The Smashing Pumpkins 1997-02-04: Difference between revisions

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=== Encore one ===
=== Encore one ===
# {{live song|Lovefool|tease=1|cover=[[w:The Cardigans|The Cardigans]]}}
# <li value=16>{{live song|Lovefool|tease=1|cover=[[w:The Cardigans|The Cardigans]]}}</li>
# {{live song|1979}}
# {{live song|1979}}
# {{live song|In-A-Gadda-Da-Vida|tease=1|cover=[[w:Iron Butterfly|Iron Butterfly]]}}
# {{live song|In-A-Gadda-Da-Vida|tease=1|cover=[[w:Iron Butterfly|Iron Butterfly]]}}
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=== Encore two ===
=== Encore two ===
# {{live song|Silverfuck|length=40:11}}
# <li value=20>{{live song|Silverfuck|length=40:11}}</li>
## {{live song|The Aeroplane Flies High (Turns Left, Looks Right)|note=clips}}
## {{live song|The Aeroplane Flies High (Turns Left, Looks Right)|note=clips|tease=1}}
## {{live song|Space Jam}}
## {{live song|Space Jam}}


=== Notes ===
== Notes ==


* [[Jimmy Flemion]] replaces [[D'arcy Wretzky]] on bass for "1979"
* "1979" with [[Jimmy Flemion]] on bass ([[D'arcy Wretzky]] leaves the stage disgusted by some of the chosen dancers)
* Last performance of "In-A-Gadda-Da-Vida" until [[The Smashing Pumpkins 2008-10-31|October 31, 2008]]
* Last performance of "In-A-Gadda-Da-Vida" until [[The Smashing Pumpkins 2008-10-31|2008-10-31]]
* Longest "Silverfuck" ever played
* Longest "Silverfuck" ever played


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'''Fuck You'''
'''Fuck You'''
'''Porcelina of the Vast Oceans'''
'''Porcelina of the Vast Oceans'''
BC: Thank you all very much.  ...  As some of you may, um, already know, this is the second to last concert of our world tour, which started last January, 1996.  So we’d like to thank you for, um, putting up with us - I mean, waiting for us so long and uh....
BC: Thank you all very much.  ...  As some of you may, um, already know, this is the second to last concert of [[Infinite Sadness tour|our world tour]], which started last January, 1996.  So we’d like to thank you for, um, putting up with us--I mean, waiting for us so long and uh....
Iha: And keepin’ it real for us up here.  Peace.
Iha: And keepin’ it real for us up here.  Peace.
BC: If we may, now we’d like to maybe could be do a campfire sing along, led by our man, James Iha.  Now during this portion of the show, James pays careful attention to those of you who are not singing and if he sees you not singing, he will personally come out and kick your ass.
BC: If we may, now we’d like to maybe, could be, do a campfire sing along, led by our man, James Iha.  Now during this portion of the show, James pays careful attention to those of you who are not singing and if he sees you not singing, he will personally come out and kick your ass.
'''Today''' (acoustic)
'''Today''' (acoustic)
BC: Thank you, partners.  We’d now like you - uh huh huh, I can’t talk - we would now like to play you...
BC: Thank you, partners.  We’d now like you--uh huh huh, I can’t talk--we would now like to play you....
Iha: Yes.
Iha: Yes.
BC: We would now like to play you our latest single, it’s called Thirty-Three.
BC: We would now like to play you our latest single, it’s called Thirty-Three.
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BC: They said, uh, get laid and do drugs.  Heh, that seems to be the general consensus.
BC: They said, uh, get laid and do drugs.  Heh, that seems to be the general consensus.
Iha: I thought this was a, uh, a book reading city, I heard you have a lot of bookshops.  You have a lot of theater and uh, ballet and opera up here.
Iha: I thought this was a, uh, a book reading city, I heard you have a lot of bookshops.  You have a lot of theater and uh, ballet and opera up here.
BC: No, this is where - this is where they invented pens and cola.
BC: No, this is where--this is where they invented pens and cola.
Iha: Ba dap ba.  Ah, my water.
Iha: Ba dap ba.  Ah, my water.
BC: I just made that up.
BC: I just made that up.
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Iha: Ow!  Ow!  Ow!  Oh yeah.
Iha: Ow!  Ow!  Ow!  Oh yeah.
