The Smashing Pumpkins 1996-11-30: Difference between revisions

m
no edit summary
No edit summary
mNo edit summary
Line 9: Line 9:
| capacity = 17617
| capacity = 17617
| attendance = 13000
| attendance = 13000
| lineup = Billy Corgan, James Iha, D'arcy Wretzky, Matt Walker, Dennis Flemion
| lineup = Billy Corgan, James Iha, D'arcy Wretzky, Matt Walker, Dennis Flemion, Jimmy Flemion
| bands = Garbage, The Smashing Pumpkins
| bands = Garbage, The Smashing Pumpkins
| tour = Infinite Sadness
| tour = Infinite Sadness
Line 33: Line 33:


=== Encore one ===
=== Encore one ===
# {{live song|In-A-Gadda-Da-Vida|tease=1|cover=[[w:Iron Butterfly|Iron Butterfly]]}}
# <li value=15>{{live song|In-A-Gadda-Da-Vida|tease=1|cover=[[w:Iron Butterfly|Iron Butterfly]]}}</li>
# {{live song|X.Y.U.}}
# {{live song|X.Y.U.}}


=== Encore two ===
=== Encore two ===
# (disco improv)
# <li value=17>{{live song|1979}}</li>
# {{live song|1979}}
# {{live song|Drown|length=6:00}}
# {{live song|Drown|length=6:00}}
## {{live song|Hummer|tease=1}}
## {{live song|Hummer|tease=1}}
Line 44: Line 43:
## {{live song|Dose|tease=1|cover=[[w:Filter (band)|Filter]]}}
## {{live song|Dose|tease=1|cover=[[w:Filter (band)|Filter]]}}


=== Notes ===
== Notes ==


* disco improv and "1979" with [[The Frogs]]
* "1979" with [[Jimmy Flemion]]
* "Porcelina" was on the setlist after "Muzzle", but was not played.
* "Porcelina of the Vast Oceans" was on the setlist after "Muzzle" but not played
* An encore of "Siva" and "Drown" was on the setlist, but were skipped.
* "Siva" was on the setlist as the first song of the second encore but "1979" was played instead
* "1979" was added to the second encore.
* "The Aeroplane Flies High" was on the setlist before "Silverfuck" but not played
* "The Aeroplane Flies High (Turns Left, Looks Right)" was on the setlist before "Silverfuck", but replaced by "Drown".


