The Smashing Pumpkins 2008-08-12 and The Smashing Pumpkins 2015-06-19: Difference between pages

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{| border="2" cellpadding="4" cellspacing="0" style="margin: 0 0 1em 1em; border: 1px #aaa solid; border-collapse: collapse; font-size: 95%;" align="right" width=280px
{{infobox live show
! bgcolor="#ffe156" colspan="2" | The Smashing Pumpkins
| artist = The Smashing Pumpkins
|-
| date = June 19, 2015
! align="left" | Date
| venue = [[w:Brady Theater|Brady Theater]]
| 2008-08-12
| location = Tulsa, OK, US
|-
| venue_type = Theater
! align="left" | Venue
| lat = 36.15791944
| Palace Theater
| lng = -95.99514722
|-
| capacity = 2800
! align="left" | Location
| lineup = Billy Corgan, Jeff Schroeder, Katie Cole
| Louisville, KY, US
| bands = YB, Katie Cole, The Smashing Pumpkins
|-
| tour = In Plainsong
! align="left" | Venue Type
}}
| Theater
 
|-
''[[In Plainsong tour|In Plainsong]]: An Acoustic-Electro Evening''.
! align="left" | Lineup
 
| Corgan, Chamberlin, Schroeder, Reyes, Harriton
|-
! align="left" | Order of Bands
| The Smashing Pumpkins
|-
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #1
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| WAV
|-
! align="left" | Equipment
| Schoeps MK4V>KC5>CMC6>Lunatec V2>SD702
|-
! align="left" | Length
| ~125m
|-
! align="left" | Complete?
| Yes
|-
! align="left" | Lowest Circulating Generation
| WAV-M>FLAC
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/tsp2008-08-12.mk4v 16-bit download]
|-
! align="left" | Notes
| ORCH 3, Row R, Seat 9.
|-
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
|-
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| MiniDV
|-
! align="left" | Equipment
| Sony DCR HC28
|-
! align="left" | Length
| ~35m
|-
! align="left" | Complete?
| No
|-
! align="left" | Notes
| G.L.O.W., Superchrist, The Beginning is the End is the Beginning, Today, We Only Come Out at Night, In the Summertime, and post-show footage of Billy talking to fans.
|-
|}
== Setlist ==
== Setlist ==
----
 
Set:
=== Pre-set ===
* Tarantula
# {{live song|Daydream|vip=1|acoustic=1}}
* G.L.O.W.
# {{live song|Purr Snickety|vip=1|acoustic=1}}
* Siva
# {{live song|Bye June|vip=1|acoustic=1}}
* Eye
# {{live song|Beautiful|vip=1|abandoned=1|acoustic=1}}
* Mayonaise
# {{live song|Valentine|vip=1|tease=1|acoustic=1}}
* Tonight, Tonight
 
* Speed Kills
=== Set ===
* Transformer
# {{live song|Tonight, Tonight|piano=1}}
* Superchrist
# {{live song|99 Floors|acoustic=1}}
** United States
# {{live song|Today|acoustic=1}}
** Star Spangled Banner [Key] (tease)
# {{live song|My Poor Troubled Heart|acoustic=1|cover=[[w:|traditional]]}}
* Once Upon a Time
# {{live song|Dorian|acoustic=1}}
* Again, Again, Again (The Crux)
# {{live song|For Your Love (song)|title=For Your Love|acoustic=1}}
* The Rose March
# {{live song|Drum + Fife|acoustic=1}}
* Today
# {{live song|A Stitch in Time|acoustic=1}}
* Bullet with Butterfly Wings
# {{live song|Mayonaise|acoustic=1}}
* The Beginning is the End is the Beginning
# {{live song|Prairie Song}}
* Heavy Metal Machine
# {{live song|Jersey Shore|acoustic=1}}
** White Rabbit [Jefferson Airplane] (tease)
# {{live song|Sparrow|acoustic=1}}
** White Horse [Laid Back] (tease)
# {{live song|Perfect|acoustic=1}}
** Glass' Theme
# {{live song|To Sheila|piano=1}}
* Set the Controls for the Heart of the Sun [Pink Floyd]
# {{live song|Behold! the Night Mare|piano=1}}
Encore:
# {{live song|For Martha|piano=1}}
* We Only Come Out at Night
# {{live song|Blissed and Gone|acoustic=1}}
* In the Summertime [Mungo Jerry] (with Kristopher Pulley on accordion)
# {{live song|Ava Adore}}
# {{live song|Now (And Then)}}
# {{live song|The Crying Tree of Mercury}}
# {{live song|1979|acoustic=1}}
# {{live song|Run2me|acoustic=1}}
# {{live song|Pinwheels|acoustic=1}}
# {{live song|Stand Inside Your Love|acoustic=1}}
# {{live song|Landslide|acoustic=1|cover=[[w:Stevie Nicks|Stevie Nicks]]}}
# {{live song|A New Poetry}}
 
