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{{Infobox album
| name = Machina/The Machines of God
| type = studio
| artist = [[The Smashing Pumpkins]]
| cover = The smashing pumpkins machina cover.jpg
| alt =
| released = February 29, 2000
| discogs = 48755
| musicbrainz = 98cbc7a6-7229-3b64-b974-fc4cb2ff0505
| recorded = [[November 1998-September 1999 – Pumpkinland|November 1998 – October 1999]]
| studio = Sadlands, Pumpkinland, Chicago Recording Company
| genre = *Alternative rock<ref>{{cite web | url=http://content.time.com/time/magazine/article/0,9171,996280,00.html | title=Music: Machina/The Machines of God - The Smashing Pumpkins | work=[[w:Time (magazine)|Time]] | date=March 6, 2000 | accessdate=July 26, 2015 | author=Farley, CHristopher John}}</ref>
*alternative metal<ref>{{cite web|url=http://www.mtv.com/sendme.tin?page=/mtv/music/reviews/archive/blather/smashing_pumpkins_00.html |title=The Smashing Pumpkins - Machina/The Machines of God |publisher=[[w:MTV|MTV Online]] |accessdate=July 26, 2015 |author=Ferguson, Jason |url-status=dead |archiveurl=https://web.archive.org/web/20010725043901/http://www.mtv.com/sendme.tin?page=%2Fmtv%2Fmusic%2Freviews%2Farchive%2Fblather%2Fsmashing_pumpkins_00.html |archivedate=July 25, 2001 }}</ref>
*gothic rock
*dream pop
| length = 73:23
| label = [[:Category:Virgin Records albums|Virgin]]
| producer = Billy Corgan, Flood
| misc = {{Singles
| name        = Machina/The Machines of God
| type        = studio
| single1    = [[The Everlasting Gaze]]
| single1date = December 9, 1999
| single2    = [[Stand Inside Your Love]]
| single2date = February 21, 2000
| single3    = [[Try, Try, Try]]
| single3date = September 11, 2000
}}
}}
'''''Machina/The Machines of God''''' is the fifth studio album by [[The Smashing Pumpkins]], released on February 29, 2000, by [[:Category:Virgin Records singles|Virgin Records]]. A [[:Category:Concept albums|concept album]],<ref name="kroq">Interview with Billy Corgan, May 24, 2000, [[w:KROQ-FM|KROQ-FM]]</ref> it marked the return of drummer [[Jimmy Chamberlin]] and was intended to be the band's final official LP release prior to their first break up in 2000. A sequel album—''[[Machina II/The Friends & Enemies of Modern Music]]''—was later released independently via the Internet, and limited quantities for the physical version.


[[Category:Photos of Billy Corgan]]
As with its predecessor, ''[[Adore]]'', ''Machina'' represented a drastic image and sound change for the band. After the relatively brief [[Adore tour|''Adore'' tour]], the new line-up with Chamberlin and the former [[W:Hole (band)|Hole]] bass guitarist [[Melissa Auf der Maur]] mounted longer international tours that returned the live incarnation of the band to a guitar-driven hard rock style.<ref>{{cite web |url=http://www.livedaily.com/archive/2000/2k02/wk1/ReviewSmashingPumpkinsPla.html |title=Review: Smashing Pumpkins Play Visceral Show in Northern California (02/7/2000) |last=Reiley |first=Laura |date=February 7, 2000 |archiveurl=https://web.archive.org/web/20000229191724/http://www.livedaily.com/archive/2000/2k02/wk1/ReviewSmashingPumpkinsPla.html |archivedate=February 29, 2000 |accessdate=October 9, 2012}}</ref>
 
== Background and concept ==
After the ''Adore'' tour ended in the second half of 1998, lead singer/guitarist [[Billy Corgan]] immediately began to work on new material, playing new songs as early as October of that year.<ref>{{cite web |url=http://www.spfc.org/tours/date.html?tour_id=633 |title=spfc.org : Tour History – Dates : 1998/10/31 |work=spfc.org |accessdate=October 9, 2012}}</ref> In the same month, the four original band members convened, and decided that Jimmy Chamberlin would rejoin the band, and that a final album and tour would be mounted before the group disbanded permanently.<ref>{{cite journal |last=Kot |first=Greg |title=Pumpkin Seeds |journal=Guitar World |date=January 2002}}</ref> "If you want to know what Jimmy brings back to the band," Corgan told ''Q'', "then listen to ''Adore'' and this new record back-to-back. It speaks for itself."<ref>''[[w:Q (magazine)|Q]]'', March 2000</ref> According to an August 19, 2014 interview with Ryan Leas, Corgan explained, "I was thinking like, you know, what the Beatles did with Sgt. Pepper’s. Why can’t we make a really different type of record? So that was my thinking going into it."<ref>{{Cite web|url=https://www.stereogum.com/1698954/inside-baseball-with-billy-corgan-the-smashing-pumpkins-leader-on-adore-machina-and-the-end-of-teargarden-by-kaleidyscope/franchises/interview/ |title=Inside Baseball With Billy Corgan: The Smashing Pumpkins Head On Adore, MACHINA, And The End Of Teargarden | date=August 19, 1994 |website=Stereogum|accessdate=December 9, 2019}}</ref>
 
Corgan envisioned a lengthy concept album in conjunction with a musical theater approach to a tour, based around the idea of the band playing exaggerated versions of themselves, as the press and public seemed to view them.<ref name="borges">{{cite web |url=http://blogs.browardpalmbeach.com/countygrind/2010/07/qa_billy_corgan_regret_smashing_pumpkins.php |title=Q&A: Billy Corgan Reveals Biggest Regret, Weighs Indie Versus Corporate Rock Ahead of Tonight's Show at Revolution |last=Borges |first=Christine |date=July 20, 2010 |work=[[w:New Times Broward-Palm Beach|browardpalmbeach.com]] |accessdate=October 9, 2012}}</ref><ref>Episode 59 of ''[[w:VH1 Storytellers|VH1 Storytellers]]'', August 24, 2000</ref> He later explained, "the band had become such cartoon characters at that point in the way we were portrayed in the media, the idea was that we would sort of go out and pretend we were the cartoon characters."<ref name="borges"/> From there, a story was conceived revolving around a rock star named Zero (based on the ''[[Mellon Collie and the Infinite Sadness|Mellon Collie]]'' character and Corgan's public persona) hearing the voice of God, renaming himself Glass, and renaming his band The Machines of God. Fans of the band were referred to as the "Ghost Children".<ref>{{Cite web|url=https://www.3ammagazine.com/3am/cherubs-zeros-glass-children-swans-symbolism-in-lyrics-of-the-smashing-pumpkins/ |title=cherubs, zeros, glass children & swans – symbolism in lyrics of the smashing pumpkins | date=April 24, 2018 |website=3:AM Magazine|accessdate=December 9, 2019}}</ref>
 
[[File:Machina chart.jpg|thumb|left|Billy Corgan's chart showing the loose story of ''Machina'' and ''Machina II''|link=Special:FilePath/Machina_chart.jpg]]
 
== Recording ==
{{Main|November 1998-September 1999 – Pumpkinland}}
Much like previous albums, the songs were first [[Late 1998 – Sadlands, Chicago|tracked acoustically at Corgan's house]] in late 1998<ref name="late 1998">{{cite web |url=http://www.spfc.org/band/studio.html?session_id=46 |title=spfc.org : Studio Sessions : Late 1998 – Sadlands (Billy's House) |work=spfc.org |accessdate=October 9, 2012}}</ref> before the band set to work on them at their practice space and the [[Chicago Recording Company]]. The recording was conducted with the team responsible for finishing ''Adore'' – co-producer [[Flood]] and engineers Howard Willing and [[W:Bjorn Thorsrud|Bjorn Thorsrud]].
 
