think it's this mic. | ||
Iha: I don't know if you guys like Little Feat, but we did a whole cover set of Little Feat songs, that's our first show here. | Rhinoceros | ||
Corgan: Yeah, it's um, it's 38 minutes long, that's all they would let us play back then, yes, we played Spiteface, you've been waiting for um, 12 years to hear that song...you wanna hear a little Spiteface? | '''Shame''' | ||
'''Porcelina of the Vast Oceans''' | |||
Corgan: That's the last time we're ever gonna play that. | '''The Everlasting Gaze''' | ||
Iha: Another last time right there. | '''Bullet with Butterfly Wings''' | ||
Corgan: Thank you very much, thank you...so we've got a little um, present for everyone when they leave tonight...it's a signed Christmas card James! No acutally, we made CD's for everybody of our first show here at Metro. | |||
Iha: I don't know if you guys like Little Feat, but we did a whole cover set of Little Feat songs, that's our first show here. | |||
Corgan: Yeah, it's um, it's 38 minutes long, that's all they would let us play back then, yes, we played Spiteface, you've been waiting for um, 12 years to hear that song...you wanna hear a little Spiteface? | |||
'''Spiteface (tease)''' | |||
Corgan: That's the last time we're ever gonna play that. | |||
Iha: Another last time right there. | |||
Corgan: You know, we were, we were here last night rehearsing, and uh, there were some stupid crazy kids outside waiting, and last night when we were rehearsing, I was sort of, you know, as you will, you reminisce about all the shows that we've played here, and the one thing that sort of struck me was, um | Corgan: You know, we were, we were here last night rehearsing, and uh, there were some stupid crazy kids outside waiting, and last night when we were rehearsing, I was sort of, you know, as you will, you reminisce about all the shows that we've played here, and the one thing that sort of struck me was, um | ||
back in the old days when they used to put the monitors back here and you used to stand back here, there was this spot on the stage that was sort of wobbly...I don't know if they've ever fixed it, but uh, everytime I'd go to sing, the mic would go like... | back in the old days when they used to put the monitors back here and you used to stand back here, there was this spot on the stage that was sort of wobbly...I don't know if they've ever fixed it, but uh, everytime I'd go to sing, the mic would go like... | ||
Iha: We certainly had a different kind of sound back then, so uh...wobbly. | Iha: We certainly had a different kind of sound back then, so uh...wobbly. | ||
Corgan: Now we'd like to play you a song off the Mellon Collie And The Infinite Sadness album...it's not a bad album, sorry. | Corgan: Now we'd like to play you a song off the Mellon Collie And The Infinite Sadness album...it's not a bad album, sorry. | ||
'''Thru the Eyes of Ruby''' | |||
Corgan: I'd like to bring out a couple of special guests...we have uh, a bunch of special guests tonight...he's the most dangerous man in the world, Dennis and Jimmy Flemion of the Frogs. | Corgan: I'd like to bring out a couple of special guests...we have uh, a bunch of special guests tonight...he's the most dangerous man in the world, Dennis and Jimmy Flemion of the Frogs. | ||
'''Blissed and '''Go''' | |||
Corgan: Would you like to sing a little love story Dennis? Love story? | ne''' | ||
Corgan: Would you like to sing a little love story Dennis? Love story? | |||
Corgan: Don't be shy, this is, this is Linda Strawberry...she's very famous in Romania, number one. | '''Where Do I Begin? (Love Theme) (tease)''' | ||
Corgan: Don't be shy, this is, this is Linda Strawberry...she's very famous in Romania, number one. | |||
Corgan: Linda Strawberry...thank you to the Frogs. | '''To Sheila''' | ||
Corgan: Linda Strawberry...thank you to the Frogs. | |||
'''Mayonaise''' | |||
(Set Break) | '''I of the Mourning''' | ||
Corgan: We've got a special guest right now, mister Matt Walker. | (Set Break) | ||
Corgan: We've got a special guest right now, mister Matt Walker. | |||
Corgan: Thank you very much. | '''Muzzle''' | ||
Corgan: Thank you very much. | |||
Corgan: It's our last show people, jeez...see you can't have a love song in F#, it just doesn't work...it's a G kind of thing...as long as we're stopped though, I'd like to say, uh, I wrote this song for my girlfriend up there...where are you Yelena?..(unintelligible)..I think she's left the building | ''''''Stand Inside Your Love''' | ||
audience member: I love you! | (abandoned)''' | ||
Corgan: I love you too. | Corgan: It's our last show people, jeez...see you can't have a love song in F#, it just doesn't work...it's a G kind of thing...as long as we're stopped though, I'd like to say, uh, I wrote this song for my girlfriend up there...where are you Yelena?..(unintelligible)..I think she's left the building | ||
audience member: I love you! | |||
Corgan: Thank you, how's everybody feelin'? | Corgan: I love you too. | ||
Stand Inside Your Love | |||
Corgan: Thank you very much...this uh, this next song, is interesting because uh, for this particular case, because, when I wrote this song it was pretty much the last song I wrote for the Machina albums, and uh, I knew the band was going to break up, so I guess this is sorta prophetic, this song...that's ok, there'll be another concert to talk...it's a Pumpkin joke...so this is This Time | Corgan: Thank you, how's everybody feelin'? | ||
'''Perfect''' | |||
Corgan: Now I'd like to introduce the man on the mic, mister James Iha. | Corgan: Thank you very much...this uh, this next song, is interesting because uh, for this particular case, because, when I wrote this song it was pretty much the last song I wrote for the Machina albums, and uh, I knew the band was going to break up, so I guess this is sorta prophetic, this song...that's ok, there'll be another concert to talk...it's a Pumpkin joke...so this is '''This Time''' | ||