=== Encore one ===
# <li value=27>{{live song|Spaceboy|acoustic=1}}</li>
# {{live song|El-A-Noy|acoustic=1}}
 
=== Encore two ===
# <li value=29>{{live song|Cardinal Rule|acoustic=1}}</li>
 
== Notes ==
 
* "To Sheila" and "Behold! The Night Mare" with Katie Cole on bass and backing vocals
* "1979", "Run2Me", "Pinwheels", "Stand Inside Your Love" and "Landslide" with Katie Cole on vocals only
* "To Sheila", "Behold! The Night Mare", "Ava Adore", "Now (And Then)", "The Crying Tree of Mercury", "1979", "Run2Me" and "A New Poetry" played with backing drum tracks
* "[[Fotheringay]]" was on the setlist as the first song of the second encore but not played


== Banter ==
== Banter ==
<blockquote>
 
(unknown)
{{banter|1=
</blockquote>
''(Due to no known complete source existing for this show, some banter may be missing beyond what's noted below)''
 
'''Tonight, Tonight''' (Billy solo piano)
'''99 Floors''' (Billy solo acoustic)
'''Today''' (Billy solo acoustic)
BC: Thank you very kindly, thank you.  Now I know that in this part of the world, you’re used to the rough and tumble.  One need only throw a rock in Tulsa to find a bar.  Which tells me that you like to have a good time.  But I must warn you that this show is not for the faint of heart, it’s about two and a half hours long.  If I feel like playing.  One does not acquire a bad reputation on accident.  Love is not the same as acceptance.  But this is--this is for you.
'''My Poor Troubled Heart''' (Billy solo acoustic)
'''Dorian''' (Billy solo acoustic)
'''For Your Love'''
BC: Now...as our guests this evening, we have some military here tonight.
Guy in crowd: [unintelligible!]
BC: Thank you.  So I’d like to dedicate this song to them, it’s called Drum and Fife.
'''Drum + Fife'''
'''A Stitch in Time'''
'''Mayonaise'''
'''Prairie Song'''
BC: Alright?  Now we've reached the uh, ''(clears throat)''--it is a dust bowl, isn't it?  My goodness.  Heh heh heh.  Now we've reached the portion in the show where we like to play a suite of songs from a particular album, in this case the Adore album.  As I like--as I like to say, I’m glad you like it now.  I wrote about, um, probably about 35 or so songs for the Adore album.  And so this is a small selection of some of those songs, um, in the way--in many ways, in the way that they were written so you get a sense of the original emotional intent of the album.  Before, you know, the record company got nervous and the managers got nervous and...yes.
Guy in crowd: Billy, I didn’t know you’re a giant!
BC: Heh heh heh heh heh.  Anyway.  So this song, uh, not to change the tenor of the moment, but this song is a strange inspiration.  As some of you know, I went through a lot of loss: my mother passed away, I got a divorce, uh, [[Jimmy Chamberlin|Jimmy]] had left the band, [[Jonathan Melvoin|Jonathan]] had died.  A very strange period and a lot of sadness coming out of an album called Sadness, so uh, it’s my fault, I suppose.  And um, there was one of those strange things that only happens--well, it seems to only happen in America--where a young man had killed another young man, a younger boy, and he had said that, uh, when they asked him why he did it, he said, “Well, I was listening to Smashing Pumpkins and the music told me to do it.”  And that, um...''(crowd boos)''...heh heh heh, yes, boo.  Heh heh heh.  ''(crowd yelling)''  Heh heh heh heh.  I [2 unintelligible words].  Anyway.  So, my first reaction was “Well, I’m a songwriter, I’ll write a song,” but then I thought, “Well, that really doesn’t do the young man justice that was murdered.”  It seemed to trivialize something about the event as if I was, you know, flipping through a newspaper and it just happened to be me that was in the headline.  But yet, about four weeks later, six weeks later, I suddenly was writing this song, which is called Jersey Shore, and in the middle of writing the song, I realized that I was writing about this young man, not from the standpoint of what had happened, but more from the standpoint of what his life might have been like, so then....
'''Jersey Shore''' (Billy solo 12-string)
'''Sparrow'''
'''Perfect'''
'''To Sheila''' (with Katie Cole on bass & vocals, Billy plays piano)
> '''Behold! The Night Mare''' (with Katie Cole on bass & vocals, Billy plays piano)
> '''For Martha''' (Billy solo piano)
'''Blissed and Gone''' (Billy solo ukulele)
'''Ava Adore'''
'''Now and Then'''
'''The Crying Tree of Mercury'''
'''1979''' (with Katie Cole on vocals)
'''Run2Me''' (with Katie Cole on vocals)
BC: Alright, alright, alright.
'''Pinwheels''' (with Katie Cole on vocals)
'''Stand Inside Your Love''' (with Katie Cole on vocals)
'''Landslide''' (with Katie Cole on vocals)
'''A New Poetry''' (Billy plays bass)
BC: Thank you very much.
[encore break, drum machine continues playing]
BC: I’m like to tell you that I’m not worthy, but I am...just not tonight, heh heh.  Anyway...thank you so much for coming.
'''Spaceboy''' (Billy solo acoustic)
'''El-A-Noy'''
[encore break]
'''Cardinal Rule''' (Billy solo acoustic)
BC: God bless you all, thank you so much, thank you, you guys are awesome.
}}
 