The band took a break from recording in April 1999 to embark on [[The Arising! tour|''The Arising!'' tour]], which took the band to nine small clubs. After the tour's conclusion, the bass guitarist, [[D'arcy Wretzky]], left the band, leaving the rest of them in a difficult position. Corgan later said, "This put a stress obviously on the full integrity of the project, because it was connected to the band not only bringing the music to fruition fully, but also the public component of being in character. I ended up in a broken band with a half-ass enthusiasm towards finishing a project already started."<ref>[http://hipstersunited.wordpress.com/2008/09/12/ch6the-story-of-machina-so-what-could-i-do-but-try-to-finish/] Archive of [http://www.smashingpumpkins.com/news_9270]{{dead link}}. September 12, 2008.</ref>
 
Flood later remembered, "We decided that we were going to have to make a very different kind of record [...] we pretty much went back to the drawing board. Certain songs on the record are survivors from that first period, but it meant a shift in the ways songs had to be formed."<ref>{{cite journal |last=Thomas |first=Richard |title=Signal to Noise: The Sonic Diary of the Smashing Pumpkins |journal=EQ |date=October 2008}}</ref>
 
Corgan described the new recording process for ''Machina'', now focused more on the song development than on the concept:
 
{{cquote|We spent most of the time trying to take the songs as far as they could be taken down a particular avenue. So if it was gonna be proto-cyber metal, we tried to make it very proto and very cyber. If it was acoustic, then we tried to not fall into the typical ballad-y kind of aspects. That's where we spent most of our time. The songs were probably written in about a day.<ref name="mtv2000">{{cite web |url=http://www.mtv.com/news/articles/1434163/20000302/smashing_pumpkins.jhtml |title=Billy Corgan Discusses Painless "''Machina''" Sessions |last=Basham |first=David |date=March 2, 2000 |work=[[w:MTV|mtv.com]] |accessdate=October 9, 2012}}</ref>}}
 
In the end, the theatrical qualities of the live performances and appearances were mostly abandoned. Many of the songs on the album refer to the ending of love and relationships (both romantic and otherwise), most of them obvious references to the band themselves. Corgan described "This Time" as "my love song to the band."<ref>{{cite web |url=https://twitter.com/Billy/status/78435594295975936 |title=Twitter / Billy: I Bet You Didn't Know That ... |last=Corgan |first=Billy |authorlink=Billy Corgan |date=June 8, 2011 |work=[[w:Twitter|Twitter]] |accessdate=October 9, 2012}}</ref> According to Corgan, the album was structured so that the first eight tracks would be "more poppy", and the last seven "more arty." Generally, Corgan appraised the sound of the album as "a rock 'n' roll approach with pop sensibility."<ref>{{cite journal |title=[Billy Corgan interview] |journal=INSite}}</ref> After the [[W:Electronica|electronica]]-influenced ''Adore'', ''Machina'' was a return to the distorted guitar sound of previous albums, though synthesizers and acoustic guitars were still heavily used.
 
== Marketing and release ==
''Machina'' was released as a single album on February 29, 2000, with a bonus disc, ''[[Still Becoming Apart]]'', available at certain stores.[[File:Spiotm.jpg|thumb|right|"I of the Mourning" promotional single cover|link=Special:FilePath/Spiotm.jpg]]
 
A video was made for "[[Stand Inside Your Love]]", the planned first single, in late 1999, but at the last minute, "[[The Everlasting Gaze]]" was issued as the album's first promotional radio single in December 1999. "Stand Inside Your Love" was released as the first commercially available single on January 21, 2000. "[[I of the Mourning]]" was also released as a promotional single and received limited airplay. "[[Heavy Metal Machine]]" was issued as a promotional cassette but was not distributed to radio stations.<ref>{{cite web|url=http://www.spfreaks.com/default.aspx?page=COLLDETAILS&item=882 |title=..: SPfreaks :.. |work=spfreaks.com |accessdate=October 9, 2012 |url-status=dead |archiveurl=https://web.archive.org/web/20110716115025/http://www.spfreaks.com/default.aspx?page=COLLDETAILS&item=882 |archivedate=July 16, 2011 }}</ref>
 
On March 9, the band went on the Thursday edition of ''@MTV Week'' at Broadway Studios in New York City for a half-hour live TV special. During the broadcast they performed "The Everlasting Gaze" as well as "I of the Mourning" after an online and call-in voting competition between three songs from ''Machina''. The special also featured [[W:Carson Daly|Carson Daly]] interviewing the band members and online chats with the band, and an interactive online video for "[[The Crying Tree of Mercury]]."
 
On May 23, Corgan announced on KROQ-FM that the band would be breaking up at the end of the year.<ref name="kroq"/> The band reconvened in a studio to finish off the leftover ''Machina'' tracks, but Virgin remained uninterested, so the band released ''[[w:Machina II/The Friends & Enemies of Modern Music|Machina II]]'' on their own in September, handing them off to fans to distribute free over the Internet.<ref>{{cite web |url=http://www.spfc.org/band/studio.html?session_id=47 |title=spfc.org : Studio Sessions : Jul 2000 – Chicago Recording Company |work=spfc.org |accessdate=October 9, 2012}}</ref>
 
The video for the final single, "[[Try, Try, Try]]", directed by [[W:Jonas Åkerlund|Jonas Åkerlund]], was released on September 11, 2000, but did not receive airplay in the US due to its graphic content.<ref>{{cite video |title=[[w:The Smashing Pumpkins – Greatest Hits Video Collection (1991–2000)|The Smashing Pumpkins – Greatest Hits Video Collection (1991–2000)]] |type="Try, Try, Try" video commentary |date=November 20, 2001}}</ref>
 
=== Glass and The Machines of God ===
{{main|Glass and The Machines of God}}
[[File:Spgatmog.jpg|thumb|left|"GATMOG" characters bearing a resemblance to The Smashing Pumpkins' bandmembers]]
Although the full extent of the original concept went unrealized, the storyline of Glass was tied to the album's release and marketing. A sequence of writings, by Corgan, were released under the name [[Glass and The Machines of God|''Glass and The Machines of God'']] starting in the CD booklet and continuing over the internet and elsewhere.<ref>{{Cite web|url=http://www.pumpkins.it/glass.html|title=pumpkins.it|website=www.pumpkins.it|accessdate=November 2, 2019}}</ref> Additional entries, under the name "Chards of Glass", were posted by the band while on tour.<ref>{{Cite web|url=https://www.hugedomains.com/domain_profile.cfm?d=nachtkabaret&e=com|title=HugeDomains.com - NachTKabaret.com is for sale (Nach T Kabaret)|website=www.hugedomains.com|accessdate=November 2, 2019}}</ref> Corgan challenged fans to solve the "''Machina'' mystery" hinted at through it all, and in December 2000 posted his favorite fan interpretations.<ref>{{cite web| url = http://www.smashingpumpkins.com/winners.html| title = contest winners| date = December 13, 2000| archiveurl = https://web.archive.org/web/20010215034947/http://www.smashingpumpkins.com/winners.html| archivedate = February 15, 2001| accessdate = August 8, 2010}}</ref>
 
