Starla

"Starla" is a song from The Smashing Pumpkins' 1994 compilation album, Pisces Iscariot, and originally released on the "I Am One" single in 1992. At just over 11 minutes, it is the longest song on Pisces and one of the longest in the band's studio catalogue. In a 1998 interview, Billy Corgan said it was the most emotionally important song on the album, too.

Background
Corgan got the inspiration for the song title when a fan at one of the Pumpkins' concerts told them her name was Starla, a name that Corgan admired. Subsequently to writing the song, Corgan discovered that her name was actually Darla. i met this girl in dallas when we were on tour with the chili peppa's and that was where i got the idea for the name for the song because when she said her name i thought wow, what a great title for a song. 2 1/4 years later i run into this same girl at a party and i say did you hear that song we recorded using your name, starla? and she said, no my name is darla but hey starla, darla whatever it doesn't matter, so there you go. never trust a girl who ends up with well i can't say. While there was likely someone named Starla prior to The Smashing Pumpkins song, there are many children today who were born with namesake owing to the song.

Recording
The full recording as heard on Pisces occurred in a single all-night session to meet a hard deadline. At the beginning of the session, Billy Corgan only had the intro guitar riff written. The rest including the lyrics were written on-the-fly.

In a column he wrote for Guitar World, Corgan explained how the song got its arrangement and the interesting effect used at the beginning of the song:

For the song "Starla," from Pisces Iscariot, I had a riff which didn't really do much for me. Then, I ran it through a fuzz (which gave it a drone-y sound and added some different harmonics), and panned it back and forth in time with the song. Soon, I started to hear an orchestration for the song. The effects inspired the arrangement, even though I didn't end up using the original effects on the final version of the tune.

An epic, mesmerizing track built up around extended solos, "Starla" was produced by Kerry Brown and recorded through a Soundcraft TS12 board onto a TASCAM MS16 one-inch tape machine. Brown used a Yamaha SPX90 for the reverb effect on Corgan's voice, and an Eventide H3000 Ultra-Harmonizer is responsible for the backwards effect that runs through the first third of the song. "I remember that overdub guitar solo," says Brown. "Just him, the headphones, and the cabinet. You don’t hear that much anymore. You can’t simulate what you can do with a cabinet in front of you. I mean, Billy was bending notes on a mic stand!" AllMusic wrote that "Starla" "proves that Corgan was one of the finest (and most underrated) rock guitarists of the '90s".

At around the 5:26 mark in the song, you can hear an ambulance siren that was from when Corgan was recording the acoustic section with a window open.