== Photos and memorabilia ==
{{live show gallery|
File:Tsp2015-06-19-preset.JPG
File:Tsp2015-06-19-setlist.JPG
File:Tsp2015-06-19-ticket.jpg
}}

Latest revision as of 23:31, 5 April 2023

June 19, 2015 – Tulsa, OK, US
Live performance by The Smashing Pumpkins
In Plainsong tour
DateJune 19, 2015
VenueBrady Theater
Coordinates36°9′29″N 95°59′43″W
LocationTulsa, OK, US
Venue typeTheater
Capacity2,800
PersonnelBilly Corgan, Jeff Schroeder, Katie Cole
Order of bandsYB, Katie Cole, The Smashing Pumpkins

In Plainsong: An Acoustic-Electro Evening.

Setlist[edit | edit source]

Pre-set[edit | edit source]

  1. "Daydream" (VIP) (acoustic) 
  2. "Purr Snickety" (VIP) (acoustic) 
  3. "Bye June" (VIP) (acoustic) 
  4. "Beautiful" (VIP) (abandoned) (acoustic) 
  5. "Valentine" (VIP) (tease) (acoustic) 

Set[edit | edit source]

  1. "Tonight, Tonight(piano) 
  2. "99 Floors(acoustic) 
  3. "Today(acoustic) 
  4. "My Poor Troubled Heart" [traditional(acoustic) 
  5. "Dorian(acoustic) 
  6. "For Your Love(acoustic) 
  7. "Drum + Fife(acoustic) 
  8. "A Stitch in Time(acoustic) 
  9. "Mayonaise(acoustic) 
  10. "Prairie Song
  11. "Jersey Shore(acoustic) 
  12. "Sparrow(acoustic) 
  13. "Perfect(acoustic) 
  14. "To Sheila(piano) 
  15. "Behold! the Night Mare(piano) 
  16. "For Martha(piano) 
  17. "Blissed and Gone(acoustic) 
  18. "Ava Adore
  19. "Now (And Then)
  20. "The Crying Tree of Mercury
  21. "1979(acoustic) 
  22. "Run2me(acoustic) 
  23. "Pinwheels(acoustic) 
  24. "Stand Inside Your Love(acoustic) 
  25. "Landslide" [Stevie Nicks(acoustic) 
  26. "A New Poetry

Encore one[edit | edit source]

  1. "Spaceboy(acoustic) 
  2. "El-A-Noy(acoustic) 

Encore two[edit | edit source]

  1. "Cardinal Rule(acoustic) 

Notes[edit | edit source]