The booklet artwork, a series of paintings by [[W:Vasily Kafanov|Vasily Kafanov]], loosely told the album's story while hinting at themes related to alchemy, chemistry, metallurgy, physics, medicine, astrology, semiotics, mysticism, spiritualism, and art. The album was [[:Category:Grammy Award nominations|nominated]] for a 2001 Grammy for [[W:Grammy Award for Best Recording Package|Best Recording Package]].<ref>{{Cite web|url=https://www.digitalhit.com/grammy/43/nominees.shtml|title=43rd Annual Grammy Awards Nominations Coverage (2001) &#124; DigitalHit.com|website=www.digitalhit.com|accessdate=November 2, 2019}}</ref>
 
In June 2001, a viral marketing campaign written by [[W:Jim Evans (artist)|Jim Evans]] and Division 13 was launched via the Smashing Pumpkins message board, encouraging users to seek out mysterious websites and video clips. This early example of an internet-based alternate reality game eventually unveiled the news of a new online animated series by [[W:Sony|Sony]] based on the ''Machina'' story. Due in part to the changing circumstances surrounding the album's rollout, the series was shelved before any episodes were completed, though several portions have been leaked to YouTube.<ref>{{Cite web|url=https://www.youtube.com/watch?v=gt6tTK4-e9w|title=YouTube|website=www.youtube.com|accessdate=November 2, 2019}}</ref><ref>{{Cite web|url=https://www.youtube.com/watch?v=sLtewB8UjL4|title=YouTube|website=www.youtube.com|accessdate=November 2, 2019}}</ref><ref>{{Cite web|url=https://www.youtube.com/watch?v=ML4QmfI0aJA|title=YouTube|website=www.youtube.com|accessdate=November 2, 2019}}</ref> In a 2010 interview, Corgan commented on the abandoned cartoon, stating, "Yeah, I think you can find a few bits and pieces, but it never got finished unfortunately. That would've at least explained what the fuck I was trying to do [laughs]. I'm not even sure now what I was trying to do. But I was trying to do something."<ref name="borges"/>
{{clear}}
 
==Reception==
===Critical reception===
{{Album ratings
| MC = 66/100<ref name="metacritic">{{cite web |url=https://www.metacritic.com/music/machinathe-machines-of-god/the-smashing-pumpkins |title=Reviews for MACHINA/the machines of God by Smashing Pumpkins |publisher=[[w:Metacritic|Metacritic]] |accessdate=January 12, 2013}}</ref>
| rev1 = [[w:AllMusic|AllMusic]]
| rev1score = {{Rating|3|5}}<ref>{{cite web |url=http://www.allmusic.com/album/machina-the-machines-of-god-mw0000453832 |title=MACHINA/The Machines of God – The Smashing Pumpkins |publisher=[[w:AllMusic|AllMusic]] |accessdate=August 23, 2011 |last=Erlewine |first=Stephen Thomas |authorlink=w:Stephen Thomas Erlewine}}</ref>
| rev2 = ''[[w:Chicago Sun-Times|Chicago Sun-Times]]''
| rev2score = {{Rating|3.5|4}}<ref name=derogatis/>
| rev3 = ''[[w:Entertainment Weekly|Entertainment Weekly]]''
| rev3score = C+<ref>{{cite journal |url=http://www.ew.com/article/2000/03/03/machinathe-machines-god |title=MACHINA/the machines of God |journal=[[w:Entertainment Weekly|Entertainment Weekly]] |date=March 3, 2000 |accessdate=January 12, 2013 |last=Browne |first=David |authorlink=w:David Browne (journalist)}}</ref>
| rev4 = ''[[w:Los Angeles Times|Los Angeles Times]]''
| rev4score = {{Rating|3|4}}<ref>{{cite news |url=http://articles.latimes.com/2000/feb/27/entertainment/ca-2990 |title=Pumpkins' Luscious Noise Coats Familiar Ideas |newspaper=[[w:Los Angeles Times|Los Angeles Times]] |date=February 27, 2000 |accessdate=November 29, 2015 |last=Nichols |first=Natalie |archiveurl=https://web.archive.org/web/20160307105620/http://articles.latimes.com/2000/feb/27/entertainment/ca-2990 |archivedate=March 7, 2016 |url-status=dead}}</ref>
| rev5 = ''[[w:NME|NME]]''
| rev5score = 6/10<ref name="NME">{{cite journal |url=http://www.nme.com/reviews/reviews/20000223124803.html |title=The Smashing Pumpkins – MACHINA/The Machines Of God |journal=[[w:NME|NME]] |date=February 23, 2000 |accessdate=March 5, 2020 |last=Segal |first=Victoria |archiveurl=https://web.archive.org/web/20000407105031/http://www.nme.com/reviews/reviews/20000223124803.html |archivedate=April 7, 2000 |url-status=dead }}</ref>
| rev7 = ''[[w:Q (magazine)|Q]]''
| rev7score = {{Rating|4|5}}<ref>{{cite journal |url=http://www.qonline.co.uk:80/reviews/server.asp?id=18746 |title=The Smashing Pumpkins: Machina/The Machines of God |journal=[[w:Q (magazine)|Q]] |issue=163 |date=April 2000 |accessdate=August 30, 2018 |last=Elliott |first=Paul |pages=84–85 |archiveurl=https://web.archive.org/web/20001121134100/http://www.qonline.co.uk/reviews/server.asp?id=18746 |archivedate=November 21, 2000 |url-status=dead}}</ref>
| rev8 = ''[[w:Rolling Stone|Rolling Stone]]''
| rev8score = {{Rating|3.5|5}}<ref>{{cite journal |url=https://www.rollingstone.com/music/albumreviews/machina-the-machines-of-god-20000316l |title=Machina/The Machines Of God |journal=[[w:Rolling Stone|Rolling Stone]] |date=March 16, 2000 |accessdate=August 23, 2011 |last=Pareles |first=Jon |authorlink=w:Jon Pareles}}</ref>
| rev9 = ''[[w:Spin (magazine)|Spin]]''
| rev9score = 7/10<ref>{{cite journal |url=https://books.google.com/books?id=AxnVty3fkhMC&pg=PA145 |title=Age Against the Machine |journal=[[w:Spin (magazine)|Spin]] |volume=16 |issue=3 |date=March 2000 |accessdate=November 30, 2015 |last=Weisbard |first=Eric |pages=145–46}}</ref>
| rev10 = ''[[w:The Village Voice|The Village Voice]]''
| rev10score = C+<ref>{{cite news |url=http://www.robertchristgau.com/xg/cg/cgv300-00.php |title=Consumer Guide |newspaper=[[w:The Village Voice|The Village Voice]] |date=March 28, 2000 |accessdate=November 29, 2015 |last=Christgau |first=Robert |authorlink=w:Robert Christgau}}</ref>
}}
 
