Billy Corgan 1997-02-17: Difference between revisions
mNo edit summary |
MusikAnimal (talk | contribs) m (Text replacement - "==\s*Banter\s*==↵\s*\n*\s*\(unknown\)\n" to "== Banter == {{banter}}") |
||
| (2 intermediate revisions by 2 users not shown) | |||
| Line 16: | Line 16: | ||
'''February 17, 1997''' was the annual '''Tibet House Benefit Concert''' organized by [[w:Philip Glass|Philip Glass]]. Since 1990, the event has raised funds towards [[w:Tibet House US|Tibet House US]], the New York City non-profit that is part of the greater international network of [[w:Tibet House|Tibet Houses]]. The aim is to preserve the identity and culture of the Tibetan people that has been lost due to the [[w:Chinese invasion of Tibet|Chinese invasion of Tibet]] and subsequent [[w:Tibetan diaspora|Tibetan diaspora]].<ref>{{cite news |last1=Durdin |first1=Peggy |title=The Dalai Lama's Tibet Lives On in Its Art |url=https://www.nytimes.com/1970/01/25/archives/the-dalai-lamas-tibet-lives-on-in-its-art.html |accessdate=23 September 2019 |work=New York Times |date=January 25, 1970}}</ref><ref>{{cite news |last1=Wong |first1=Edward |title=Tibetans Fight to Salvage Fading Culture in China |url=https://www.nytimes.com/2015/11/29/world/asia/china-tibet-language-education.html?rref=collection%2Ftimestopic%2FDalai%20Lama |accessdate=26 September 2019 |work=New York Times |date=November 28, 2015}}</ref> | '''February 17, 1997''' was the annual '''Tibet House Benefit Concert''' organized by [[w:Philip Glass|Philip Glass]]. Since 1990, the event has raised funds towards [[w:Tibet House US|Tibet House US]], the New York City non-profit that is part of the greater international network of [[w:Tibet House|Tibet Houses]]. The aim is to preserve the identity and culture of the Tibetan people that has been lost due to the [[w:Chinese invasion of Tibet|Chinese invasion of Tibet]] and subsequent [[w:Tibetan diaspora|Tibetan diaspora]].<ref>{{cite news |last1=Durdin |first1=Peggy |title=The Dalai Lama's Tibet Lives On in Its Art |url=https://www.nytimes.com/1970/01/25/archives/the-dalai-lamas-tibet-lives-on-in-its-art.html |accessdate=23 September 2019 |work=New York Times |date=January 25, 1970}}</ref><ref>{{cite news |last1=Wong |first1=Edward |title=Tibetans Fight to Salvage Fading Culture in China |url=https://www.nytimes.com/2015/11/29/world/asia/china-tibet-language-education.html?rref=collection%2Ftimestopic%2FDalai%20Lama |accessdate=26 September 2019 |work=New York Times |date=November 28, 2015}}</ref> | ||
{{cquote|One memory I have is of rehearsing with the group at large and heading out in the hall for some water when I ran into Lou Reed; who gave me a warm hug and asked me what I was doing running around with such a suspect crowd (a joke, obviously). Highlights of the night were performing "[[E-Bow the Letter]]" with Michael (one of my favorite R.E.M. songs), and sitting side by side with Mr. Glass as we played piano. … I'd also perform two songs on my own, "[[Blissed and Gone]]" and a Rev Gary Davis tune whose name escapes me (I played it poorly is why I've erased it). Lastly, there is the memory of my rehearsing and coming off stage to find a waiting Allen Ginsberg: who didn't like the rhymes I was using in the song and wrote some ideas for me on a piece of paper (I think he thought I was a young and aspiring musician). So I have that scrap somewhere with Allen's rhymes.|author=[[Billy Corgan]]|source=Smashing Pumpkins Archives. November 18, 2020<ref>https://smashingpumpkins.com/archives/tibet-house-benefit/</ref>}} | {{cquote|One memory I have is of rehearsing with the group at large and heading out in the hall for some water when I ran into [[w:Lou Reed|Lou Reed]]; who gave me a warm hug and asked me what I was doing running around with such a suspect crowd (a joke, obviously). Highlights of the night were performing "[[E-Bow the Letter]]" with [[w:Michael Stipe|Michael]] (one of my favorite [[w:R.E.M.|R.E.M.]] songs), and sitting side by side with Mr. Glass as we played piano. … I'd also perform two songs on my own, "[[Blissed and Gone]]" and a [[w:Reverend Gary Davis|Rev Gary Davis]] tune whose name escapes me (I played it poorly is why I've erased it). Lastly, there is the memory of my rehearsing and coming off stage to find a waiting [[w:Allen Ginsberg|Allen Ginsberg]]: who didn't like the rhymes I was using in the song and wrote some ideas for me on a piece of paper (I think he thought I was a young and aspiring musician). So I have that scrap somewhere with Allen's rhymes.|author=[[Billy Corgan]]|source=Smashing Pumpkins Archives. November 18, 2020<ref>https://smashingpumpkins.com/archives/tibet-house-benefit/</ref>}} | ||
