Zwan 2003-04-05: Difference between revisions

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{| border="2" cellpadding="4" cellspacing="0" style="margin: 0 0 1em 1em; border: 1px #aaa solid; border-collapse: collapse; font-size: 95%;" align="right" width=280px
{{infobox live show
! bgcolor="#ffe156" colspan="2" | Zwan
| artist = Zwan
|-
| date = April 5, 2003
! align="left" | Date
| venue = [[w:Electric Factory|Electric Factory]]
| 2003-04-05
| location = Philadelphia, PA, US
|-
| venue_type = Club
! align="left" | Venue
| lat = 39.95919444
| Electric Factory
| lng = -75.14969444
|-
| capacity = 2500
! align="left" | Location
| personnel = Billy Corgan, Jimmy Chamberlin, Matt Sweeney, David Pajo, Paz Lenchantin
| Philadelphia, PA, US
| bands = The Children's Hour, Zwan
|-
| tour = Mary Star of the Sea
! align="left" | Venue Type
}}
| Club
 
|-
! align="left" | Capacity
| ~2500
|-
! align="left" | Lineup
| Corgan, Chamberlin, Sweeney, Pajo, Lenchantin
|-
! align="left" | Order of Bands
| The Children's Hour, Zwan
|-
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #1
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| DAB > DA-120F > Nomad JBC(16/44.1)
|-
! align="left" | Length
| 95m
|-
! align="left" | Complete?
| Yes
|-
! align="left" | Lowest Circulating Generation
| WAV-M > dEdit > FLAC
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/zwan2003-04-05 16-bit download]
|-
! align="left" | Notes
| Above soundboard, mics taped to balcony. Skip at 2:11 in Spilled Milk. Screamer behind the taper.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| AKG460+CK61 > PS2 > Zefiro Inbox > TCD-D8
|-
! align="left" | Length
| 100m
|-
! align="left" | Complete?
| Yes
|-
! align="left" | Lowest Circulating Generation
| DAT-M > SHN
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/zwan2003-04-05.akg460.shn 16-bit download]
|-
! align="left" | Notes
| Mic stand, x-y, right of board. Superior to AUD #1.
|-
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| SM57 > DA-P1
|-
! align="left" | Length
| 50m
|-
! align="left" | Complete?
| No
|-
! align="left" | Notes
| Mic stand, right of board. Incomplete.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| DPA 4061 > Zefiro Inbox > M1
|-
! align="left" | Length
| ~100m
|-
! align="left" | Complete?
| Unknown
|-
! align="left" | Notes
| Center balcony.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| Oktava MC012 > PSP-3 > M1
|-
! align="left" | Length
| ~100m
|-
! align="left" | Complete?
| Unknown
|-
! align="left" | Notes
| Mics clamped to rail on balcony.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #6
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| MD
|-
! align="left" | Equipment
| DPA 4061 > battery box > MT-877
|-
! align="left" | Length
| ~100m
|-
! align="left" | Complete?
| Unknown
|-
! align="left" | Notes
| FoB.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #7
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| MD
|-
! align="left" | Equipment
| DAB > DA120F > MZ-R50
|-
! align="left" | Length
| ~100m
|-
! align="left" | Complete?
| Unknown
|-
! align="left" | Notes
| Five feet from right stack, brickwalled.
|-
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| MiniDV
|-
! align="left" | Equipment
| Unknown
|-
! align="left" | Length
| Unknown
|-
! align="left" | Complete?
| No
|-
! align="left" | Notes
| Shot from the side of the stage.
|-
|}
== Setlist ==
== Setlist ==
----
# {{live song|Lyric}}
Set:
# {{live song|Declarations of Faith}}
* Lyric
# {{live song|El Sol}}
* Declarations of Faith
# {{live song|Don't Let Me Down|cover=[[w:The Beatles|The Beatles]]}}
* El Sol
# {{live song|Honestly}}
* Don't Let Me Down [The Beatles]
# {{live song|Settle Down}}
* Honestly
# {{live song|Desire}}
* Settle Down
# {{live song|Yeah!}}
* Desire
# {{live song|Jesus, I|cover=traditional}}
* Yeah
## {{live song|God's Gonna Set This World on Fire}}
* Jesus, I [Lyte]
# {{live song|Heartsong}}
** God's Gonna Set This World on Fire
# {{live song|Riverview}}
* Heartsong
# {{live song|Baby Let's Rock!}}
* Riverview
# {{live song|Mary Star of the Sea (song)|title=Mary Star of the Sea}}
* Baby, Let's Rock
 
* Mary Star of the Sea  
=== Encore one ===
Encore One:
# {{live song|Endless Summer}}
* Endless Summer  
 
Encore Two:
=== Encore two ===
* Of a Broken Heart
# {{live song|Of a Broken Heart}}
* Spilled Milk  
# {{live song|Spilled Milk}}