According to Metacritic, the album received generally favorable reviews, scoring 66 out of 100 based on 15 reviews. Jim DeRogatis of the ''Chicago Sun-Times'' called ''Machina'' "an exceedingly impressive and hard-driving record"<ref name="derogatis">{{cite news |url=https://www.highbeam.com/doc/1P2-4537673.html |archive-url=https://web.archive.org/web/20180522111741/https://www.highbeam.com/doc/1P2-4537673.html |url-status=dead |archive-date=May 22, 2018 |title=Smashing Pumpkins Reclaiming Rock Glory |work=[[w:Chicago Sun-Times|Chicago Sun-Times]] |date=February 29, 2000 |accessdate=October 17, 2016 |last=DeRogatis |first=Jim |authorlink=w:Jim DeRogatis |url-access=subscription}}</ref> and contended that it was the band's "masterpiece."<ref>[[w:Jim DeRogatis|DeRogatis, Jim]]. "Pumpkins Return in Force." ''[[w:Chicago Sun-Times|Chicago Sun-Times]]''. December 20, 1999.</ref> "''Machina'' finds the quartet back at their grunge-rocking best…" wrote Clark Collis in ''The Daily Telegraph''. "[Corgan] seems re-energised as a writer and singer with the likes of 'Stand Inside Your Love' and 'Try Try Try' standing among their best work to date, while the lyrical refrain of the epic 'Glass and the Ghost Children' should please all those who like their rock music to be mean, moody and not a little psychotic."<ref>''[[w:The Daily Telegraph|The Daily Telegraph]]'', February 26, 2000</ref>
 
== Track listing ==
 
{{Track listing
| headline = Main release | main_listing = yes | listing_id = 1
| all_writing = Billy Corgan
| title1 = [[The Everlasting Gaze]]
| length1 = 4:00
| title2 = [[Raindrops + Sunshowers]]
| length2 = 4:39
| title3 = [[Stand Inside Your Love]]
| length3 = 4:14
| title4 = [[I of the Mourning]]
| length4 = 4:37
| title5 = [[The Sacred and Profane]]
| length5 = 4:22
| title6 = [[Try, Try, Try]]
| length6 = 5:09
| title7 = [[Heavy Metal Machine]]
| length7 = 5:52
| title8 = [[This Time]]
| length8 = 4:43
| title9 = [[The Imploding Voice]]
| length9 = 4:24
| title10 = [[Glass and the Ghost Children]]
| length10 = 9:56
| title11 = [[Wound]]
| length11 = 3:58
| title12 = [[The Crying Tree of Mercury]]
| length12 = 3:43
| title13 = [[With Every Light]]
| length13 = 3:56
| title14 = [[Blue Skies Bring Tears]]
| length14 = 5:45
| title15 = [[Age of Innocence]]
| length15 = 3:55
}}
 
{{Track listing
| headline = Vinyl, Japanese CD | listing_id = 2
| title1 = [[The Everlasting Gaze]]
| length1 = 4:00
| title2 = [[Raindrops + Sunshowers]]
| length2 = 4:39
| title3 = [[Stand Inside Your Love]]
| length3 = 4:14
| title4 = [[I of the Mourning]]
| length4 = 4:37
| title5 = [[The Sacred and Profane]]
| length5 = 4:22
| title6 = [[Try, Try, Try]]
| length6 = 5:09
| title7 = [[Heavy Metal Machine]]
| length7 = 5:52
| title8 = [[This Time]]
| length8 = 4:43
| title9 = [[The Imploding Voice]]
| length9 = 4:24
| title10 = [[Glass and the Ghost Children]]
| length10 = 9:56
| title11 = [[Wound]]
| length11 = 3:58
| title12 = [[The Crying Tree of Mercury]]
| length12 = 3:43
| title13 = [[Speed Kills]]
| length13 = 3:24
| title14 = [[Age of Innocence]]
| length14 = 3:55
| title15 = [[With Every Light]]
| length15 = 3:56
| title16 = [[Blue Skies Bring Tears]]
| length16 = 5:45
}}
 
'''Notes'''
*"Speed Kills" is not the ''[[Machina II/The Friends & Enemies of Modern Music]]'' version, but the version that appears on the "[[Stand Inside Your Love]]" single truncated by two minutes with a fadeout. The last four tracks are re-sequenced. One [[Machina/The Machines of God (premaster)|early release of the album often referred to as the "premaster"]] has an extended version of "The Sacred and Profane" with two bars of electronic drum beat at the beginning of the song, electric guitar instead of acoustic in "Age of Innocence", "The Crying Tree of Mercury" titled "The Mercury Tree", and a different, more lo-fi mix overall.<ref>{{cite web |title=spfreaks.com/item/machina-the-machines-of-god-171/ |url=http://spfreaks.com/item/machina-the-machines-of-god-171/ |website=SPfreaks |accessdate=3 February 2019}}</ref>
*"Speed Kills" was apparently included because the Japanese arm of Virgin demanded an extra song to keep fans from buying imports.<ref>Billy Corgan, October 4, 2020 Instagram Q&A</ref>
 
== Release history ==
{{releases top}}
{{release|released=February 29, 2000|label=Virgin|catalog_id=7243 8 48936 2 0|format=CD|country=US|discogs=378885|musicbrainz=a5cdbfc0-50b8-456b-ad20-d757e87db5c9|listing_id=1}}
{{release|released=February 28, 2000|label=Virgin, Hut Recordings|catalog_id=7243 8 48936 2 0, CDHUT 59|format=CD|country=Europe|discogs=367878|musicbrainz=55ef32fe-13ec-353d-b768-48216b3fd821|listing_id=1}}
{{release|released=2000|label=Virgin|catalog_id=7243 8 48936 4 4|format=Cassette|country=US|discogs=11471549|musicbrainz=bf350772-95e1-4395-820e-6f70df9e8ab9|listing_id=1}}
{{release|released=May 2000|label=Virgin, Caroline Records|catalog_id=7243 8 48936 1 3, CAR 48936|format=2LP|country=US|discogs=2194679|musicbrainz=6ccfb390-b556-4015-b383-4672b23fd5d4|listing_id=2}}
{{release|released=February 28, 2000|label=Virgin|catalog_id=VJCP-68165|format=CD|country=Japan|discogs=2434115|musicbrainz=b98e6cf3-9567-469c-8489-72021b3b9ad4|listing_id=2}}
{{release|released=May 2000|label=Virgin, Hut Recordings|catalog_id=7243 8 48936 1 3, HUTDLP 59|format=2LP|country=Europe|discogs=1433261|musicbrainz=8d822a5b-8faf-4b75-8db6-39aae659c2cd|listing_id=2}}
{{releases bottom}}
 