== Banter ==
== Banter ==
Line 68: Line 66:
BC: This is Texas, isn’t it?
BC: This is Texas, isn’t it?
Iha: Yes.  I thought Tejas was supposed to be a wild place.  [sings something brief that’s unintelligible].
Iha: Yes.  I thought Tejas was supposed to be a wild place.  [sings something brief that’s unintelligible].
BC: You might force us to play all the mean unhappy songs.  Well, okay then, this will be the last happy song, I hope you enjoy it.
BC: You might force us to play all the mean, unhappy songs.  Well, okay then, this will be the last happy song, I hope you enjoy it.
'''Today'''
'''Today'''
'''Fuck You'''
'''Fuck You'''
Line 76: Line 74:
BC: This is Thirty-three.
BC: This is Thirty-three.
'''Thirty-three''' (acoustic)
'''Thirty-three''' (acoustic)
BC: Thank you very much.  So, what would everybody like to hear?  We’re obviously not playing what you want to hear so um, maybe we should just do that.  Speak up, I cannot hear you.
BC: Thank you very much.  So, what would everybody like to hear?  We’re obviously not playing what you want to hear, so um, maybe we should just do that.  Speak up, I cannot hear you.
'''Disarm''' (acoustic)
'''Disarm''' (acoustic)
Circus tape
Circus tape
Line 87: Line 85:
> '''X.Y.U.'''
> '''X.Y.U.'''
[encore break]
[encore break]
Iha: Gracias.  Gracia, merci, thank you.  Ladies and gentlemen, perhaps you might be shocked by what you might see.  People of Texas, I know you are not shocked by many things but this man may shock you.  All the way from Milwaukee, the oh so great state of Milwaukee, Jimmy Frog!  Jimmy Frog, everybody.  Let’s just wave at Jimmy.  Jimmy, wave back.  Wave the nice hair, there we are.  We have a nice communication, a communication between Jimmy and all fifteen thousand of you.  Alright, and now, on the keyboards, his brother, by blood, Dennis Frog!  I beg your pardon, Dennis.  Yes, Dennis was a poet laureate and a scholar at Yale and also a quarterback but he has come to play keyboards for us and I hope you have enjoyed his noodlings on the plastic.  Alright, and now, the man behind the...drums, right, uh, heh, Matt “Cosmo” Walker!  Yes, Matt, Matt is a fine man who has red hair, he has dyed his hair red for this - for this tour and we’re paying him literally a million dollars to do this run a marathon.  But he’s a fine man and uh, nothing else can be said.  Okay, so now, we’ll get on with the show, this is part of the - the set.  Okay, so we’re going to ask you for some audience participation.  And you’re saying, “Hey, what can I do to make this concert special?  This concert only happens once in a lifetime.”  Well, I’m asking you - I’m asking you to dance.  And for those chosen lucky few, we’re going to ask a few lucky people to dance on stage with us.  Okay, I can tell you’re really excited, heh.  So, Jimmy, pick our - pick our dancers tonight.  Matt, can we have a beat?  ''(Matt starts a hip hop beat)''  Yeah.  I’m [unintelligible] for Texas stars.  Yeah.  I wanna dance, I wanna dance with all of you.  ''(high pitched)'' Whooooo, whoooo’s gonna dance?  ''(normal)'' Yeah.  Yeah.  Fifteen thousand people on the stage, [unintelligible].  [mumbling unintelligible under the music].  Who shall dance tonight?  Oh my god, we have some people.  How you doin’?  Yes, we have some lucky dancers and we wish them luck.  Jimmy, have you chosen us a dancer?  Alright, Matt, give us a new beat.  ''(Matt changes to a disco beat)''  Pumpin’ up the BPMs!  Come on, Texas, give me one last hand in the fuckin’ air!  Come on!  Wave those fuckin’ hands in the air like you just don’t care!  Come on, yeah!  I don’t care who you are, I don’t care what race, sex, gender, what kind of books you read, I don’t care if you’re like James Joyce or Sadamy, I want you to fuckin’ dance!  Okay, I believe we have all the dancers that can possibly be taken.  ''(Matt stops)''  We have tonight’s dancers.
Iha: Gracias.  Gracia, merci, thank you.  Ladies and gentlemen, perhaps you might be shocked by what you might see.  People of Texas, I know you are not shocked by many things but this man may shock you.  All the way from Milwaukee, the oh so great state of Milwaukee, Jimmy Frog!  Jimmy Frog, everybody.  Let’s just wave at Jimmy.  Jimmy, wave back.  Wave the nice hair, there we are.  We have a nice communication, a communication between Jimmy and all fifteen thousand of you.  Alright, and now, on the keyboards, his brother...by blood, Dennis Frog!  I beg your pardon, Dennis.  Yes, Dennis was a poet laureate and a scholar at [[w:Yale University|Yale]] and also a quarterback, but he has come to play keyboards for us and I hope you have enjoyed his noodlings on the plastic.  