'''Lovefool''' (tease - Billy sings a few lines over Matt’s beat and Iha talking)
'''Lovefool''' (tease - Billy sings a few lines over Matt’s beat and Iha talking)
Iha: Get up on, dance performer.  Pick it up, move that thing. [unintelligible] Come on!  Put your hands in the air!  Come on, give it to him, give it, come on!
Iha: Get up on, dance performer.  Pick it up, move that thing. [unintelligible]Come on!  Put your hands in the air!  Come on, give it to him, give it, come on!
BC: Oh yeah!
BC: Oh yeah!
Iha: ''(screams)''
Iha: ''(screams)''
BC: Woo!  Bringin’ our sounds of disco.
BC: Woo!  Bringin’ our sounds of disco.
Iha: Come on, gimme your disco right now.  Oh yeah.  133 BPMs.  I’m sorry ladies and gentlemen, we do not pick the dancers, Jimmy Frog picks the dancers tonight.  So let’s get it on, come on you people.  I don’t care who the fuck you are, I just want you to dance.  Okay, we’ve brought you to dance.
Iha: Come on, gimme your disco right now.  Oh yeah.  133 BPMs.  I’m sorry ladies and gentlemen, we do not pick the dancers, Jimmy Frog picks the dancers tonight.  So let’s get it on, come on, you people.  I don’t care who the fuck you are, I just want you to dance.  Okay, we’ve brought you to dance.
''(Matt stops playing)''
''(Matt stops playing)''
Iha: Hmmm...the atmosphere is electric, I can see.  Hmmmm.....
Iha: Hmmm...the atmosphere is electric, I can see.  Hmmmm....
BC: ''(laughing)'' Oh my god, heh, it’s total mayhem.
BC: ''(laughing)'' Oh my god, heh, it’s total mayhem.
Iha: Jimmy...
Iha: Jimmy....
BC: Wow.
BC: Wow.
Iha: Okay, settle down, girls.
Iha: Okay, settle down, girls.
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BC: Heh heh, I guess you’re gonna have to play bass.  You know the changes, New Orleans.
BC: Heh heh, I guess you’re gonna have to play bass.  You know the changes, New Orleans.
Iha: Yeah, you know the changes.
Iha: Yeah, you know the changes.
BC: You know the bass - you know the bass changes?  Alright, Jimmy will play bass.  Jimmy, go tune the bass up.
BC: You know the bass--you know the bass changes?  Alright, Jimmy will play bass.  Jimmy, go tune the bass up.
Jimmy Frog: Uh....
Jimmy Frog: Uh....
BC: Heh heh, heh heh heh.  Well, this is unprecedented, heh.  D’arcy has left the building.
BC: Heh heh, heh heh heh.  Well, this is unprecedented, heh.  D’arcy has left the building.
Iha: There’s just a certain type of woman that riles up D’arcy and makes her want to throw her bass down on stage and....  But we can only carry on.
Iha: There’s just a certain type of woman that riles up D’arcy and makes her want to throw her bass down on stage and....  But we can only carry on.
BC: You wanna come up and dance, come on up and dance, you.  I don’t want anyone to be sad.  Hi there.  Alright, heh heh.  Well, sooner or later, we have to play this song so I think now is a good time.  James, would you like to tell everyone the rules?
BC: You wanna come up and dance, come on up and dance, you.  I don’t want anyone to be sad.  Hi there.  Alright, heh heh.  Well, sooner or later, we have to play this song, so I think now is a good time.  James, would you like to tell everyone the rules?
Iha: Well, I’m sure our dancers are used to some of these rules.  Please do not touch us and do not touch our shit.  Okay.  Now we shall carry on for special guest star Jimmy Frog on bass ''(pronounced like the fish)''.
Iha: Well, I’m sure our dancers are used to some of these rules.  Please do not touch us and do not touch our shit.  Okay.  Now we shall carry on for special guest star Jimmy Frog on bass ''(pronounced like the fish)''.
BC: Uhh...heh heh heh.  So anybody know any good jokes?  Any of you know a good joke?  A good joke?  A good joke?  ...
BC: Uhh...heh heh heh.  So anybody know any good jokes?  Any of you know a good joke?  A good joke?  A good joke?  ...
Girl: ...with no eyelids.
Girl: ...with no eyelids.
BC: What now?
BC: What now?
Girl: With no eyelids so they had to take part of his foreskin to give him some eyelids and he came out alright but after that, he was a little bit cockeyed.