== Personnel ==
{{div col}}
'''Band'''
* [[Billy Corgan]] – vocals, guitar, bass guitar, keyboards, piano, production, art direction, mixing, lead guitar
* [[James Iha]] – guitar, bass guitar<ref>{{cite web|url=https://www.spin.com/2018/02/billy-corgan-smashing-pumpkins-bassist-rumors-darcy-wretzky/|first=Ariella|last=Gordon|title=Billy Corgan Refuses to Say D’arcy Wretzky’s Name in Latest Smashing Pumpkins Update|website=Spin}}</ref>
* [[D'arcy Wretzky]] – bass guitar
* [[Jimmy Chamberlin]] – drums
 
'''Additional musicians'''
*[[Mike Garson]] – piano on "With Every Light"
 
'''Production'''
* Bill Douglass – mixing assistance
*[[Flood]] – production, mixing
*[[W:Vasily Kafanov|Vasily Kafanov]] – sleeve paintings and etchings
* Tommy Lipnick – technical assistance
* Tim "Gooch" Lougee – technical assistance
* Jef Moll – mixing assistance
*[[Alan Moulder]] – mixing
* Andrew Nicholls – mixing assistance
* Erin Piepergerdes – mixing assistance
* Scott Schimpff – technical assistance
* Greg Sylvester – art direction
*[[W:Bjorn Thorsrud|Bjorn Thorsrud]] – recording, mixing, digital editing, compilation, additional programming
*[[Howie Weinberg]] – mastering
* Howard C. Willing – recording, mixing
* Thomas Wolfe – art direction
*[[W:Yelena Yemchuk|Yelena Yemchuk]] – art direction
* Mike Zainer – mixing assistant
{{div col end}}
 
== Charts ==
'''Album'''
 
{| class="wikitable"
! Year
! Chart
! Position
|-
| rowspan="8"|2000
{{albumchart|Australia|2|artist=The Smashing Pumpkins|album=MACHINA - THE MACHINES OF GOD}}
|-
| Top Canadian Albums{{Citation needed}}
| align="center"|2
|-
{{albumchart|Billboard200|3|artist=The Smashing Pumpkins|album=Machina/The Machines of God}}
|-
{{albumchart|Germany|4|artist=The Smashing Pumpkins|album=Machina/The Machines of God}}
|-
{{albumchart|New Zealand|4|artist=The Smashing Pumpkins|album=Machina - The Machines of God}}
|-
{{albumchart|UK|7|artist=Smashing Pumpkins|album=Machina/The Machines of God}}
|-
{{albumchart|France|4|artist=The Smashing Pumpkins|album=Machina - The Machines of God}}
|-
{{albumchart|Sweden|3|artist=The Smashing Pumpkins|album=Machina - The Machines of God}}
|}
 
'''Singles'''
 
{| class="wikitable"
! Year
! Single
! Chart
! Position
|-
| rowspan="2"|1999
| rowspan="2"|"[[The Everlasting Gaze]]"
{{singlechart|Billboardalternativesongs|4|artist=The Smashing Pumpkins|song=The Everlasting Gaze}}
|-
{{singlechart|Billboardmainstreamrock|4|artist=The Smashing Pumpkins|album=The Everlasting Gaze}}
|-
| rowspan="5"|2000
| rowspan="5"|"[[Stand Inside Your Love]]"
{{singlechart|Billboardalternativesongs|2|artist=The Smashing Pumpkins|song=Stand Inside Your Love}}
|-
{{singlechart|Billboardmainstreamrock|11|artist=The Smashing Pumpkins|song=Stand Inside Your Love}}
|-
{{singlechart|UKsinglesbyname|23|artist=Smashing Pumpkins|song=Stand Inside Your Love|artistid=28056}}
|-
{{singlechart|Australia|31|artist=The Smashing Pumpkins|song=Stand Inside Your Love}}
|-
{{singlechart|UKsinglesbyname|73|artist=Smashing Pumpkins|song=Try, Try, Try|artistid=28056}}
|}
 
==Reissue==
The album is scheduled to be reissued, this time resequenced as a double album with the ''Machina II'' material as was originally envisioned. The original co-producer Flood will be involved with a complete remix of all the material and sequencing into its original order as a two-disc concept album.<ref>"[https://archive.today/20120731032804/http://www.fasterlouder.com.au/features/32345/Smashing-Pumpkins-Ill-have-the-last-laugh?page=4 Smashing Pumpkins: "I'll have the last laugh"]". FasterLouder.com. April 26, 2012.</ref> He further explained that part of the restored concept album will be a suite simulating a live Machines of God concert, possibly with crowd noise added, with a mix inspired by [[W:Kiss (band)|Kiss]]' ''[[W:Alive! (Kiss album)|Alive!]]''.<ref>Graham, Adam. "[http://blogs.detroitnews.com/poptropolis/2012/10/21/the-smashing-pumpkins-billy-corgan-on-the-past-the-present-the-future-and-mayonaise/ The Smashing Pumpkins' Billy Corgan on the past, the present, the future and 'Mayonaise'] {{webarchive|url=https://web.archive.org/web/20121023062524/http://blogs.detroitnews.com/poptropolis/2012/10/21/the-smashing-pumpkins-billy-corgan-on-the-past-the-present-the-future-and-mayonaise/ |date=2012-10-23 }}". Detroit News. October 21, 2012.</ref>
 
From July 2015, the reissue's release was put on permanent hold due to legal troubles with the record label. Corgan has said he has spent a lot of time on this and wants it to be released, but the legal issues need to be resolved first.<ref>"http://www.ew.com/article/2015/07/23/smashing-pumpkins-billy-corgan-tour-interview"</ref> In August 2018, Billy answered an Instagram Q&A about this. The question was "Will the Machina reissue ever see the light of day?" He answered "Just signed legal settlement today on that. So yes". Corgan announced in later Q&A's that the reissue will feature completely new artwork and will not reuse any of the original ''Machina'' artwork.
 
==Certifications and sales==
{{certification Table Top}}
{{certification Table Entry|relyear=2000|region=Australia|type=album|award=Gold|certyear=2000|accessdate=17 April 2019}}
{{certification Table Entry|title=Machina/The Machines Of God|type=album|artist=Smashing Pumpkins|relyear=2000|region=Canada|award=Platinum|certyear=2000|accessdate=17 April 2019}}
{{certification Table Entry|title=Machina/The Machines Of God|type=album|artist=Smashing Pumpkins|relyear=2000|region=New Zealand|award=Gold|certyear=2000|certref=<ref>{{cite web| url=http://www.rianz.org.nz/rianz/chart.asp?chartNum=1200&chartKind=A&format=print| title=RIANZ| publisher=RIANZ| accessdate=17 April 2019| archive-url=https://web.archive.org/web/20110927161843/http://www.rianz.org.nz/rianz/chart.asp?chartNum=1200&chartKind=A&format=print| archive-date=27 September 2011| url-status=dead}}</ref>}}
{{certification Table Entry|title=Machina/The Machines Of God|type=album|artist=Smashing Pumpkins|relyear=2000|region=France|award=Gold|certyear=2000|accessdate=17 April 2019}}
{{certification Table Entry|title=Machina/The Machines Of God|type=album|artist=Smashing Pumpkins|relyear=2000|region=Japan|award=Gold|certyear=April 2000|accessdate=17 April 2019}}
{{certification Table Entry|title=Machina/The Machines Of God|type=album|artist=Smashing Pumpkins|relyear=2000|region=United Kingdom|award=Silver|certyear=2000|accessdate=17 April 2019}}
{{certification Table Entry|title=Machina / The Machines Of God|type=album|artist=Smashing Pumpkins|relyear=2000|region=United States|award=Gold|certyear=2000|accessdate=17 April 2019}}
{{certification Table Bottom}}
 
