The Smashing Pumpkins 1992-01-15

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See also the studio session page
January 15, 1992 – Hilversum, NL
Live performance by The Smashing Pumpkins
ArtistThe Smashing Pumpkins
DateJanuary 15, 1992
VenueVPRO Radio
LocationHilversum, NL
Venue typeRadio studio
PersonnelBilly Corgan, James Iha, D'arcy Wretzky, Jimmy Chamberlin
Order of bandsThe Smashing Pumpkins

Setlist

  1. "Snail
  2. "Kill Your Parents" [1:22] 
    1. "Siva" [5:02] 
  3. (interview)
  4. "Crush
  5. "Silverfuck" [8:56] 

Banter

Snail
Corgan: This next song is called 'Kill Your Parents'
Siva
Crush
Silverfuck
Interview
Interviewer: Billy, welcome in the studio
Corgan: Hello
Interviewer: You wanted to request a record on this show a record from Queen; Are you a Queen fan?
Corgan: Yes
Interviewer: Why?
Corgan: They're just an amazing band, there's not been another band like them, I think. Obviously Freddie Mercury dying makes it kinda more obvious, I guess, now
Interviewer: Are they an influence on your music?
Corgan: Yeah, very much so and I think when you look at all the bad disco '70s period, they were one of the coolest bands around so growing up around that time...
Interviewer: ...you got influenced by them
Corgan: At least not mustache wise, but music wise
Interviewer: The first thing that comes to mind when you hear the Smashing Pumpkins is the dynamic intention in the songs, is tension a key word for the Smashing Pumpkins?
Corgan: Umm, I think 'sex' would be the key word
Interviewer: Why?
Corgan: Cos our music kinda like having sex (laughs)
Interviewer: Can you explain that a bit?
Corgan: Well sometimes you go fast, sometimes you go slow, sometimes you stop (laughs)
Interviewer: OK that explains it. Sometimes it seems like there's several songs in one song
Corgan: Yeah
Interviewer: Aren't you tempted to make three songs out of that
Corgan: Yeh sometimes I am. I guess maybe it's the fear of dying or something that makes me want to cram as much into one song as I can
Interviewer: How do you write songs?
Corgan: Unfortunately I kinda sit around and wait for it to happen, like a thunderbolt from heaven or hell. It's not the best way to write songs but there's something about an inspired moment that's kind of undertouchable. So once I have the inspiration part then it's kind of somewhat of a mechanical process to not play the same thing over and over for five minutes until you bore everybody out the door
Interviewer: Do you do something to create that inspiration?
Corgan: Can you ask me that again, I didnt hear the last part
Interviewer: Do you do something to create that inspiration?
Corgan: Yeah, I try not to, you know, watch too much TV
Interviewer: Don't poison your mind
Corgan: It's kind of a Zen concept, yeah. Obviously your mind has to be somewhat open and there's a certain mental preparation necessary for when those moments in your life come that you can seize them and take the opportunity. So there's kind of a mental awareness that's necessary at all times. Beyond that, I don't know, there's no black and white way to write a song
Interviewer: It seems like your songs are more based on hooks, guitar riffs than on melodies, huh?
Corgan: Oh I would disagree, I would very much disagree. See, I can write guitar riffs all day. It's very much the marriage of melody and the guitar, you know, that I think makes what I do a little different to someone who just writes guitar riffs. Sometimes the best guitar riffs don't make for a very good song and there's a lot of great guitar riffs that we throw away
Interviewer: The dynamic of the sound of Smashing Pumpkins, doesn't that make the band very hard to record?
Corgan: Yes, very much so. It's probably gonna take about 10 years off my life, trying to record our band properly
Interviewer: You have been here for the Eine Abend in Wien Festival that's five months ago, what did change for the band since then?
Corgan: Since then? Oh I've had about three nervous breakdowns and the band sold a lot of records in America and we did a couple of tours, we toured with the Red Hot Chili Peppers, a whole national tour in America, and you know my mother likes me again
Interviewer: Is that the nicest thing about success?
Corgan: Success is such a weird thing, you know. I dont want to sound like I'm detracting from anything but so much comes with it
Interviewer: Like what?
Corgan: I don't wanna say 'responsibility' because that's not necessarily the right way to explain it, but I think as you open up doors for yourself, you're also obligated to walk through them, if you push yourself upto a point, you should keep going. So having pushed our band to the point of this, we just want to keep on going and with that comes a lot more stress and strain and preparation, I don't know, whatever. I mean our lives, you know we don't live normal lives, we live these kind of weird troll existences, so yeah I have some money in the bank and people know who I am, but I'm not a normal human being anymore
Interviewer: You look quite normal to me
Corgan: It's a strange trade-off. Underneath this walks a psychopath
Interviewer: Last question: Are there any concrete plans for a new album?
Corgan: Yeah but I dont know, we may come back to Europe and we may do the Lollapalooza festival and we may do a lot of things. So our next album may not come out, I mean I know our next album at least won't come out until 1993. I don't know, we're gonna be one of those bands that never puts out a second record