Girl: With no eyelids, so they had to take part of his foreskin to give him some eyelids and he came out alright, but after that he was a little bit cockeyed.
Iha: Uh.
Iha: Uh.
BC: Pensa’s very - Pensacola’s very own comedian.
BC: Pensa’s very--Pensacola’s very own comedian.
Iha: Alright, let’s just play this song.
Iha: Alright, let’s just play this song.
BC: You know X.Y.U. too, Jimmy?  Heh heh heh.  Okay.  We will now, uh, begin the song.  Everyone please attempt to dance along, as James would say, “in your mind.”
BC: You know X.Y.U. too, Jimmy?  Heh heh heh.  Okay.  We will now, uh, begin the song.  Everyone please attempt to dance along, as James would say, “in your mind.”
'''1979'''
'''1979'''
(BC over big finish: Ladies and gentlemen, thank you!  Goodnight!)
(BC over big finish: Ladies and gentlemen, thank you!  Goodnight!)
Iha: Okay.  Ladies and gentlemen, perhaps you were shocked.  I have to apologize, we - we would’ve installed like a steel pole on stage for you.
Iha: Okay.  Ladies and gentlemen, perhaps you were shocked.  I have to apologize, we--we would’ve installed like a steel pole on stage for you.
'''In-A-Gadda-Da-Vida''' (tease)
'''In-A-Gadda-Da-Vida''' (tease)
(Iha: But have not [unintelligible].  Can’t all [unintelligible] some of the dancers but uh...we’re just tryin’ to, uh, keep it interesting and perhaps things have gone awry.  We can only apologize and hope you come back with [unintelligible].  Still feeling [unintelligible]?  Still feelin’ groovy?  During the skull rock.  Ohhh yeah.  Yeaahh, yeah, yeah.  That was pretty shocking, ladies and gentlemen.  We’re gonna keep rockin’ you tonight.  And hopefully come back in this spaceship. Smashing Pumpkins, you know he’s got it.  ''(screams)'')
(Iha: But have not [unintelligible].  Can’t all [unintelligible] some of the dancers but uh...we’re just tryin’ to, uh, keep it interesting and perhaps things have gone awry.  We can only apologize and hope you come back with [unintelligible].  Still feeling [unintelligible]?  Still feelin’ groovy?  During the skull rock.  Ohhh yeah.  Yeaahh, yeah, yeah.  That was pretty shocking, ladies and gentlemen.  We’re gonna keep rockin’ you tonight.  And hopefully come back in this spaceship. Smashing Pumpkins, you know he’s got it.  ''(screams)'')
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BC: I can see the reviews now.  “The Pensacola Civic Center was overwhelmed by a feeling of sadness.”  Hey you, there, you with the finger, yeah, yeah you, the one who’ll never get through school, yeah you, that one.  Good luck to you, man.
BC: I can see the reviews now.  “The Pensacola Civic Center was overwhelmed by a feeling of sadness.”  Hey you, there, you with the finger, yeah, yeah you, the one who’ll never get through school, yeah you, that one.  Good luck to you, man.
Iha: Word, word.
Iha: Word, word.
BC: Okay.  Just when you thought - just when you thought there was nothing left to this fucking show, we are about to burn your brains straight through.  You will be scarred for life, I guarantee you.  James, let ‘em know where they’re headed.
BC: Okay.  Just when you thought--just when you thought there was nothing left to this fucking show, we are about to burn your brains straight through.  You will be scarred for life, I guarantee you.  James, let ‘em know where they’re headed.
Iha: Ladies and gentlemen, we are not headed towards stripper land, we’re headed towards hell.  This next song is called X...Y...U.
Iha: Ladies and gentlemen, we are not headed towards stripper land, we’re headed towards hell.  This next song is called ''(whispers)'' X...Y...U.
'''X.Y.U.'''
'''X.Y.U.'''
[encore break]
[encore break]
'''Silverfuck''' (w/TAFH clips)
'''Silverfuck /The Aeroplane Flies High''' (clips) '''/ Space Jam'''
> '''Space Jam''' (tease)
(BC at 31:42: Thank you one last time for sticking around ‘til the end.  For being real fans.  Not just kinda like fake ones.  Thank you, thank you, thank you.  Enjoy your week, your day, your month.)
(BC at 31:42: Thank you one last time for sticking around ‘til the end.  For being real fans.  Not just kinda like fake ones.  Thank you, thank you, thank you.  Enjoy your week, your day, your month.)
}}
}}