== References ==
{{reflist}}
 
{{The Smashing Pumpkins}}
 
{{DEFAULTSORT:Machina 1 The Machines of God}}
[[Category:Concept albums]]
[[Category:Virgin Records albums]]

Revision as of 02:24, 16 June 2021

Machina/The Machines of God
Studio album by
ReleasedFebruary 29, 2000
RecordedNovember 1998 – October 1999
StudioSadlands, Pumpkinland, Chicago Recording Company
Genre
  • Alternative rock[1]
  • alternative metal[2]
  • gothic rock
  • dream pop
Length73:23
LabelVirgin
ProducerBilly Corgan, Flood
The Smashing Pumpkins chronology
Adore
(1998)
Machina/The Machines of God
(2000)
Machina II/The Friends & Enemies of Modern Music
(2000)
Singles from Machina/The Machines of God
  1. "The Everlasting Gaze"
    Released: December 9, 1999
  2. "Stand Inside Your Love"
    Released: February 21, 2000
  3. "Try, Try, Try"
    Released: September 11, 2000

Machina/The Machines of God is the fifth studio album by The Smashing Pumpkins, released on February 29, 2000, by Virgin Records. A concept album,[3] it marked the return of drummer Jimmy Chamberlin and was intended to be the band's final official LP release prior to their first break up in 2000. A sequel album—Machina II/The Friends & Enemies of Modern Music—was later released independently via the Internet, and limited quantities for the physical version.

As with its predecessor, Adore, Machina represented a drastic image and sound change for the band. After the relatively brief Adore tour, the new line-up with Chamberlin and the former Hole bass guitarist Melissa Auf der Maur mounted longer international tours that returned the live incarnation of the band to a guitar-driven hard rock style.[4]

Background and concept

After the Adore tour ended in the second half of 1998, lead singer/guitarist Billy Corgan immediately began to work on new material, playing new songs as early as October of that year.[5] In the same month, the four original band members convened, and decided that Jimmy Chamberlin would rejoin the band, and that a final album and tour would be mounted before the group disbanded permanently.[6] "If you want to know what Jimmy brings back to the band," Corgan told Q, "then listen to Adore and this new record back-to-back. It speaks for itself."[7] According to an August 19, 2014 interview with Ryan Leas, Corgan explained, "I was thinking like, you know, what the Beatles did with Sgt. Pepper’s. Why can’t we make a really different type of record? So that was my thinking going into it."[8]

Corgan envisioned a lengthy concept album in conjunction with a musical theater approach to a tour, based around the idea of the band playing exaggerated versions of themselves, as the press and public seemed to view them.[9][10] He later explained, "the band had become such cartoon characters at that point in the way we were portrayed in the media, the idea was that we would sort of go out and pretend we were the cartoon characters."[9] From there, a story was conceived revolving around a rock star named Zero (based on the Mellon Collie character and Corgan's public persona) hearing the voice of God, renaming himself Glass, and renaming his band The Machines of God. Fans of the band were referred to as the "Ghost Children".[11]

Billy Corgan's chart showing the loose story of Machina and Machina II

Recording

Much like previous albums, the songs were first tracked acoustically at Corgan's house in late 1998[12] before the band set to work on them at their practice space and the Chicago Recording Company. The recording was conducted with the team responsible for finishing Adore – co-producer Flood and engineers Howard Willing and Bjorn Thorsrud.

The band took a break from recording in April 1999 to embark on The Arising! tour, which took the band to nine small clubs. After the tour's conclusion, the bass guitarist, D'arcy Wretzky, left the band, leaving the rest of them in a difficult position. Corgan later said, "This put a stress obviously on the full integrity of the project, because it was connected to the band not only bringing the music to fruition fully, but also the public component of being in character. I ended up in a broken band with a half-ass enthusiasm towards finishing a project already started."[13]

Flood later remembered, "We decided that we were going to have to make a very different kind of record [...] we pretty much went back to the drawing board. Certain songs on the record are survivors from that first period, but it meant a shift in the ways songs had to be formed."[14]

Corgan described the new recording process for Machina, now focused more on the song development than on the concept:

In the end, the theatrical qualities of the live performances and appearances were mostly abandoned. Many of the songs on the album refer to the ending of love and relationships (both romantic and otherwise), most of them obvious references to the band themselves. Corgan described "This Time" as "my love song to the band."[16] According to Corgan, the album was structured so that the first eight tracks would be "more poppy", and the last seven "more arty." Generally, Corgan appraised the sound of the album as "a rock 'n' roll approach with pop sensibility."[17] After the electronica-influenced Adore, Machina was a return to the distorted guitar sound of previous albums, though synthesizers and acoustic guitars were still heavily used.

Marketing and release

Machina was released as a single album on February 29, 2000, with a bonus disc, Still Becoming Apart, available at certain stores.

"I of the Mourning" promotional single cover

A video was made for "Stand Inside Your Love", the planned first single, in late 1999, but at the last minute, "The Everlasting Gaze" was issued as the album's first promotional radio single in December 1999. "Stand Inside Your Love" was released as the first commercially available single on January 21, 2000. "I of the Mourning" was also released as a promotional single and received limited airplay. "Heavy Metal Machine" was issued as a promotional cassette but was not distributed to radio stations.[18]

On March 9, the band went on the Thursday edition of @MTV Week at Broadway Studios in New York City for a half-hour live TV special. During the broadcast they performed "The Everlasting Gaze" as well as "I of the Mourning" after an online and call-in voting competition between three songs from Machina. The special also featured Carson Daly interviewing the band members and online chats with the band, and an interactive online video for "The Crying Tree of Mercury."

On May 23, Corgan announced on KROQ-FM that the band would be breaking up at the end of the year.[3] The band reconvened in a studio to finish off the leftover Machina tracks, but Virgin remained uninterested, so the band released Machina II on their own in September, handing them off to fans to distribute free over the Internet.[19]

The video for the final single, "Try, Try, Try", directed by Jonas Åkerlund, was released on September 11, 2000, but did not receive airplay in the US due to its graphic content.[20]

Glass and The Machines of God

"GATMOG" characters bearing a resemblance to The Smashing Pumpkins' bandmembers

Although the full extent of the original concept went unrealized, the storyline of Glass was tied to the album's release and marketing. A sequence of writings, by Corgan, were released under the name Glass and The Machines of God starting in the CD booklet and continuing over the internet and elsewhere.[21] Additional entries, under the name "Chards of Glass", were posted by the band while on tour.[22] Corgan challenged fans to solve the "Machina mystery" hinted at through it all, and in December 2000 posted his favorite fan interpretations.[23]

The booklet artwork, a series of paintings by Vasily Kafanov, loosely told the album's story while hinting at themes related to alchemy, chemistry, metallurgy, physics, medicine, astrology, semiotics, mysticism, spiritualism, and art. The album was nominated for a 2001 Grammy for Best Recording Package.[24]

