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My day, abbreviated, as it was, stayed focused on the 10,000 permutations of how one might play DORIAN. 80’s? 60’s? 2022? How about never? | My day, abbreviated, as it was, stayed focused on the 10,000 permutations of how one might play DORIAN. 80’s? 60’s? 2022? How about never? | ||
And after much hemming and hawing with Herr Producer (and our 10,001th convo about ‘what kind of album is this?’) I settled on one guitar, one amp, one speaker, three microphones. The guitar: a Kimberly, or as it’s better known around here, the 1979/MAYONAISE/PISSANT axe. Got essentially a full take and left it at that. | And after much hemming and hawing with Herr Producer (and our 10,001th convo about ‘what kind of album is this?’) I settled on one guitar, one amp, one speaker, three microphones. The guitar: a Kimberly, or as it’s better known around here, [[Kimberly Kay|the 1979/MAYONAISE/PISSANT axe]]. Got essentially a full take and left it at that. | ||
Rest of session was Shredder working on space-age BEING BEIGE elements (he’d report scant progress), and ANTI-HERO streetwalk-riff (‘killer tones bro’). More tomorrow, getting better all the time…}} | Rest of session was Shredder working on space-age BEING BEIGE elements (he’d report scant progress), and ANTI-HERO streetwalk-riff (‘killer tones bro’). More tomorrow, getting better all the time…}} |