Iha: Thank you...one, two, one two three four. | This Time | ||
Corgan: Now I'd like to introduce the man on the mic, mister James Iha. | |||
Corgan: Uh...so this is uh, the last song I wrote for Mellon Collie and the Infinite Sadness, this is called the Last Song. | Iha: Thank you...one, two, one two three four. | ||
Go | |||
Corgan: Uh...so this is uh, the last song I wrote for Mellon Collie and the Infinite Sadness, this is called the Last Song. | |||
<B>Age of Innocence | '''The Last Song''' | ||
'''The Last Instrumental''' | |||
<B>'''Age of Innocence''' | |||
(Set Break) | '''(Piano Improv)''' | ||
'''Thirty-Three''' | |||
Corgan: Next song, you ready there James? | (Set Break) | ||
Tonight, Tonight | |||
Corgan: Next song, you ready there James? | |||
'''Siva''' | |||
Corgan: Hello...have you had enough yet?...Have you had enough yet? I don't know, you like you may have had enough...we got a little treat for ya right here | Corgan: Hello...have you had enough yet?...Have you had enough yet? I don't know, you like you may have had enough...we got a little treat for ya right here | ||
well if ya hadn't had enough, you're gonna have to, huh? If you hadn't you're gonna have enough after this one... | well if ya hadn't had enough, you're gonna have to, huh? If you hadn't you're gonna have enough after this one... | ||
'''Fuck You ''' | |||
Corgan: That's right, that's right. Just to all of you here, thank you very much. I'll tell you one thing, we aren't leaving anything behind when we leave here tonight. We're taking it all with us! Every single ounce of it....So we'd like to, haha, we'd like to play some more songs. This next song was in that scintillating grunge movie, starring... | Corgan: That's right, that's right. Just to all of you here, thank you very much. I'll tell you one thing, we aren't leaving anything behind when we leave here tonight. We're taking it all with us! Every single ounce of it....So we'd like to, haha, we'd like to play some more songs. This next song was in that scintillating grunge movie, starring... | ||
Iha: Starring, uh, Matt Damon. | Iha: Starring, uh, Matt Damon. | ||
Corgan: Good Will Hunting! I'm making a cultural joke, then I realized, I'm in a silver dress. | Corgan: Good Will Hunting! I'm making a cultural joke, then I realized, I'm in a silver dress. | ||
Iha: That is, that is true. | Iha: That is, that is true. | ||
'''Drown''' | |||
Starla | '''Starla''' | ||
If There Is a God | '''If There Is a God''' | ||
Cash Car Steal | '''Cash Car Steal''' | ||
Rock On/Heavy Metal Machine | '''Rock On/Heavy Metal Machine''' | ||
Corgan: Thank you very much, thank you very much, the end has arrived...*laughs*...yes, it is the final song. I can't believe we got there, you got there, thank you very much...we wanna say thank you for havin' the greatest fans in the world, the most absolute amazing people in the world...of course we don't believe that bullshit but it sounds good when you say it...we love you too...so one more song, everybody sing along for a change. | Corgan: Thank you very much, thank you very much, the end has arrived...*laughs*...yes, it is the final song. I can't believe we got there, you got there, thank you very much...we wanna say thank you for havin' the greatest fans in the world, the most absolute amazing people in the world...of course we don't believe that bullshit but it sounds good when you say it...we love you too...so one more song, everybody sing along for a change. | ||
'''Today''' | |||
(Encore Break) | (Encore Break) | ||
Corgan: Thank you very much, thank you, heh, um, before we play any more, I'd like to uh, say a little prayer, I'd like to thank god for getting us around this earth five times, safely, and giving us the will and the way to uh, I don't know, yes, thank you, and god, thank god, I'd like to say a very special thank you to all the families of the Pumpkins, both friends and real, the Wretzkys, the uh, the Ihas, the Chamberlins, the Corgans, the Andersons, the Walkers, the Flemions, I'd like to say thank you very much for the support you've given us over the years, I'd like to say thank you to all of you, 'cause without you, obviously this wouldn't happen, I think we...I think we've tried to show you that we've never forgotten that part of it, and uh, I'm too spaced out...I'd like to say thank you to our enemies for pushing us to try harder and be better | Corgan: Thank you very much, thank you, heh, um, before we play any more, I'd like to uh, say a little prayer, I'd like to thank god for getting us around this earth five times, safely, and giving us the will and the way to uh, I don't know, yes, thank you, and god, thank god, I'd like to say a very special thank you to all the families of the Pumpkins, both friends and real, the Wretzkys, the uh, the Ihas, the Chamberlins, the Corgans, the Andersons, the Walkers, the Flemions, I'd like to say thank you very much for the support you've given us over the years, I'd like to say thank you to all of you, 'cause without you, obviously this wouldn't happen, I think we...I think we've tried to show you that we've never forgotten that part of it, and uh, I'm too spaced out...I'd like to say thank you to our enemies for pushing us to try harder and be better | ||
so uh, thank you very much...oh yeah, and one more thing, I'd like to say thank you to the people we've lost through the years, thank you for being a part of our lives...I'd now like to bring out a special guest, he's cool, he's bald, he's my father...he does have more hair than me, I don't know how this worked out...it's a sort of, it's a genetic mistake. | so uh, thank you very much...oh yeah, and one more thing, I'd like to say thank you to the people we've lost through the years, thank you for being a part of our lives...I'd now like to bring out a special guest, he's cool, he's bald, he's my father...he does have more hair than me, I don't know how this worked out...it's a sort of, it's a genetic mistake. | ||