In June 2001, a viral marketing campaign written by Jim Evans and Division 13 was launched via the Smashing Pumpkins message board, encouraging users to seek out mysterious websites and video clips. This early example of an internet-based alternate reality game eventually unveiled the news of a new online animated series by Sony based on the Machina story. Due in part to the changing circumstances surrounding the album's rollout, the series was shelved before any episodes were completed, though several portions have been leaked to YouTube.[25][26][27] In a 2010 interview, Corgan commented on the abandoned cartoon, stating, "Yeah, I think you can find a few bits and pieces, but it never got finished unfortunately. That would've at least explained what the fuck I was trying to do [laughs]. I'm not even sure now what I was trying to do. But I was trying to do something."[9]

Reception

Critical reception

Professional ratings
Aggregate scores
SourceRating
Metacritic66/100[28]
Review scores
SourceRating
AllMusic3/5 stars[29]
Chicago Sun-Times3.5/4 stars[30]
Entertainment WeeklyC+[31]
Los Angeles Times3/4 stars[32]
NME6/10[33]
Q4/5 stars[34]
Rolling Stone3.5/5 stars[35]
Spin7/10[36]
The Village VoiceC+[37]

According to Metacritic, the album received generally favorable reviews, scoring 66 out of 100 based on 15 reviews. Jim DeRogatis of the Chicago Sun-Times called Machina "an exceedingly impressive and hard-driving record"[30] and contended that it was the band's "masterpiece."[38] "Machina finds the quartet back at their grunge-rocking best…" wrote Clark Collis in The Daily Telegraph. "[Corgan] seems re-energised as a writer and singer with the likes of 'Stand Inside Your Love' and 'Try Try Try' standing among their best work to date, while the lyrical refrain of the epic 'Glass and the Ghost Children' should please all those who like their rock music to be mean, moody and not a little psychotic."[39]

Track listing

All tracks are written by Billy Corgan.

Main release
No.TitleLength
1."The Everlasting Gaze"4:00
2."Raindrops + Sunshowers"4:39
3."Stand Inside Your Love"4:14
4."I of the Mourning"4:37
5."The Sacred and Profane"4:22
6."Try, Try, Try"5:09
7."Heavy Metal Machine"5:52
8."This Time"4:43
9."The Imploding Voice"4:24
10."Glass and the Ghost Children"9:56
11."Wound"3:58
12."The Crying Tree of Mercury"3:43
13."With Every Light"3:56
14."Blue Skies Bring Tears"5:45
15."Age of Innocence"3:55
Vinyl, Japanese CD
No.TitleLength
1."The Everlasting Gaze"4:00
2."Raindrops + Sunshowers"4:39
3."Stand Inside Your Love"4:14
4."I of the Mourning"4:37
5."The Sacred and Profane"4:22
6."Try, Try, Try"5:09
7."Heavy Metal Machine"5:52
8."This Time"4:43
9."The Imploding Voice"4:24
10."Glass and the Ghost Children"9:56
11."Wound"3:58
12."The Crying Tree of Mercury"3:43
13."Speed Kills"3:24
14."Age of Innocence"3:55
15."With Every Light"3:56
16."Blue Skies Bring Tears"5:45

Notes

  • "Speed Kills" is not the Machina II/The Friends & Enemies of Modern Music version, but the version that appears on the "Stand Inside Your Love" single truncated by two minutes with a fadeout. The last four tracks are re-sequenced. One early release of the album often referred to as the "premaster" has an extended version of "The Sacred and Profane" with two bars of electronic drum beat at the beginning of the song, electric guitar instead of acoustic in "Age of Innocence", "The Crying Tree of Mercury" titled "The Mercury Tree", and a different, more lo-fi mix overall.[40]
  • "Speed Kills" was apparently included because the Japanese arm of Virgin demanded an extra song to keep fans from buying imports.[41]

Release history

Released Label Catalog ID Format Country External sites
February 29, 2000 Virgin 7243 8 48936 2 0 CD US Discogs MusicBrainz [1]
February 28, 2000 Virgin • Hut Recordings 7243 8 48936 2 0 • CDHUT 59 CD Europe Discogs MusicBrainz [1]
2000 Virgin 7243 8 48936 4 4 Cassette US Discogs MusicBrainz [1]
May 2000 Virgin • Caroline Records 7243 8 48936 1 3 • CAR 48936 2LP US Discogs MusicBrainz [2]
February 28, 2000 Virgin VJCP-68165 CD Japan Discogs MusicBrainz [2]
May 2000 Virgin • Hut Recordings 7243 8 48936 1 3 • HUTDLP 59 2LP Europe Discogs MusicBrainz [2]

More releases: DiscogsMusicBrainz

Personnel

Band

Additional musicians

Production

  • Bill Douglass – mixing assistance
  • Flood – production, mixing
  • Vasily Kafanov – sleeve paintings and etchings
  • Tommy Lipnick – technical assistance
  • Tim "Gooch" Lougee – technical assistance
  • Jef Moll – mixing assistance
  • Alan Moulder – mixing
  • Andrew Nicholls – mixing assistance
  • Erin Piepergerdes – mixing assistance
  • Scott Schimpff – technical assistance
  • Greg Sylvester – art direction
  • Bjorn Thorsrud – recording, mixing, digital editing, compilation, additional programming
  • Howie Weinberg – mastering
  • Howard C. Willing – recording, mixing
  • Thomas Wolfe – art direction
  • Yelena Yemchuk – art direction
  • Mike Zainer – mixing assistant

Charts

Album

Year Chart Position
2000 Australian Albums (ARIA)[43] 2
Top Canadian Albums[citation needed] 2
US Billboard 200[44] 3
German Albums (Offizielle Top 100)[45] 4
New Zealand Albums (RMNZ)[46] 4
UK Albums (OCC)[47] 7
French Albums (SNEP)[48] 4
Swedish Albums (Sverigetopplistan)[49] 3

Singles

Year Single Chart Position
1999 "The Everlasting Gaze" US Alternative Airplay (Billboard)[50] 4
US Mainstream Rock (Billboard)[51] 4
2000 "Stand Inside Your Love" US Alternative Airplay (Billboard)[50] 2
US Mainstream Rock (Billboard)[51] 11
UK Singles (OCC)[52] 23
Australia (ARIA)[53] 31
UK Singles (OCC)[52] 73

Reissue

The album is scheduled to be reissued, this time resequenced as a double album with the Machina II material as was originally envisioned. The original co-producer Flood will be involved with a complete remix of all the material and sequencing into its original order as a two-disc concept album.[54] He further explained that part of the restored concept album will be a suite simulating a live Machines of God concert, possibly with crowd noise added, with a mix inspired by Kiss' Alive!.[55]

From July 2015, the reissue's release was put on permanent hold due to legal troubles with the record label. Corgan has said he has spent a lot of time on this and wants it to be released, but the legal issues need to be resolved first.[56] In August 2018, Billy answered an Instagram Q&A about this. The question was "Will the Machina reissue ever see the light of day?" He answered "Just signed legal settlement today on that. So yes". Corgan announced in later Q&A's that the reissue will feature completely new artwork and will not reuse any of the original Machina artwork.

