Zwan 2003-03-21: Difference between revisions
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! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD # | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #1a | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
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! align="left" | Notes | ! align="left" | Notes | ||
| Mics DIN on 8' stand. Endless Summer cuts in. | | Mics DIN on 8' stand. Endless Summer cuts in. This taper used the same mics and split the input into six different recorders. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ||
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! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD # | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #1b | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
| Line 88: | Line 88: | ||
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! align="left" | Length | ! align="left" | Length | ||
| | | ~100m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| Line 94: | Line 94: | ||
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! align="left" | Notes | ! align="left" | Notes | ||
| Mic stand, front left inside soundboard area. This taper used the same mics and split the input into | | Mic stand, front left inside soundboard area. This taper used the same mics and split the input into six different recorders. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD # | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #1c | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
| Line 108: | Line 108: | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | ~100m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| Line 116: | Line 116: | ||
| Mic stand, front left inside soundboard area. This taper used the same mics and split the input into three different recorders. | | Mic stand, front left inside soundboard area. This taper used the same mics and split the input into three different recorders. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD # | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #1d | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
| Line 128: | Line 128: | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | ~100m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| Line 134: | Line 134: | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Mic stand, front left inside soundboard area. Analog out from M1. This taper used the same mics and split the input into | | Mic stand, front left inside soundboard area. Analog out from M1. This taper used the same mics and split the input into six different recorders. | ||
|- | |- | ||
|} | |} | ||