Corgan Sr. (Over Martha intro): We wanna dedicate this song...to someone very special to us...we know tonight she's out there listening..Darce (?), this is for you. | Corgan Sr. (Over Martha intro): We wanna dedicate this song...to someone very special to us...we know tonight she's out there listening..Darce (?), this is for you. | ||
'''For Martha''' | |||
'''Born Under a Bad Sign''' | |||
(Encore Break) | (Encore Break) | ||
Corgan: I know it's hard to top my father...we'd like to bring out a special guest, seeing as I pretty much ripped this song off me, from him, although its my song, if that makes any sense...ladies and gentlemen from Cheap Trick, mister Rick Nielsen. | Corgan: I know it's hard to top my father...we'd like to bring out a special guest, seeing as I pretty much ripped this song off me, from him, although its my song, if that makes any sense...ladies and gentlemen from Cheap Trick, mister Rick Nielsen. | ||
'''Cherub Rock''' | |||
(Encore Break) | (Encore Break) | ||
'''Disarm''' | |||
Corgan: Thank you...James, would you like to introduce the band? | Corgan: Thank you...James, would you like to introduce the band? | ||
Iha: Yes i would. Ladies and gentlemen...a legend in his own time and a very great guy, on the piano, mister Mike Garson!...from Chicago, (?) and keyboards, strings and things, and sounds...mister Chris Holmes! and now, on the bass, all the way from Montreal Canada, a socialist, a redhead, miss Melissa Auf der Maur and now. | Iha: Yes i would. Ladies and gentlemen...a legend in his own time and a very great guy, on the piano, mister Mike Garson!...from Chicago, (?) and keyboards, strings and things, and sounds...mister Chris Holmes! and now, on the bass, all the way from Montreal Canada, a socialist, a redhead, miss Melissa Auf der Maur and now. | ||
Corgan: Wait, hold on...hold on. I think the three of us should say a special thank you to Melissa...without Melissa, this wouldn'ta all been possible, thank you very much Melissa. | Corgan: Wait, hold on...hold on. I think the three of us should say a special thank you to Melissa...without Melissa, this wouldn'ta all been possible, thank you very much Melissa. | ||
Iha: Yes, a fine round of applause for Melissa. | Iha: Yes, a fine round of applause for Melissa. | ||
Corgan: We're eternally vengeful, I mean greatful. | Corgan: We're eternally vengeful, I mean greatful. | ||
Iha: And now, occupying the drum seat right now, all the way from outer space, mister Matt Cosmo Walker, hell of a guy, a good man...and now from Joliet Illinois, a bruiser a cruiser, the pummeler of the drums, mister Smashing Pumpkins himself, mister Jimmy Chamberlin! | Iha: And now, occupying the drum seat right now, all the way from outer space, mister Matt Cosmo Walker, hell of a guy, a good man...and now from Joliet Illinois, a bruiser a cruiser, the pummeler of the drums, mister Smashing Pumpkins himself, mister Jimmy Chamberlin! | ||
Corgan: You got your own section. | Corgan: You got your own section. | ||
Iha: The Jimmy section, it's awesome. | Iha: The Jimmy section, it's awesome. | ||
Corgan: How the hell did they get in here? | Corgan: How the hell did they get in here? | ||
Iha: Lets get that on film...ok, we got it, alright...and now on lead vocals, guitar, song singing, sounds, everything, mister Billy Corgan. | Iha: Lets get that on film...ok, we got it, alright...and now on lead vocals, guitar, song singing, sounds, everything, mister Billy Corgan. | ||
Corgan: Thank you...and the man who I started this crazy, godforsaken band with...all the way...all the...where are you from? | Corgan: Thank you...and the man who I started this crazy, godforsaken band with...all the way...all the...where are you from? | ||
Iha: Paris. | Iha: Paris. | ||
Corgan: All the way from Paris, mister James Iha. | Corgan: All the way from Paris, mister James Iha. | ||
Iha: Thank you. | Iha: Thank you. | ||
Corgan: Before we play this final song we'd like to say...thank you thank you thank you thank you thank you...oh yeah, there's one more guy I wanna thank...that man right there, mister Joe Shanahan. Joe Shanahan is the greatest guy you could ever meet...thank you Joe Shanahan, you're the best baby. | Corgan: Before we play this final song we'd like to say...thank you thank you thank you thank you thank you...oh yeah, there's one more guy I wanna thank...that man right there, mister Joe Shanahan. Joe Shanahan is the greatest guy you could ever meet...thank you Joe Shanahan, you're the best baby. | ||
Iha: Uh, hell of a, hell of a guy...I'd also like to thank all our crew, you guys rock that made the show happen...everybody involved with the Pumpkins we'd like to thank. | Iha: Uh, hell of a, hell of a guy...I'd also like to thank all our crew, you guys rock that made the show happen...everybody involved with the Pumpkins we'd like to thank. | ||
Corgan: Yes, for a long year, and a hard year, but we thank you for your hard work, thank you very much. | Corgan: Yes, for a long year, and a hard year, but we thank you for your hard work, thank you very much. | ||
Iha: And uh | Iha: And uh | ||
Corgan: Let's give a hand for the crew...they're a little hungover today, they need some help...oh, yesterday. | Corgan: Let's give a hand for the crew...they're a little hungover today, they need some help...oh, yesterday. | ||
Iha: And uh, I'd also like to thank somebody who's not here...I'd like to thank D'arcy, who uh (unintelligible)...and uh, I love her...and we all love her. | Iha: And uh, I'd also like to thank somebody who's not here...I'd like to thank D'arcy, who uh (unintelligible)...and uh, I love her...and we all love her. | ||
