Butch Vig

Bryan David "Butch" Vig (born August 2, 1955) is an American musician, songwriter, and record producer who worked with The Smashing Pumpkins on Gish, Siamese Dream, and the Sub-pop release of "Tristessa". He is most well-known however as the drummer and co-producer of Garbage and as the producer of Nirvana's Nevermind. In addition, he has produced for artists such as Green Day and Foo Fighters.

In 2012, Vig ranked number nine in NME 's Top 50 Greatest Producers Ever.

Gish
Vig co-owned Smart Studios in Madison, Wisconsin where Gish was recorded, the other owner being Garbage co-founder Steve Marker. He used a 24-track Amek/TAC Scorpion mixing console. In these sessions he was known for pushing The Smashing Pumpkins to perfection. As Gish was the first studio album by the band, they had not experienced the pressure of working with a professional producer before. In a 2020 Instagram video, Corgan explained in particular the frustration behind recording "Siva", where Vig caused a lot of "head fuckery" insisting Corgan re-record the "she knows" lyric for hours upon hours until it met Vig's liking.

Vig was still a relatively unknown producer at the time, and enjoyed the longer recording period and larger budget. He later remembered,"(Corgan) wanted to make everything sound amazing and see how far he could take it; really spend time on the production and the performances. For me that was a godsend because I was used to doing records for all the indie labels and we only had budgets for three or four days. Having that luxury to spend hours on a guitar tone or tuning the drums or working on harmonies and textural things ... I was over the moon to think I had found a comrade-in-arms who wanted to push me, and who really wanted me to push him."It was under pressure from Vig that Corgan performed much of the guitar and bass parts on the record, in order to save time.

Siamese Dream
Siamese Dream was recorded mainly between December 1992 and March 1993. The band relocated to Triclops Studios in Marietta, Georgia for the album sessions, so they could avoid local friends and distractions.

According to an interview with PSN Europe, he stated "Billy [Corgan] and I raised the bar really high. We wanted to make a very ambitious sounding record. It was all done on analogue tape so it was time consuming. We were working 12 hours a day, six times a week for about three months, and for the last two months we worked seven days a week, 14 or 15 hours a day because we were behind schedule."