  • "To Sheila" and "Behold! The Night Mare" with Katie Cole on bass and backing vocals
  • "1979", "Run2Me", "Pinwheels", "Stand Inside Your Love" and "Landslide" with Katie Cole on vocals only
  • "To Sheila", "Behold! The Night Mare", "Ava Adore", "Now (And Then)", "The Crying Tree of Mercury", "1979", "Run2Me" and "A New Poetry" played with backing drum tracks
  • "Fotheringay" was on the setlist as the first song of the second encore but not played

Banter[edit | edit source]

(Due to no known complete source existing for this show, some banter may be missing beyond what's noted below)

Tonight, Tonight (Billy solo piano)
99 Floors (Billy solo acoustic)
Today (Billy solo acoustic)
BC: Thank you very kindly, thank you. Now I know that in this part of the world, you’re used to the rough and tumble. One need only throw a rock in Tulsa to find a bar. Which tells me that you like to have a good time. But I must warn you that this show is not for the faint of heart, it’s about two and a half hours long. If I feel like playing. One does not acquire a bad reputation on accident. Love is not the same as acceptance. But this is--this is for you.
My Poor Troubled Heart (Billy solo acoustic)
Dorian (Billy solo acoustic)
For Your Love
BC: Now...as our guests this evening, we have some military here tonight.
Guy in crowd: [unintelligible!]
BC: Thank you. So I’d like to dedicate this song to them, it’s called Drum and Fife.
Drum + Fife
A Stitch in Time
Mayonaise
Prairie Song
BC: Alright? Now we've reached the uh, (clears throat)--it is a dust bowl, isn't it? My goodness. Heh heh heh. Now we've reached the portion in the show where we like to play a suite of songs from a particular album, in this case the Adore album. As I like--as I like to say, I’m glad you like it now. I wrote about, um, probably about 35 or so songs for the Adore album. And so this is a small selection of some of those songs, um, in the way--in many ways, in the way that they were written so you get a sense of the original emotional intent of the album. Before, you know, the record company got nervous and the managers got nervous and...yes.
Guy in crowd: Billy, I didn’t know you’re a giant!
BC: Heh heh heh heh heh. Anyway. So this song, uh, not to change the tenor of the moment, but this song is a strange inspiration. As some of you know, I went through a lot of loss: my mother passed away, I got a divorce, uh, Jimmy had left the band, Jonathan had died. A very strange period and a lot of sadness coming out of an album called Sadness, so uh, it’s my fault, I suppose. And um, there was one of those strange things that only happens--well, it seems to only happen in America--where a young man had killed another young man, a younger boy, and he had said that, uh, when they asked him why he did it, he said, “Well, I was listening to Smashing Pumpkins and the music told me to do it.” And that, um...(crowd boos)...heh heh heh, yes, boo. Heh heh heh. (crowd yelling) Heh heh heh heh. I [2 unintelligible words]. Anyway. So, my first reaction was “Well, I’m a songwriter, I’ll write a song,” but then I thought, “Well, that really doesn’t do the young man justice that was murdered.” It seemed to trivialize something about the event as if I was, you know, flipping through a newspaper and it just happened to be me that was in the headline. But yet, about four weeks later, six weeks later, I suddenly was writing this song, which is called Jersey Shore, and in the middle of writing the song, I realized that I was writing about this young man, not from the standpoint of what had happened, but more from the standpoint of what his life might have been like, so then....
Jersey Shore (Billy solo 12-string)
Sparrow
Perfect
To Sheila (with Katie Cole on bass & vocals, Billy plays piano)
> Behold! The Night Mare (with Katie Cole on bass & vocals, Billy plays piano)
> For Martha (Billy solo piano)
Blissed and Gone (Billy solo ukulele)
Ava Adore
Now and Then
The Crying Tree of Mercury
1979 (with Katie Cole on vocals)
Run2Me (with Katie Cole on vocals)
BC: Alright, alright, alright.
Pinwheels (with Katie Cole on vocals)
Stand Inside Your Love (with Katie Cole on vocals)
Landslide (with Katie Cole on vocals)
A New Poetry (Billy plays bass)
BC: Thank you very much.
[encore break, drum machine continues playing]
BC: I’m like to tell you that I’m not worthy, but I am...just not tonight, heh heh. Anyway...thank you so much for coming.
Spaceboy (Billy solo acoustic)
El-A-Noy
[encore break]
Cardinal Rule (Billy solo acoustic)
BC: God bless you all, thank you so much, thank you, you guys are awesome.

Photos and memorabilia[edit | edit source]