Corgan: Hell of a girl, hell of a girl..ok...now we've asked you to sing along to a couple of other songs, and we didn't get your full participation...we know you didn't vote and thanks to you we now have George Bush as a president. | Corgan: Hell of a girl, hell of a girl..ok...now we've asked you to sing along to a couple of other songs, and we didn't get your full participation...we know you didn't vote and thanks to you we now have George Bush as a president. | ||
Iha: Now wait a minute, didn't they check those dimpled ballots one more time? sorry, go ahead. | Iha: Now wait a minute, didn't they check those dimpled ballots one more time? sorry, go ahead. | ||
Corgan: So please, help us get through this last song. | Corgan: So please, help us get through this last song. | ||
Iha: Yes. | Iha: Yes. | ||
'''1979''' | |||
(Encore Break) | (Encore Break) | ||
Crowd (chanting): One more song! one more song! | Crowd (chanting): One more song! one more song! | ||
Joe Shanahan: come on lets hear it! You sound like a New York audience, this is Chicago let's go! Gotta make it loud! Louuuuuuud! | Joe Shanahan: come on lets hear it! You sound like a New York audience, this is Chicago let's go! Gotta make it loud! Louuuuuuud! | ||
Crowd (chanting): Silverfuck! Silverfuck! | Crowd (chanting): '''Silverfuck''' | ||
Corgan: Are you ready? Are you ready? | ! Silverfuck! | ||
Corgan: Are you ready? Are you ready? | |||
Silverfuck | |||
<blockquote> | <blockquote> | ||
i hear your winter | i hear your winter | ||
i hear your rain | i hear your rain | ||
i've failed your summer ways | i've failed your summer ways | ||
and i feel no pain | and i feel no pain | ||
yeah | |||
yeah | no | ||
no | let it go | ||
let it go | |||
let it go | yeah | ||
let it go | no | ||
i am betrayer | |||
yeah | i am betrayed | ||
no | i am the soothsayer | ||
don't get in my way | |||
i am betrayer | yeah | ||
i am betrayed | no | ||
i am the soothsayer | yeah | ||
don't get in my way | give it up | ||
give it up | |||
yeah | yeah | ||
no | it's time for a change | ||
yeah | i feel no pain | ||
give it up | i feel no pain | ||
give it up | i feel no pain | ||
i feel no pain | |||
yeah | i feel no pain | ||
i feel no pain | |||
it's time for a change | i feel no pain | ||
i feel no pain | |||
i feel no pain | no pain | ||
i feel no pain | i feel no pain | ||
i feel no pain | i feel no pain | ||
i feel no pain | i feel | ||
i feel no pain | there is no pain i feel | ||
i feel no pain | and all that i recovered of the broken pieces of my soul | ||
i feel no pain | i dove to the bottom of the river | ||
i feel no pain | and i lost my self control | ||
no pain | how bad is it johnny | ||
i feel no pain | it's real bad commander | ||
i feel no pain | how bad do you want it johnny | ||
i feel | i want it real bad captain | ||
there is no pain i feel | i want it real bad | ||
and all the mockingbirds say | |||
and all that i recovered of the broken pieces of my soul | tweet tweet | ||
i dove to the bottom of the river | tweet tweet | ||
and i lost my self control | tweet tweet | ||
tweet tweet | |||
how bad is it johnny | it was drilling a hole in his skull | ||
it's real bad commander | he did not know where he wanted to go | ||
how bad do you want it johnny | but he knew he wanted to get there | ||
i want it real bad captain | i hear what you want | ||
i want it real bad | and i feel that way | ||
i hear what you want | |||
and all the mockingbirds say | and i feel that way | ||
tweet tweet | how do we do it | ||
tweet tweet | we do it like this | ||
tweet tweet | how do we do it | ||
tweet tweet | we do it like this | ||
it was drilling a hole in his skull | how have we done it | ||
he did not know where he wanted to go | we just made a wish | ||
but he knew he wanted to get there | how have we done it | ||
it all started with a kiss | |||
i hear what you want | we may walk far off the path | ||
and i feel that way | but we have returned at last | ||
i hear what you want | because the answer to your question | ||
and i feel that way | the answer to your guess | ||
is the fucking fact that we never left | |||
how do we do it | bang bang you're dead | ||
we do it like this | bang bang you're dead | ||
how do we do it | bang bang you're dead | ||
we do it like this | put a hole right through your head | ||
how have we done it | bang bang you're dead | ||
we just made a wish | bang bang you're dead | ||
how have we done it | bang bang you're dead | ||
it all started with a kiss | put a hole right through your head | ||
bang bang you're dead | |||
we may walk far off the path | bang bang you're dead | ||
but we have returned at last | bang bang you're dead | ||
because the answer to your question | put a hole right through your head | ||
the answer to your guess | bang bang you're dead | ||
is the fucking fact that we never left | bang bang you're dead | ||
bang bang you're dead | |||
bang bang you're dead | put a hole right through your head | ||
bang bang you're dead | she loves you | ||
bang bang you're dead | yeah yeah yeah | ||
put a hole right through your head | she loves you | ||
bang bang you're dead | yeah yeah yeah | ||
bang bang you're dead | help me if you can i'm feeling down | ||
bang bang you're dead | help me if you can i'm feeling down | ||
put a hole right through your head | and i know my way around | ||
bang bang you're dead | and on a bright summer day | ||
bang bang you're dead | a couple sway | ||
bang bang you're dead | catching fish and a beautiful girl | ||
put a hole right through your head | not just any river | ||
bang bang you're dead | but one that can deliver a fish | ||
bang bang you're dead | she says now | ||