Certifications and sales

Region Certification Certified units/sales
Australia (ARIA)[57] Gold 35,000^
Canada (Music Canada)[58] Platinum 100,000^
New Zealand (RMNZ)[59] Gold 7,500^
France (SNEP)[60] Gold 100,000*
Japan (RIAJ)[61] Gold 100,000^
United Kingdom (BPI)[62] Silver 60,000^
United States (RIAA)[63] Gold 500,000^

*sales figures based on certification alone
^shipments figures based on certification alone

References

  1. Farley, CHristopher John (March 6, 2000). "Music: Machina/The Machines of God - The Smashing Pumpkins". Time. Retrieved July 26, 2015.
  2. Ferguson, Jason. "The Smashing Pumpkins - Machina/The Machines of God". MTV Online. Archived from the original on July 25, 2001. Retrieved July 26, 2015.
  3. 3.0 3.1 Interview with Billy Corgan, May 24, 2000, KROQ-FM
  4. Reiley, Laura (February 7, 2000). "Review: Smashing Pumpkins Play Visceral Show in Northern California (02/7/2000)". Archived from the original on February 29, 2000. Retrieved October 9, 2012.
  5. "spfc.org : Tour History – Dates : 1998/10/31". spfc.org. Retrieved October 9, 2012.
  6. Kot, Greg (January 2002). "Pumpkin Seeds". Guitar World.
  7. Q, March 2000
  8. "Inside Baseball With Billy Corgan: The Smashing Pumpkins Head On Adore, MACHINA, And The End Of Teargarden". Stereogum. August 19, 1994. Retrieved December 9, 2019.
  9. 9.0 9.1 9.2 Borges, Christine (July 20, 2010). "Q&A: Billy Corgan Reveals Biggest Regret, Weighs Indie Versus Corporate Rock Ahead of Tonight's Show at Revolution". browardpalmbeach.com. Retrieved October 9, 2012.
  10. Episode 59 of VH1 Storytellers, August 24, 2000
  11. "cherubs, zeros, glass children & swans – symbolism in lyrics of the smashing pumpkins". 3:AM Magazine. April 24, 2018. Retrieved December 9, 2019.
  12. "spfc.org : Studio Sessions : Late 1998 – Sadlands (Billy's House)". spfc.org. Retrieved October 9, 2012.
  13. [1] Archive of [2][dead link]. September 12, 2008.
  14. Thomas, Richard (October 2008). "Signal to Noise: The Sonic Diary of the Smashing Pumpkins". EQ.
  15. Basham, David (March 2, 2000). "Billy Corgan Discusses Painless "Machina" Sessions". mtv.com. Retrieved October 9, 2012.
  16. Corgan, Billy (June 8, 2011). "Twitter / Billy: I Bet You Didn't Know That ..." Twitter. Retrieved October 9, 2012.
  17. "[Billy Corgan interview]". INSite.
  18. "..: SPfreaks :." spfreaks.com. Archived from the original on July 16, 2011. Retrieved October 9, 2012.
  19. "spfc.org : Studio Sessions : Jul 2000 – Chicago Recording Company". spfc.org. Retrieved October 9, 2012.
  20. The Smashing Pumpkins – Greatest Hits Video Collection (1991–2000) ("Try, Try, Try" video commentary). November 20, 2001.
  21. "pumpkins.it". www.pumpkins.it. Retrieved November 2, 2019.
  22. "HugeDomains.com - NachTKabaret.com is for sale (Nach T Kabaret)". www.hugedomains.com. Retrieved November 2, 2019.
  23. "contest winners". December 13, 2000. Archived from the original on February 15, 2001. Retrieved August 8, 2010.
  24. "43rd Annual Grammy Awards Nominations Coverage (2001) | DigitalHit.com". www.digitalhit.com. Retrieved November 2, 2019.
  25. "YouTube". www.youtube.com. Retrieved November 2, 2019.
  26. "YouTube". www.youtube.com. Retrieved November 2, 2019.
  27. "YouTube". www.youtube.com. Retrieved November 2, 2019.
  28. "Reviews for MACHINA/the machines of God by Smashing Pumpkins". Metacritic. Retrieved January 12, 2013.
  29. Erlewine, Stephen Thomas. "MACHINA/The Machines of God – The Smashing Pumpkins". AllMusic. Retrieved August 23, 2011.
  30. 30.0 30.1 DeRogatis, Jim (February 29, 2000). "Smashing Pumpkins Reclaiming Rock Glory". Chicago Sun-Times. Archived from the original on May 22, 2018. Retrieved October 17, 2016.
  31. Browne, David (March 3, 2000). "MACHINA/the machines of God". Entertainment Weekly. Retrieved January 12, 2013.
  32. Nichols, Natalie (February 27, 2000). "Pumpkins' Luscious Noise Coats Familiar Ideas". Los Angeles Times. Archived from the original on March 7, 2016. Retrieved November 29, 2015.
  33. Segal, Victoria (February 23, 2000). "The Smashing Pumpkins – MACHINA/The Machines Of God". NME. Archived from the original on April 7, 2000. Retrieved March 5, 2020.
  34. Elliott, Paul (April 2000). "The Smashing Pumpkins: Machina/The Machines of God". Q (163): 84–85. Archived from the original on November 21, 2000. Retrieved August 30, 2018.
  35. Pareles, Jon (March 16, 2000). "Machina/The Machines Of God". Rolling Stone. Retrieved August 23, 2011.
  36. Weisbard, Eric (March 2000). "Age Against the Machine". Spin. 16 (3): 145–46. Retrieved November 30, 2015.
  37. Christgau, Robert (March 28, 2000). "Consumer Guide". The Village Voice. Retrieved November 29, 2015.
  38. DeRogatis, Jim. "Pumpkins Return in Force." Chicago Sun-Times. December 20, 1999.
  39. The Daily Telegraph, February 26, 2000
  40. "spfreaks.com/item/machina-the-machines-of-god-171/". SPfreaks. Retrieved 3 February 2019.
  41. Billy Corgan, October 4, 2020 Instagram Q&A
  42. Gordon, Ariella. "Billy Corgan Refuses to Say D'arcy Wretzky's Name in Latest Smashing Pumpkins Update". Spin.
  43. "Australiancharts.com – The Smashing Pumpkins – MACHINA - THE MACHINES OF GOD". Hung Medien.
  44. "The Smashing Pumpkins Chart History (Billboard 200)". Billboard.
  45. "Longplay-Chartverfolgung at Musicline" (in German). Musicline.de. w:Phononet GmbH.
  46. "Charts.nz – The Smashing Pumpkins – Machina - The Machines of God". Hung Medien.
  47. "Smashing Pumpkins | Artist | Official Charts". UK Albums Chart.
  48. "Lescharts.com – The Smashing Pumpkins – Machina - The Machines of God". Hung Medien.
  49. "Swedishcharts.com – The Smashing Pumpkins – Machina - The Machines of God". Hung Medien.
  50. 50.0 50.1 "The Smashing Pumpkins Chart History (Alternative Songs)". Billboard.
  51. 51.0 51.1 "The Smashing Pumpkins Chart History (Mainstream Rock)". Billboard.
  52. 52.0 52.1 "Smashing Pumpkins: Artist Chart History". Official Charts Company.
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