Alright, and now, the man behind the uh...drums, right, uh, heh, Matt “Cosmo” Walker!  Yes, Matt, Matt is a fine man who has red hair, he has dyed his hair red for this--for this tour and we’re paying him literally a million dollars to do this run, a marathon.  But he’s a fine man and uh, nothing else can be said.  Okay, so now we’ll get on with the show, this is part of the--the set.  Okay, so we’re going to ask you for some audience participation.  And you’re saying, “Hey, what can I do to make this concert special?  This concert only happens once in a lifetime.”  Well, I’m asking you--I’m asking you to dance.  And for those chosen lucky few, we’re going to ask a few lucky people to dance on stage with us.  Okay, I can tell you’re really excited, heh.  So, Jimmy, pick our--pick our dancers tonight.  Matt, can we have a beat?  ''(Matt starts a hip hop beat)''  Yeah.  I’m [unintelligible] for Texas stars.  Yeah.  I wanna dance, I wanna dance with all of you.  ''(high pitched)'' Whooooo, whoooo’s gonna dance?  ''(normal)'' Yeah.  Yeah.  Fifteen thousand people on the stage, [unintelligible].  [mumbling unintelligible under the music].  Who shall dance tonight?  Oh my god, we have some people.  How you doin’?  Yes, we have some lucky dancers and we wish them luck.  Jimmy, have you chosen us a dancer?  Alright, Matt, give us a new beat.  ''(Matt changes to a disco beat)''  Pumpin’ up the BPMs!  Come on, Texas, give me one last hand in the fuckin’ air!  Come on!  Wave those fuckin’ hands in the air like you just don’t care!  Come on, yeah!  I don’t care who you are, I don’t care what race, sex, gender, what kind of books you read, I don’t care if you like [[w:James Joyce|James Joyce]] or sodomy, I want you to fuckin’ dance!  Okay, I believe we have all the dancers that can possibly be taken.  ''(Matt stops)''  We have tonight’s dancers.
BC: Now, let’s take a moment to get to know tonight’s dancers.  Tell everyone who you are and where you’re from.
BC: Now, let’s take a moment to get to know tonight’s dancers.  Tell everyone who you are and where you’re from.
Girl #1: My name is Laura Walken, I’m from Bashaw, Texas.
Girl #1: My name is Laura Walken, I’m from Bashaw, Texas.
Line 93: Line 91:
BC: Denver?
BC: Denver?
Iha: Denver?
Iha: Denver?
BC: Is that the - is that the home of the nine and one Denver Broncos?  ''(loud boos)''
BC: Is that the--is that the home of the nine and one [[w:Denver Broncos|Denver Broncos]]?  ''(loud boos)''
Iha: Whoa!  I just felt a cold chill from [unintelligible].
Iha: Whoa!  I just felt a cold chill from [unintelligible].
Girl #3: I’m from Nicole, I’m Nic - heh...
Girl #3: I’m from Nicole, I’m Nic--heh...
BC: You’re from UNKLE?
BC: You’re from [[w:UNKLE|UNKLE]]?
Girl #3: My name is Nicole and I’m from Chicago, wooo!!!  ''(boos)''
Girl #3: My name is Nicole and I’m from Chicago, wooo!!!  ''(boos)''
Iha: Well, I apologize, I’m from Chicago myself and I had no idea this was going to happen.
Iha: Well, I apologize, I’m from Chicago myself and I had no idea this was going to happen.
Line 104: Line 102:
Iha: Yeah.
Iha: Yeah.
Girl #5: My name’s Emily and I’m here for Cathy Varner, the one and only.  ''(claps on mic)''
Girl #5: My name’s Emily and I’m here for Cathy Varner, the one and only.  ''(claps on mic)''
BC: Did you say you’re Barry Switzer’s wife?
BC: Did you say you’re [[w:Barry Switzer|Barry Switzer]]’s wife?
Girl #6: ''(crazy excited)'' My name’s Martha from San Antonio and you guys FUCKIN’ ROCK, I love Smashing Pumpkins, you’re my god!!!!  I’m serious!
Girl #6: ''(crazy excited)'' My name’s Martha from San Antonio and you guys FUCKIN’ ROCK, I love Smashing Pumpkins, you’re my god!!!!  I’m serious!
Iha: Well....
Iha: Well....
Line 120: Line 118:
Iha: Yes, thank you, Jimmy.
Iha: Yes, thank you, Jimmy.
Jimmy Frog: It’s a single, it got to number 12 on the states and I wrote it about 17 years ago, it’s called 1979.
Jimmy Frog: It’s a single, it got to number 12 on the states and I wrote it about 17 years ago, it’s called 1979.
'''1979'''
'''1979''' (with Jimmy Flemion)
Iha: Well...that was rather interesting.  Where we have our dancers but let’s have a long round of applause for our dancers tonight, they’ve tried valiantly.
Iha: Well...that was rather interesting.  Where we have our dancers, but let’s have a long round of applause for our dancers tonight, they’ve tried valiantly.
'''Drown'''
'''Drown'''
> '''Hummer''' (tease - about 45 seconds instrumental)
> '''Hummer''' (tease - about 45 seconds instrumental)