bang bang you're dead | where are you going to | ||
put a hole right through your head | she says now | ||
anything that you want to do | |||
she loves you | because with you my love i cannot lose | ||
yeah yeah yeah | this is not abuse | ||
she loves you | it's a choice | ||
yeah yeah yeah | and a mother cried real tears | ||
'cause she lost a daughter and a best friend | |||
help me if you can i'm feeling down | he had the face of all those other boys | ||
help me if you can i'm feeling down | what's he want with her anyway | ||
and i know my way around | she reveals to her friends | ||
and they would say | |||
and on a bright summer day | don't worry | ||
a couple sway | it's true love | ||
catching fish and a beautiful girl | don't worry | ||
not just any river | it's true love | ||
but one that can deliver a fish | everything was gonna be all right | ||
she says now | all right | ||
where are you going to | all right | ||
she says now | all right | ||
anything that you want to do | it was going to be all right | ||
because with you my love i cannot lose | love and pain | ||
this is not abuse | love and pain | ||
it's a choice | love and pain | ||
did the troubled voices say | |||
and a mother cried real tears | love and pain | ||
'cause she lost a daughter and a best friend | love and pain | ||
he had the face of all those other boys | love and pain | ||
what's he want with her anyway | did the troubled voices say | ||
she reveals to her friends | i know what you want | ||
and they would say | i know what you want | ||
don't worry | i know what you want | ||
it's true love | yeah | ||
don't worry | go | ||
it's true love | cause they know | ||
everything was gonna be all right | i hear your winter rain | ||
all right | and i | ||
all right | i put into a bomb | ||
all right | sometimes the silence | ||
it was going to be all right | is heavier than the rain | ||
sometimes the silence | |||
love and pain | means more than the rain | ||
love and pain | leaves falling | ||
love and pain | that's right | ||
did the troubled voices say | that's right | ||
love and pain | that's right | ||
love and pain | that's right | ||
love and pain | do not dare disagree | ||
did the troubled voices say | uncaged uncorked unlocked upon the masses | ||
we still lie to get what we want | |||
i know what you want | cause we are sweet as | ||
i know what you want | ahhhh | ||
i know what you want | and for you | ||
for the shame | |||
yeah | ahhhh | ||
go | i hear what you want | ||
cause they know | and i feel that way | ||
i hear what you want | |||
i hear your winter rain | and i feel that way | ||
and i | do you feel | ||
i put into a bomb | do you feel | ||
sometimes the silence | do you feel | ||
is heavier than the rain | how many times do we have to prove this | ||
sometimes the silence | but let us demonstrate one more time | ||
means more than the rain | sort of redundant that way | ||
leaves falling | every teardrop | ||
that's right | yes | ||
that's right | that's when everything went blurry | ||
that's right | yes | ||
that's right | can you say yes | ||
do not dare disagree | yes | ||
we're in the affirmative now | |||
uncaged uncorked unlocked upon the masses | as we said the last time we were on this stage | ||
we still lie to get what we want | positivity rules | ||
cause we are sweet as | the heart will win | ||
ahhhh | there is no better way | ||
and for you | and all through the winters of my discontent | ||
for the shame | all through of what i didn't know and what i didn't want | ||
ahhhh | the fences i would crawl | ||
the fences i would stand | |||
i hear what you want | upon a self imposed subwall | ||
and i feel that way | and nobody cares | ||
i hear what you want | it was sad man | ||
and i feel that way | and i hear your winter | ||
and i hear its alright | |||
do you feel | and i did not fail to your wall | ||
do you feel | and i feel no pain | ||
do you feel | i feel no pain | ||
how many times do we have to prove this | i feel no pain | ||
but let us demonstrate one more time | i feel no pain | ||
sort of redundant that way | i feel no pain | ||
and you said | |||
every teardrop | she trusted me | ||
yes | we bled my arm | ||
that's when everything went blurry | and dead you bled me daily | ||
it made me so sad i'd wanna crawl | |||
yes | awwww | ||
can you say yes | its always darkest before the calm | ||
yes | until we play a song | ||
we're in the affirmative now | until we play a song | ||
as we said the last time we were on this stage | until we play a song | ||
positivity rules | |||
the heart will win | |||
there is no better way | |||
and all through the winters of my discontent | |||
all through of what i didn't know and what i didn't want | |||
the fences i would crawl | |||
the fences i would stand | |||
upon a self imposed subwall | |||
and nobody cares | |||
it was sad man | |||
and i hear your winter | |||
and i hear its alright | |||
and i did not fail to your wall | |||
and i feel no pain | |||
i feel no pain | |||
i feel no pain | |||
i feel no pain | |||
i feel no pain | |||
and you said | |||
she trusted me | |||
we bled my arm | |||
and dead you bled me daily | |||
it made me so sad i'd wanna crawl | |||
awwww | |||
its always darkest before the calm | |||
until we play a song | |||
until we play a song | |||
until we play a song | |||
(from pro #1c) | (from pro #1c) | ||
theres nowhere else to go | |||
theres nowhere else to go | mommy mommy can you hear me | ||
mommy mommy can you hear me | mommy mommy they wont me be | ||
mommy mommy they wont me be | i dont know where else to turn | ||
i dont know where else to turn | }} | ||
==Photos and | == Photos and memorabilia == | ||
{{live show gallery| | |||
File:001202-Poster.jpg | |||
File:001202JI.jpg | |||
File:001202 Aftershow.jpg | |||