== Relevant setlist == | == Relevant setlist == | ||
=== Set one === | === Set one === | ||
# {{live song|Blissed and Gone}} | # {{live song|Blissed and Gone|acoustic=1}} | ||
# {{live song|Death Don't Have No Mercy|cover=[[w:Reverend Gary Davis|Reverend Gary Davis]]}} | # {{live song|Death Don't Have No Mercy|cover=[[w:Reverend Gary Davis|Reverend Gary Davis]]|acoustic=1}} | ||
=== Set two === | === Set two === | ||
| Line 32: | Line 32: | ||
# {{live song|People Have the Power|cover=[[w:Patti Smith|Patti Smith]]|note=all-star jam}} | # {{live song|People Have the Power|cover=[[w:Patti Smith|Patti Smith]]|note=all-star jam}} | ||
== Notes == | |||
* Set two is [[Billy Corgan]] on guitar accompanying other artists | * Set two is [[Billy Corgan]] on guitar accompanying other artists | ||
* "Come All Ye Fair and Tender Ladies" and "Ship of Fools" with [[w:John Cale|John Cale]] | * "Come All Ye Fair and Tender Ladies" and "Ship of Fools" with [[w:John Cale|John Cale]] | ||
* "Come All Ye Fair and Tender Ladies" and "The Long Road" with [[w:Natalie Merchant|Natalie Merchant]] | * "Come All Ye Fair and Tender Ladies" and "The Long Road" with [[w:Natalie Merchant|Natalie Merchant]] | ||
| Line 45: | Line 42: | ||
== Banter == | == Banter == | ||
{{banter}} | |||
== References == | == References == | ||
{{reflist}} | {{reflist}} | ||
[[Category:Live performances for charity]] | [[Category:Live performances for charity]] | ||
Latest revision as of 07:50, 19 December 2023
| February 17, 1997 – New York City, NY, US | |
|---|---|
| Live performance by Billy Corgan | |
| Artist | Billy Corgan |
| Date | February 17, 1997 |
| Venue | Carnegie Hall |
| Coordinates | 40°45′54″N 73°58′48″W |
| Location | New York City, NY, US |
| Venue type | Concert hall |
| Capacity | 2,804 |
| Personnel | Billy Corgan |
| Order of bands | Billy Corgan, John Cale, Allen Ginsberg, Philip Glass, Natalie Merchant, Michael Stipe, Patti Smith, others |
February 17, 1997 was the annual Tibet House Benefit Concert organized by Philip Glass. Since 1990, the event has raised funds towards Tibet House US, the New York City non-profit that is part of the greater international network of Tibet Houses. The aim is to preserve the identity and culture of the Tibetan people that has been lost due to the Chinese invasion of Tibet and subsequent Tibetan diaspora.[1][2]
| “ | One memory I have is of rehearsing with the group at large and heading out in the hall for some water when I ran into Lou Reed; who gave me a warm hug and asked me what I was doing running around with such a suspect crowd (a joke, obviously). Highlights of the night were performing "E-Bow the Letter" with Michael (one of my favorite R.E.M. songs), and sitting side by side with Mr. Glass as we played piano. … I'd also perform two songs on my own, "Blissed and Gone" and a Rev Gary Davis tune whose name escapes me (I played it poorly is why I've erased it). Lastly, there is the memory of my rehearsing and coming off stage to find a waiting Allen Ginsberg: who didn't like the rhymes I was using in the song and wrote some ideas for me on a piece of paper (I think he thought I was a young and aspiring musician). So I have that scrap somewhere with Allen's rhymes. | ” |
| — Billy Corgan, Smashing Pumpkins Archives. November 18, 2020[3] | ||
Relevant setlist[edit | edit source]
Set one[edit | edit source]
- "Blissed and Gone" (acoustic) (live debut)
- "Death Don't Have No Mercy" [Reverend Gary Davis] (acoustic) (only performance)
Set two[edit | edit source]
- "Come All Ye Fair and Tender Ladies" [John Cale] (only performance)
- "Ship of Fools" [John Cale] (only performance)
- "The Ballad of the Skeletons" [Allen Ginsberg] (only performance)
- "E-Bow the Letter" [R.E.M.] (only performance)
- "The Long Road" [Pearl Jam] (only performance)
- "People Have the Power" [Patti Smith] (all-star jam) (only performance)
Notes[edit | edit source]
- Set two is Billy Corgan on guitar accompanying other artists
- "Come All Ye Fair and Tender Ladies" and "Ship of Fools" with John Cale
- "Come All Ye Fair and Tender Ladies" and "The Long Road" with Natalie Merchant
- "The Ballad of the Skeletons" with Allen Ginsberg
- "E-Bow the Letter" and "The Long Road" with Michael Stipe
- "E-Bow the Letter" with Patti Smith
Banter[edit | edit source]
(unknown)
References[edit | edit source]
- ↑ Durdin, Peggy (January 25, 1970). "The Dalai Lama's Tibet Lives On in Its Art". New York Times. Retrieved 23 September 2019.
- ↑ Wong, Edward (November 28, 2015). "Tibetans Fight to Salvage Fading Culture in China". New York Times. Retrieved 26 September 2019.
- ↑ https://smashingpumpkins.com/archives/tibet-house-benefit/