== Banter ==
== Banter ==
<blockquote>
 
'''Lyric'''<br>
{{banter|1=
> '''Declarations of Faith'''<br>
'''Lyric'''
'''El Sol'''<br>
> '''Declarations of Faith'''
Sweeney: We’re gonna do this next song Philly style.<br>
'''El Sol'''
'''Don’t Let Me Down'''<br>
Sweeney: We’re gonna do this next song Philly style.
BC: Thank you very much, thank you.<br>
'''Don’t Let Me Down'''
Sweeney: We love the Stones.<br>
BC: Thank you very much, thank you.
BC: Heh heh heh.<br>
Sweeney: We love the Stones.
'''Honestly'''<br>
BC: Heh heh heh.
'''Settle Down'''<br>
'''Honestly'''
BC: Thank you very much.  Thank you very much.  Thank you very much.  ''(laughing during next sentence)''  Thank you very much.  Heh heh.  Thank you very much.  Thank you very much.  Thank you very much.  Heh heh heh.  It’s nice to see everyone, thank you very much for coming.<br>
'''Settle Down'''
'''Desire'''<br>
BC: Thank you very much.  Thank you very much.  Thank you very much.  ''(laughing during next sentence)''  Thank you very much.  Heh heh.  Thank you very much.  Thank you very much.  Thank you very much.  Heh heh heh.  It’s nice to see everyone, thank you very much for coming.
> '''Yeah!'''<br>
'''Desire'''
'''Jesus, I'''<br>
> '''Yeah!'''
> '''God’s Gonna Set This World on Fire'''<br>
'''Jesus, I'''
BC: I’m laughing because, heh, you know we gotta...''(trails off laughing)''.  Oh, this is so funny.  ''(laughing)''  This girl up front said she had an orgasm during that song.  We’ll give that orgasm to jesus.  Heh heh.  Thank you very much.  I’d like to introduce the Zwan to you.  On the geetar - geetard? - Mr. David Pajo.  On the super geetard, Mr. Matt Sweeney.  On the bass and the violin and a lot of other things, Paz.  And on the drums, Mr. Jimmy Chamberlin.<br>
> '''God’s Gonna Set This World on Fire'''
'''Heartsong'''<br>
BC: I’m laughing because, heh, you know we gotta...''(trails off laughing)''.  Oh, this is so funny.  ''(laughing)''  This girl up front said she had an orgasm during that song.  We’ll give that orgasm to jesus.  Heh heh.  Thank you very much.  I’d like to introduce the Zwan to you.  On the geetar - geetard? - Mr. David Pajo.  On the super geetard, Mr. Matt Sweeney.  On the bass and the violin and a lot of other things, Paz.  And on the drums, Mr. Jimmy Chamberlin.
> '''Riverview'''<br>
'''Heartsong'''
> '''Baby, Let’s Rock!'''<br>
> '''Riverview'''
> '''Mary Star of the Sea'''<br>
> '''Baby, Let’s Rock!'''
BC: Thank you very much, thank you.<br>
> '''Mary Star of the Sea'''
[encore break]<br>
BC: Thank you very much, thank you.
'''Endless Summer'''<br>
[encore break]
(BC over ending: Thank you very much!  We are Zwan.)<br>
'''Endless Summer'''
[encore break]<br>
(BC over ending: Thank you very much!  We are Zwan.)
'''Of a Broken Heart'''<br>
[encore break]
BC: Thank you very much.  Matt.  Matt.  You know Zwan has a problem?<br>
'''Of a Broken Heart'''
Sweeney: Yeah?<br>
BC: Thank you very much.  Matt.  Matt.  You know Zwan has a problem?
BC: You know what Zwan’s problem is?<br>
Sweeney: Yeah?
Sweeney: We’re not Philly style enough?  Ah wait, let me see, what else?  No, I don’t know.<br>
BC: You know what Zwan’s problem is?
BC: Heh.  Zwan has a problem because normally we get on a bus and we drive to the next city but tonight we’re stuck in Philadelphia.  ''(crowd cheers)''  And Zwan’s problem is where are we gonna go out tonight?  ''(crowd cheers)''<br>
Sweeney: We’re not Philly style enough?  Ah wait, let me see, what else?  No, I don’t know.
Sweeney: That’s not an answer!<br>
BC: Heh.  Zwan has a problem because normally we get on a bus and we drive to the next city but tonight we’re stuck in Philadelphia.  ''(crowd cheers)''  And Zwan’s problem is where are we gonna go out tonight?  ''(crowd cheers)''
BC: Is that a problem?<br>
Sweeney: That’s not an answer!
Sweeney: No but they answered “Where are we gonna go out tonight?” “WOO!!!”<br>
BC: Is that a problem?
BC: Now is everyone inviting us to their house.<br>
Sweeney: No but they answered “Where are we gonna go out tonight?” “WOO!!!”
Sweeney: ‘Cause I heard where the party was.<br>
BC: Now is everyone inviting us to their house.
BC: You know where the party is?  You always know where the party is.<br>
Sweeney: ‘Cause I heard where the party was.
Sweeney: It’s in your mouth.<br>
BC: You know where the party is?  You always know where the party is.
BC: Thanks Matt.  Anyway, before we play our last song, Philadelphia, you rock, thank you very much.<br>
Sweeney: It’s in your mouth.
'''Spilled Milk'''<br>
BC: Thanks Matt.  Anyway, before we play our last song, Philadelphia, you rock, thank you very much.
(BC over opening guitar riff: We send you a little Spilled Milk.)<br>
'''Spilled Milk'''
</blockquote>
(BC over opening guitar riff: We send you a little Spilled Milk.)
}}