File:001202 letter.jpg | |||
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File:001202pass.jpg | |||
File:001202pass1.jpg | |||
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File:Aovivo21.jpg | |||
File:Billy006.jpg | |||
File:Billy011.jpg | |||
File:Billy4.jpg | |||
File:Finalshows-poster.jpg | |||
File:Lastshow.JPG | |||
File:Lastshow3.JPG | |||
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File:Lastshow6.JPG | |||
File:Lastshowjrsr.JPG | |||
File:Mainpic.jpg | |||
File:Metro-cd.jpg | |||
File:Metro-cover.jpg | |||
File:Metro-note.gif | |||
File:Metro1 jpg.jpg | |||
File:Metro2 jpg.jpg | |||
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File:Metro4 jpg.jpg | |||
File:Metro5 jpg.jpg | |||
File:Normal lastshow01.jpg | |||
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File:Normal metro01.jpg | |||
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File:Pumpkins last 2 adposter.jpg | |||
File:Smashingpumpkinsmetropass.jpg | |||
File:Smetro0.jpg | |||
}} |
Revision as of 19:14, 17 September 2020
December 2, 2000 – Chicago, IL, US | |
---|---|
Live performance by The Smashing Pumpkins | |
Artist | The Smashing Pumpkins |
Date | December 2, 2000 |
Venue | Metro |
Coordinates | 41°56′59″N 87°39′40″W |
Location | Chicago, IL, US |
Venue type | Club |
Capacity | 1,100 |
Personnel | Billy Corgan, James Iha, Jimmy Chamberlin, Melissa Auf der Maur, Mike Garson, Chris Holmes |
Order of bands | The Smashing Pumpkins |
Setlist
Set one
- "Mellon Collie and the Infinite Sadness" (over PA)
- "Rocket" (false start)
- "Rocket"
- "I Am One" (with rant)
- "Rhinoceros" (false start)
- "Rhinoceros"
- "Shame"
- "Porcelina of the Vast Oceans"
- "The Everlasting Gaze"
- "Bullet with Butterfly Wings"
- "Spiteface" (tease)
- "Thru the Eyes of Ruby"
- "Blissed and Gone"
- "(Where Do I Begin?) Love Story" [w:] (tease) (Love Theme)
- "To Sheila"
- "Mayonaise"
- "I of the Mourning"
Set two
- "Muzzle"
- "Stand Inside Your Love" (abandoned)
- "Stand Inside Your Love"
- "Perfect"
- "This Time"
- "Go" (only performance)
- "The Last Song" (only performance)
- "Last Instrumental" (only performance)
- "Age of Innocence"
- "Thirty-Three"
Set three
- "Tonight, Tonight"
- "Siva" [4:22]
- "Fuck You"
- "Drown" [4:57]
- "Starla" [7:06]
- "If There Is a God"
- "Cash Car Star"
- "Rock On" [David Essex]
- "Today"
Encore one
- "For Martha"
- "Born Under a Bad Sign" [Jones/Bell] (only performance)
Encore two
Encore three
Encore four
- "Silverfuck"
- "Geek U.S.A." (tease)
- "The Star-Spangled Banner" [Francis Scott Key] (tease)
- "She Loves You" [The Beatles] (tease)
- "Help!" [The Beatles] (tease)
Notes
- The band requested that audience members not record this show due to plans for an official release
- "Muzzle" and "1979" with Matt Walker on drums
- "Blissed and "Go"ne" and "To Sheila" with The Frogs
- "To Sheila" with Linda Strawberry on vocals
- "For Martha" and "Born Under a Bad Sign" with William Corgan Sr. on guitar
- "Cherub Rock" with Rick Nielsen on guitar
- "Muzzle" through "Thirty-Three", "Disarm", and "1979" performed acoustic
- First performances of "Rocket" and "Silverfuck" since 1997-02-05 (234 shows)
- Only performances of "Go", "The Last Song", "Last Instrumental", and "Born Under a Bad Sign"
- Final performances of "Blissed and "Go"ne", "This Time", If There is a "Go"d, and "Rock On"
- Ava Adore was on the setlist after "Cherub Rock", but was skipped
Banter
Mellon Collie and the Infinite Sadness
(over PA)
Rocket
(abandoned due to Tonight, Tonight
coming on over PA)
Corgan: Thank you.
I Am One
Corgan: We'd like to thank everybody for comin' tonight, thank you. This next song, uh, we'd like to play for you, is a...is a, was a, was a song that was written I think around 1989, and um-
audience member: Spiteface!
Corgan: no no, it wasn't Spiteface, no, this is uh, this is uh, what am I trying to say, this is one of the songs I think where we first realised uh, the sort of sound that we, had so uh, this is why I wanted to play it for you tonight.
'Rhinoceros
(false start)
Corgan: Even on our last show we can't get it right...are you...hey wait, something keeps being jacked up, and as long as we're stopped we might as well, something keeps being jacked up, alright, we're gonna play a different song now, I think it's this mic.
Rhinoceros
Shame
Porcelina of the Vast Oceans
The Everlasting Gaze
Bullet with Butterfly Wings
Corgan: Thank you very much, thank you...so we've got a little um, present for everyone when they leave tonight...it's a signed Christmas card James! No acutally, we made CD's for everybody of our first show here at Metro.
Iha: I don't know if you guys like Little Feat, but we did a whole cover set of Little Feat songs, that's our first show here.
Corgan: Yeah, it's um, it's 38 minutes long, that's all they would let us play back then, yes, we played Spiteface, you've been waiting for um, 12 years to hear that song...you wanna hear a little Spiteface?
Spiteface (tease)
Corgan: That's the last time we're ever gonna play that.
Iha: Another last time right there.
Corgan: You know, we were, we were here last night rehearsing, and uh, there were some stupid crazy kids outside waiting, and last night when we were rehearsing, I was sort of, you know, as you will, you reminisce about all the shows that we've played here, and the one thing that sort of struck me was, um
back in the old days when they used to put the monitors back here and you used to stand back here, there was this spot on the stage that was sort of wobbly...I don't know if they've ever fixed it, but uh, everytime I'd go to sing, the mic would go like...
Iha: We certainly had a different kind of sound back then, so uh...wobbly.
Corgan: Now we'd like to play you a song off the Mellon Collie And The Infinite Sadness album...it's not a bad album, sorry.
