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The Smashing Pumpkins 2018-08-24: Difference between revisions
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'''The Everlasting Gaze''' | '''The Everlasting Gaze''' | ||
'''Stand Inside Your Love''' | '''Stand Inside Your Love''' | ||
Iha: Seattle, thank you so much. Thank you so much for coming out, thank you so much for rocking out. How are you? Are you alright? Having a reasonable time? Great. We’re at the fourth-way mark of the show, we’re just kinda cruisin’ in. This next song is from, uh, Mellon Collie and the Infinite Sadness, it’s called Thirty- | Iha: Seattle, thank you so much. Thank you so much for coming out, thank you so much for rocking out. How are you? Are you alright? Having a reasonable time? Great. We’re at the fourth-way mark of the show, we’re just kinda cruisin’ in. This next song is from, uh, Mellon Collie and the Infinite Sadness, it’s called Thirty-three. | ||
'''Thirty- | '''Thirty-three''' (acoustic) | ||
'''Eye''' | '''Eye''' | ||
'''Soma''' | '''Soma''' | ||
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'''Landslide''' (acoustic) | '''Landslide''' (acoustic) | ||
'''Tonight, Tonight''' | '''Tonight, Tonight''' | ||
'''Stairway to Heaven''' | '''short lounge interlude''' (most is tape but Katie plays organ live) | ||
> '''Stairway to Heaven''' | |||
Iha: Thank you so much. Thank you so much, Seattle. Stairway to Heaven. Smashing Pumpkins. You’ve seen it, you’ve heard it. Cross it off the bucket list. Thank you so much. Like to do a quick introduction of the band. All the way from Melbourne, Australia, on the keys, acoustic guitar, vocals, Ms. Katie Cole. Katie Cole. CDs are for sale. And now, all the way from Manchester, England, on the bass guitar, Mr. Jack Bates. Nice one, nice one. He’s a good man, he’s a good man. And now, from southern California, on the guitar, Mr. Jeff Schroeder. Heh, alright, I guess you right. ''(unknown riff from Jeff)'' Ow! Seattle! Nice, nice. And now on the motherfrickin’ drums, Mr. Jimmy Chamberlin! ''(crowd cheers)'' Mr. Jimmy Chamberlin! Thank you. On guitar, it’s me, James Iha, thank you so much. Two thumbs up, thank you. And now, on lead vocals, lead guitar, a man of the world, Mr. William Patrick Corgan! | Iha: Thank you so much. Thank you so much, Seattle. Stairway to Heaven. Smashing Pumpkins. You’ve seen it, you’ve heard it. Cross it off the bucket list. Thank you so much. Like to do a quick introduction of the band. All the way from Melbourne, Australia, on the keys, acoustic guitar, vocals, Ms. Katie Cole. Katie Cole. CDs are for sale. And now, all the way from Manchester, England, on the bass guitar, Mr. Jack Bates. Nice one, nice one. He’s a good man, he’s a good man. And now, from southern California, on the guitar, Mr. Jeff Schroeder. Heh, alright, I guess you right. ''(unknown riff from Jeff)'' Ow! Seattle! Nice, nice. And now on the motherfrickin’ drums, Mr. Jimmy Chamberlin! ''(crowd cheers)'' Mr. Jimmy Chamberlin! Thank you. On guitar, it’s me, James Iha, thank you so much. Two thumbs up, thank you. And now, on lead vocals, lead guitar, a man of the world, Mr. William Patrick Corgan! | ||
'''Cherub Rock''' | '''Cherub Rock''' | ||
Vaudeville Interlude Film | Vaudeville Interlude Film | ||
(Mark McGrath: Well, wowie zowie, papa ooh maow maow. What a wang dang and doodle of a show. And, it ain’t over yet. Now I don’t know about you but this next tune is one of my faaaaaaves. Reminds me of driving down the old PCH, high out of my mind on ecstasy and I’m singing the chorus of the song you’re about to hear so hard and so on high, that one of my front teeth fell right out! Yup, plain out right there in the dashboard. Wow. That dickens (?) just, just so good, wasn’t it? I mean, here you have young wash masters rising up to start a musical and cultural revolution that was soon co-opted by the machine and driven asunder! Gee golly. But thankfully, what we got in return was just so much better. I mean, let’s face it, who doesn’t want perfection in their stars above? ‘Cause perfect people making perfect, sweet music is, well, it’s just, it’s just what a god wants for all of us! Whoo! Red light, stop, it’s rain. The air is cool and the sky is gray and the year? Well, it’s 1979!) | (Mark McGrath: Well, wowie zowie, papa ooh maow maow. What a wang dang and doodle of a show. And, it ain’t over yet. Now I don’t know about you but this next tune is one of my faaaaaaves. Reminds me of driving down the old PCH, high out of my mind on ecstasy and I’m singing the chorus of the song you’re about to hear so hard and so on high, that one of my front teeth fell right out! Yup, plain out right there in the dashboard. Wow. That dickens (?) just, just so good, wasn’t it? I mean, here you have young wash masters rising up to start a musical and cultural revolution that was soon co-opted by the machine and driven asunder! Gee golly. But thankfully, what we got in return was just so much better. I mean, let’s face it, who doesn’t want perfection in their stars above? ‘Cause perfect people making perfect, sweet music is, well, it’s just, it’s just what a god wants for all of us! Whoo! Red light, stop, it’s rain. The air is cool and the sky is gray and the year? Well, it’s 1979!) | ||
'''1979''' | Radio Intro tape | ||
> '''1979''' | |||
'''Ava Adore''' | '''Ava Adore''' | ||
BC: Woo-oooh! Y’all make me wanna take up some logging. Heh heh heh. Seattle, we appreciate you, thank you so much. ''(laughing) (deep voice)'' Yeah. ''(laughing)'' Heh heh heh. Heh heh heh heh. Woo! | BC: Woo-oooh! Y’all make me wanna take up some logging. Heh heh heh. Seattle, we appreciate you, thank you so much. ''(laughing) (deep voice)'' Yeah. ''(laughing)'' Heh heh heh. Heh heh heh heh. Woo! | ||
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Iha: A million years ago. | Iha: A million years ago. | ||
BC: Drove the silver van 40 hours to get to Seattle. To open for Tad, great band. And the Afghan Whigs, right? | BC: Drove the silver van 40 hours to get to Seattle. To open for Tad, great band. And the Afghan Whigs, right? | ||
Iha: Yeah, where did we play? The - the Crocodile or...? | Iha: Yeah, where did we play? The - [[w:The_Crocodile|the Crocodile]] or...? | ||
BC: Huh? | BC: Huh? | ||
Iha: Where did we play? | Iha: Where did we play? | ||