Thru the Eyes of Ruby
Corgan: I'd like to bring out a couple of special guests...we have uh, a bunch of special guests tonight...he's the most dangerous man in the world, Dennis and Jimmy Flemion of the Frogs.
Blissed and Go
ne
Corgan: Would you like to sing a little love story Dennis? Love story?
Where Do I Begin? (Love Theme) (tease)
Corgan: Don't be shy, this is, this is Linda Strawberry...she's very famous in Romania, number one.
To Sheila
Corgan: Linda Strawberry...thank you to the Frogs.
Mayonaise
I of the Mourning
(Set Break)
Corgan: We've got a special guest right now, mister Matt Walker.
Muzzle
Corgan: Thank you very much.
'Stand Inside Your Love
(abandoned)
Corgan: It's our last show people, jeez...see you can't have a love song in F#, it just doesn't work...it's a G kind of thing...as long as we're stopped though, I'd like to say, uh, I wrote this song for my girlfriend up there...where are you Yelena?..(unintelligible)..I think she's left the building
audience member: I love you!
Corgan: I love you too.
Stand Inside Your Love
Corgan: Thank you, how's everybody feelin'?
Perfect
Corgan: Thank you very much...this uh, this next song, is interesting because uh, for this particular case, because, when I wrote this song it was pretty much the last song I wrote for the Machina albums, and uh, I knew the band was going to break up, so I guess this is sorta prophetic, this song...that's ok, there'll be another concert to talk...it's a Pumpkin joke...so this is This Time
This Time
Corgan: Now I'd like to introduce the man on the mic, mister James Iha.
Iha: Thank you...one, two, one two three four.
Go
Corgan: Uh...so this is uh, the last song I wrote for Mellon Collie and the Infinite Sadness, this is called the Last Song.
The Last Song
The Last Instrumental
Age of Innocence
(Piano Improv)
Thirty-Three
(Set Break)
Tonight, Tonight
Corgan: Next song, you ready there James?
Siva
Corgan: Hello...have you had enough yet?...Have you had enough yet? I don't know, you like you may have had enough...we got a little treat for ya right here
well if ya hadn't had enough, you're gonna have to, huh? If you hadn't you're gonna have enough after this one...
Fuck You
Corgan: That's right, that's right. Just to all of you here, thank you very much. I'll tell you one thing, we aren't leaving anything behind when we leave here tonight. We're taking it all with us! Every single ounce of it....So we'd like to, haha, we'd like to play some more songs. This next song was in that scintillating grunge movie, starring...
Iha: Starring, uh, Matt Damon.
Corgan: Good Will Hunting! I'm making a cultural joke, then I realized, I'm in a silver dress.
Iha: That is, that is true.
Drown
Starla
If There Is a God
Cash Car Steal
Rock On/Heavy Metal Machine
Corgan: Thank you very much, thank you very much, the end has arrived...*laughs*...yes, it is the final song. I can't believe we got there, you got there, thank you very much...we wanna say thank you for havin' the greatest fans in the world, the most absolute amazing people in the world...of course we don't believe that bullshit but it sounds good when you say it...we love you too...so one more song, everybody sing along for a change.
Today
(Encore Break)
Corgan: Thank you very much, thank you, heh, um, before we play any more, I'd like to uh, say a little prayer, I'd like to thank god for getting us around this earth five times, safely, and giving us the will and the way to uh, I don't know, yes, thank you, and god, thank god, I'd like to say a very special thank you to all the families of the Pumpkins, both friends and real, the Wretzkys, the uh, the Ihas, the Chamberlins, the Corgans, the Andersons, the Walkers, the Flemions, I'd like to say thank you very much for the support you've given us over the years, I'd like to say thank you to all of you, 'cause without you, obviously this wouldn't happen, I think we...I think we've tried to show you that we've never forgotten that part of it, and uh, I'm too spaced out...I'd like to say thank you to our enemies for pushing us to try harder and be better
so uh, thank you very much...oh yeah, and one more thing, I'd like to say thank you to the people we've lost through the years, thank you for being a part of our lives...I'd now like to bring out a special guest, he's cool, he's bald, he's my father...he does have more hair than me, I don't know how this worked out...it's a sort of, it's a genetic mistake.
Corgan Sr. (Over Martha intro): We wanna dedicate this song...to someone very special to us...we know tonight she's out there listening..Darce (?), this is for you.
For Martha
Born Under a Bad Sign
(Encore Break)
Corgan: I know it's hard to top my father...we'd like to bring out a special guest, seeing as I pretty much ripped this song off me, from him, although its my song, if that makes any sense...ladies and gentlemen from Cheap Trick, mister Rick Nielsen.
Cherub Rock
(Encore Break)
Disarm
Corgan: Thank you...James, would you like to introduce the band?
Iha: Yes i would. Ladies and gentlemen...a legend in his own time and a very great guy, on the piano, mister Mike Garson!...from Chicago, (?) and keyboards, strings and things, and sounds...mister Chris Holmes! and now, on the bass, all the way from Montreal Canada, a socialist, a redhead, miss Melissa Auf der Maur and now.
Corgan: Wait, hold on...hold on. I think the three of us should say a special thank you to Melissa...without Melissa, this wouldn'ta all been possible, thank you very much Melissa.
Iha: Yes, a fine round of applause for Melissa.
Corgan: We're eternally vengeful, I mean greatful.
Iha: And now, occupying the drum seat right now, all the way from outer space, mister Matt Cosmo Walker, hell of a guy, a good man...and now from Joliet Illinois, a bruiser a cruiser, the pummeler of the drums, mister Smashing Pumpkins himself, mister Jimmy Chamberlin!
Corgan: You got your own section.
Iha: The Jimmy section, it's awesome.
Corgan: How the hell did they get in here?
Iha: Lets get that on film...ok, we got it, alright...and now on lead vocals, guitar, song singing, sounds, everything, mister Billy Corgan.
Corgan: Thank you...and the man who I started this crazy, godforsaken band with...all the way...all the...where are you from?
Iha: Paris.
Corgan: All the way from Paris, mister James Iha.
Iha: Thank you.
Corgan: Before we play this final song we'd like to say...thank you thank you thank you thank you thank you...oh yeah, there's one more guy I wanna thank...that man right there, mister Joe Shanahan. Joe Shanahan is the greatest guy you could ever meet...thank you Joe Shanahan, you're the best baby.
Iha: Uh, hell of a, hell of a guy...I'd also like to thank all our crew, you guys rock that made the show happen...everybody involved with the Pumpkins we'd like to thank.
Corgan: Yes, for a long year, and a hard year, but we thank you for your hard work, thank you very much.
Iha: And uh
Corgan: Let's give a hand for the crew...they're a little hungover today, they need some help...oh, yesterday.
Iha: And uh, I'd also like to thank somebody who's not here...I'd like to thank D'arcy, who uh (unintelligible)...and uh, I love her...and we all love her.
Corgan: Hell of a girl, hell of a girl..ok...now we've asked you to sing along to a couple of other songs, and we didn't get your full participation...we know you didn't vote and thanks to you we now have George Bush as a president.
Iha: Now wait a minute, didn't they check those dimpled ballots one more time? sorry, go ahead.
Corgan: So please, help us get through this last song.
Iha: Yes.
1979
(Encore Break)
Crowd (chanting): One more song! one more song!
Joe Shanahan: come on lets hear it! You sound like a New York audience, this is Chicago let's go! Gotta make it loud! Louuuuuuud!
Crowd (chanting): Silverfuck
! Silverfuck!
Corgan: Are you ready? Are you ready?
Silverfuck
i hear your winter
i hear your rain
i've failed your summer ways
and i feel no pain
yeah
no
let it go
let it go
yeah
no
i am betrayer
i am betrayed
i am the soothsayer
don't get in my way
yeah
no
yeah
give it up
give it up
yeah
it's time for a change
i feel no pain
i feel no pain
i feel no pain
i feel no pain
i feel no pain
i feel no pain
i feel no pain
i feel no pain
no pain
i feel no pain
i feel no pain
i feel
there is no pain i feel
and all that i recovered of the broken pieces of my soul
i dove to the bottom of the river
and i lost my self control
how bad is it johnny
it's real bad commander
how bad do you want it johnny
i want it real bad captain
i want it real bad
and all the mockingbirds say
tweet tweet
tweet tweet
tweet tweet
tweet tweet
it was drilling a hole in his skull
he did not know where he wanted to go
but he knew he wanted to get there
i hear what you want
and i feel that way
i hear what you want
and i feel that way
how do we do it
we do it like this
how do we do it
we do it like this
how have we done it
we just made a wish
how have we done it
it all started with a kiss
we may walk far off the path
but we have returned at last
because the answer to your question
the answer to your guess
is the fucking fact that we never left
bang bang you're dead
bang bang you're dead
bang bang you're dead
put a hole right through your head
bang bang you're dead
bang bang you're dead
bang bang you're dead
put a hole right through your head
bang bang you're dead
bang bang you're dead
bang bang you're dead
put a hole right through your head
bang bang you're dead
bang bang you're dead
bang bang you're dead
put a hole right through your head
she loves you
yeah yeah yeah
she loves you
yeah yeah yeah
help me if you can i'm feeling down
help me if you can i'm feeling down
and i know my way around
and on a bright summer day
a couple sway
catching fish and a beautiful girl
not just any river
but one that can deliver a fish
she says now
where are you going to
she says now
anything that you want to do
because with you my love i cannot lose
this is not abuse
it's a choice
and a mother cried real tears
'cause she lost a daughter and a best friend
he had the face of all those other boys
what's he want with her anyway
she reveals to her friends
and they would say
don't worry
it's true love
don't worry
it's true love
everything was gonna be all right
all right
all right
all right
it was going to be all right
love and pain
love and pain
love and pain
did the troubled voices say
love and pain
love and pain
love and pain
did the troubled voices say
i know what you want
i know what you want
i know what you want
yeah
go
cause they know
i hear your winter rain
and i
i put into a bomb
sometimes the silence
is heavier than the rain
sometimes the silence
means more than the rain
leaves falling
that's right
that's right
that's right
that's right
do not dare disagree
uncaged uncorked unlocked upon the masses
we still lie to get what we want
cause we are sweet as
ahhhh
and for you
for the shame
ahhhh
i hear what you want
and i feel that way
i hear what you want
and i feel that way
do you feel
do you feel
do you feel
how many times do we have to prove this
but let us demonstrate one more time
sort of redundant that way
every teardrop
yes
that's when everything went blurry
yes
can you say yes
yes
we're in the affirmative now
as we said the last time we were on this stage
positivity rules
the heart will win
there is no better way
and all through the winters of my discontent
all through of what i didn't know and what i didn't want
the fences i would crawl
the fences i would stand
upon a self imposed subwall
and nobody cares
it was sad man
and i hear your winter
and i hear its alright
and i did not fail to your wall
and i feel no pain
i feel no pain
i feel no pain
i feel no pain
i feel no pain
and you said
she trusted me
we bled my arm
and dead you bled me daily
it made me so sad i'd wanna crawl
awwww
its always darkest before the calm
until we play a song
until we play a song
until we play a song
(from pro #1c)
theres nowhere else to go
mommy mommy can you hear me
mommy mommy they wont me be
i dont know where else to turn